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Gilbert Reaney
(Pit) GILBERT REANEY of the Four Principal Sources of Trecento S
Guillaume De Machaut: Musician and Poet Sharon S
A New Look at Ars Subtilior Notation and Style in the Codex Chantilly, Ms. 564
Stil- Voices and Instruments in the Music of Guillaume De Madtaut
Hearing Polyphony, Ca.1375-Ca. 1450
Humanism, Philippe De Vitry, and the Ars Nova
MEDIEVAL and TUDOR SACRED and SECULAR MUSIC Some Select Recordings Compact Disc; Cassette Tape; (See Final Note Re Access)
A Critical Edition
5 the Fourteenth Century Elizabeth Eva Leach
On the Pre-Eminence of Musica Theorica Over Musica Practica
Musica Disciplina
AMS Newsletter August 2008
The Captive Scribe, Part 1
Subtiliter Alternare: the Yoxford Motet O Amicus / Precursaris*
Rethinking Ars Subtilior: Context, Language, Study and Performance
Medieval and Renaissance Music Conference University of Sheffield, 5–8 July 2016
Medren Booklet
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 75-3178
Top View
Observations of Scribal Process and Filiation in Codex Chantilly
Language, War, and Lyric Form in Francophone Europe, 1337-1400
Fumeur' Poetry and Music of the Chantilly Codex: a Study of Its Meaning and Background
The Virelai and the Dance Song
Rethinking Ars Subtilior: Context, Language, Study and Performance
Appendix I: Altieri, Li Nuptiali
Ancient Musical Ideas Through a Twenty-First Century Lens: An
Foy Porter' Phyllis Brown Santa Clara University,
[email protected]
Université D'ottawa University of Ottawa