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James William Davison
THE VIRTUOSO UNDER SUBJECTION: HOW GERMAN IDEALISM SHAPED the CRITICAL RECEPTION of INSTRUMENTAL VIRTUOSITY in EUROPE, C. 1815 A
Joanne Cormac
STOVALL-THESIS-2012.Pdf (417.3Kb)
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Orchestrating Creativity
George Alexander Macfarren : His Life, Works, And
Prelims November 2007:Prelims May 2007.Qxd.Qxd
The Crystal Palace Saturday Concerts, 1865–1879: a Case Study of the Nineteenth-Century Programme Note
Introduction
Chopin in Great Britain, 1830 to 1930: Reception, Performance, Recordings
Chopin's Reception in Great Britain, 1830–1849
Les Sardanes De Pep Ventura I La Música Popular a Catalunya Entre La Restauració Dels Jocs Florals I La Primera República (1859-1874)
The Musical World (1836-1865) Copyright © 1996 RIPM Consortium Ltd Répertoire International De La Presse Musicale (
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