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Hieronimo
Ofenge~6) a U
1 Agency and Ethics in the Spanish Tragedy Timothy Rosendale
A Reading of the Spanish Tragedy
Bel-Imperia: the (Early) Modern Woman in Thomas Kyd's Spanish
The Spanish Tragedy
“He Takes False Shadows for True Substances”: Madness and Metadrama in the Spanish Tragedy and Titus Andronicus
"See Here My Show": Providence and the Theatrum Mundi in Thomas Kyd's the Spanish Tragedy
The Emptiness of Signification in Thomas Kyd's the Spanish Tragedy
Table of Contents
Ecologies of the Passions in Early Modern English Tragedies
In This Chapter We Are Going to Discuss Kyd's the Spanish Tragedy, Or
The Spanish Tragedy and the Supernatural: Exploring the Coexistence of Patriotic and Subversive Interpretations in the Spanish Tragedy Michelle Mercure
Master of Arts
Re-Evaluating Representations of Women and the Angel/Whore Dichotomy in Renaissance Revenge Tragedy Roxanne Grimmett
The Artifice of Revenge: Metatheatricality and Renaissance Revenge Tragedy
How Misogyny Motivates Female Violence and Rebellion in Shakespeare’S Titus Andronicus
The Restricted Agency of Women in Arden of Faversham and the Spanish Tragedy
The Politics of Thomas Kyd's the Spanish Tragedy Research Thesis Presented in Partial Fulfillment of The
Top View
The Relationship Between Kyd's the Spanish Tragedy And
A Study of the Spanish Tragedy and Titus Andronicus
Performativity, Language, and Action in the Spanish Tragedy
Silencing the Tongue in Kyd and Shakespeare
The Spanish Tragedy Attributed to Thomas Kyd
Book Chapter Reference
Madness and Meaning: the Spanish Tragedy Anthony B. Dawson*
The Women of the Early Modern Turk and Moor Plays
A Cultural Analysis of the Intersection of Violence and Embedded Performance in Elizabethan and Jacobean Tragedy
Corporeal Violence in Early Modern Revenge Tragedies
Bel-Imperia in the Spanish Tragedy and Evadne in the Maid's Tragedy