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- Music Listening As Adaptive Behaviour: Enaction Meets Neuroscience
- Rethinking Musical Affordances
- Sound to Sense, Sense to Sound: a State-Of-The-Art
- Experience and Expectation
- Concepts for an Enactive Music Pedagogy: Essays on Phenomenology, Embodied Cognition, and Music Education
- An Introduction to Cognitive Musicology Historical-Scientific Presuppositions in the Psychology of Music
- Embodied Music Cognition and Mediation Technology Embodied Music Cognition and Mediation Technology
- Learning Embodied Semantics Via Music and Dance Semiotic Correlations
- Music-Animated Body
- Music and Movement Share a Dynamic Structure That Supports Universal Expressions of Emotion
- Of Music, Mind, and Machines: Towards an Integrative Musicology
- Embodied Cognition, Perception, and Performance in Music
- Special Issue on Mind, Music & Technology
- Singing the Body Electric Understanding the Role of Embodiment in Performing and Composing Interactive Music Einarsson, Anna
- Embodied Cognition, Perception, and Performance in Music
- Concepts for an Enactive Music Pedagogy: Essays on Phenomenology, Embodied Cognition, and Music Education
- Music Perception As Embodied Cognition
- Engineering Systematic Musicology Methods and Services for Computational and Empirical Music Research
- Towards Integrating Embodied Music Cognition Into Music Recommender Services Via Accelerometer
- Computational Models of Music Perception and Cognition II
- Embodied Sonification