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Inferno (soundtrack)
Elp -Discography
Forms of Intertextuality: Keith Emerson’S Development As a “Crossover” Musician
This 2018 Film Is … • a Remake … • an Tribute … • a Reinterpretation … • an Update … • an “Offspring” …
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 07 | Autumn 2008
First Line of Title
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The Published Music of Keith Emerson: Expanding the Solo Piano
The Worthing Society
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The Ballerina Body-Horror: Spectatorship, Female Subjectivity and the Abject in Dario Argento’S Suspiria (1977)
Negotiating Minority Identity in Contemporary Italian Horror Cinema
The American Giallo
Dissertation Dario Argento
45 GRAVE School's out 12” (Enigma USA) – 30 801 (Featuring Phil
Interacting with Horror: Archaeology of the Italian Horror Genre from Its Origins Until the Eighties
Cinevox Record Cd Mdf Catalogo Sigla Interprete
'Why Are There Always Three?': the Gothic Occult in Dario Argento's Three Mothers Trilogy Lindsay Hallam, University of Ea
A GOBLIN BUYER's GUIDE by Mark Richard Hasan
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Artistic Imagery in Dario Argento's Cinema