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Gioseffo Zarlino
Investigations Into the Zarlino-Galilei Dispute
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
Music and Science from Leonardo to Galileo International Conference 13-15 November 2020 Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca
Development of Renaissance Era Counterpoint: Senseless Stipulations Or Scientific Tuds Y David J
Sacred Soundscapes: Music, Liturgy, and Architecture in Renaissance Venice
Gioseffo Zarlino's Istitutioni Harmoniche And
Musico Perfetto. Gioseffo Zarlino (1517-1590)
The Secular Latin-Texted Works of Adrian Willaert
Polychoral Culture at San Marco in Venice
Adrian Willaert's "Musica Nova" Selected Motets: Editions and Commentary
Zarlino, Anamorphosis, and Cinquecento Italy Edwin Li the University of Hong Kong
A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
And “Compose Beautifully”: Thoughts on Gioseffo Zarlino, Theory, and Practice Cristle Collins Judd
Interacting with Zarlino
Domenica 25 Settembre 2005 Ore 11 Chiesa Dello Spirito Santo
Dissertation Version
The Parish of St. Vincent Ferrer and St. Catherine of Siena
Musico Perfetto Gioseffo Zarlino
Top View
CONCERTO Policorale 5-05-2010 9:48 Pagina 8
Emergence of Geometry and Conceptual Changes in Theory of Ratios in Theoretical Music in the 16 Th Century
Zarlino's Reversal of the Classical System of Proportions!
Gioseffo Zarlino and the 'Miserere' Tradition: a Ferrarese Connection?
Chapter 5: a Perfected Art: Church Polyphony in the Late Fifteenth and Sixteenth Centuries
Praetorius Versus Zarlino the Question of Modes
CIPRIANO DE RORE (1515/16-1565) • I Madrigali a Cinque Voci (Venice, 1542)
Pure Academic Writing and (Good) Writing for the General Public