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Esfir Shub
Visualizing the Past: Perestroika Documentary Memory Of
Visual Metaphors for the People a Study of Cinematic Propoganda in Sergei Eisenstein’S Film
Elizaveta Svilova – Women Film Pioneers Project
ETD Template
A Supercut of Supercuts: Aesthetics, Histories, Databases
Representing the Spanish Civil War
Terror Nullius (2018) and the Politics of Sample Filmmaking
Russian and Soviet Cinema Until 1948 Instructor: Alec Brookes,
[email protected]
Office Hours: MWF 1-2Pm, Tu 12-2Pm, Or by Appointment
Durham E-Theses
Art, Documentary and the Essay Film
The Aesthetic of Montage in the Films of Kamei Fumio
Soviet Montage Cinema As Propaganda and Political Rhetoric
Esfir Il'inishna Shub 1894-1959 an Entry on the Soviet Filmmaker for The
Curriculum Vitae
Vanishingg Point Soviet Union - Soviett Cinema and the West Betweenn Innovation and Repression
Modern Friendship: the “New Turkey” and Soviet Cultural Diplomacy, 1933-1934 Taylor Craig Zajicek a Thesis Submitted in Part
The Eye in Matter Dziga Vertov and Early Soviet Cinema
Russian and Soviet Cinema in the Age of Revolution, 1917 – 1932
Top View
The Essay As a Literary, Cinematographic and Videographic Form
Dziga Vertov's the Eleventh Year
TESIS DOCTORAL from Waste to Worth. Recycling Moving Images As a Means for Historical Inquiry
Esfir Shub Selected Writings
Elizaveta Svilova and Soviet Documentary Film
Dziga Vertov Published and Forthcoming in KINO: the Russian Cinema Series