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Grupo Frente
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I CURATING PUBLICS in BRAZIL: EXPERIMENT, CONSTRUCT, CARE
LYGIA PAPE: Exploring the Body in Public Space
Creacion De Arte Concreto
HÉLIO OITICICA: Propositi Ons
Brazilian Modernism in the Fundação Edson
Mário Pedrosa Primary Documents
Lygia Clark: Painting As an Experimental Field, 1948–1958 Lygia Clark: Painting As an Experimental Field, 1948–1958
Helio-Oiticica.Pdf
Rodrigo Naves Where Alfredo Volpi Starts to Get Complex: the Painter's
Ivanserpa.Pdf
Presentation of the São Paulo Bienal
Mário Pedrosa E a Construção De Uma Plataforma Estética Concretista No Rio De Janeiro Entre As Décadas De 1940 E 1950
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