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Gabriel Pareyon
Musical Women and Identity-Building in Early Independent Mexico (1821-1854)
The Political Power of Carlos Chávez and His Influence Upon Silvestre Revueltas and Blas Galindo
María Grever, Ignacio Fernández Esperón “Tata Nacho,” and Agustín Lara
NASA Update J
On Musical Self-Similarity
Music As a Carbon Language: a Mathematical Analogy and Its Interpretation in Biomusicology
Writing Modernist and Avant-Garde Music in Mexico
431110 1 En Bookfrontmatter 1..29
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