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Eduard Hanslick

  • 182170262.Pdf

    182170262.Pdf

  • Eduard Hanslick's

    Eduard Hanslick's

  • Canadian Women Composers in Modernist Terrain

    Canadian Women Composers in Modernist Terrain

  • An Ecocritical Aesthetic of Noise in Japanese Traditional Sound Culture and the Sound Art Of

    An Ecocritical Aesthetic of Noise in Japanese Traditional Sound Culture and the Sound Art Of

  • Hanslick, Kant, and the Origins of Vom Musikalisch-Schönen

    Hanslick, Kant, and the Origins of Vom Musikalisch-Schönen

  • Absolute Music and the Deleted Endings of Hanslick's Vom Musikalisch-Schönen Author(S): Mark Evan Bonds Source: 19Th-Century Music , Vol

    Absolute Music and the Deleted Endings of Hanslick's Vom Musikalisch-Schönen Author(S): Mark Evan Bonds Source: 19Th-Century Music , Vol

  • Music, Language, and Composition Theodor W. Adorno

    Music, Language, and Composition Theodor W. Adorno

  • Young Nietzsche and the Wagnerian Experience

    Young Nietzsche and the Wagnerian Experience

  • Brahms's Poetic Allusions Through Hanslick's Critical Lens

    Brahms's Poetic Allusions Through Hanslick's Critical Lens

  • Music, Language, and Composition Author(S): Theodor W

    Music, Language, and Composition Author(S): Theodor W

  • Nietzsche's Critique of

    Nietzsche's Critique of "Absolute" Music

  • University Micrdoms International

    University Micrdoms International

  • Aesthetics and Ideology in the Fin-De-Siecle Mozart Revival *

    Aesthetics and Ideology in the Fin-De-Siecle Mozart Revival *

  • Spring 2000 Issue (PDF)

    Spring 2000 Issue (PDF)

  • The Affective Properties of Keys in Instrumental Music from the Late Nineteenth and Early Twentieth Centuries

    The Affective Properties of Keys in Instrumental Music from the Late Nineteenth and Early Twentieth Centuries

  • The Kantian Ethos of Musical Formalism Hanne Appelqvist

    The Kantian Ethos of Musical Formalism Hanne Appelqvist

  • Eduard Hanslick's Vom Musikalisch

    Eduard Hanslick's Vom Musikalisch

  • Nietzsche's Critique of Wagner In-Law.3 Hostility Would Not Be So Bad, However, Were It Not So Frequently Combined Introduction with Breathtaking Ignorance

    Nietzsche's Critique of Wagner In-Law.3 Hostility Would Not Be So Bad, However, Were It Not So Frequently Combined Introduction with Breathtaking Ignorance

Top View
  • On Hanslick and the Musically Beautiful’
  • Aesthetics of Objectivism in Igor Stravinsky's
  • Authenticity and Failure in Adorno's Aesthetics of Music.', in the Cambridge Companion to Adorno
  • The Origins of Schenker's Thought: How Man Is Musical Author(S): Allan Keiler and Schenker Source: Journal of Music Theory, Vol
  • New Music and the Press: Vienna 1896-7, Bruckner, Dvoibk, the Laodiceans and Also Sprach Zarathustra
  • Henryk Elzenberg As a Forerunner of Anglo-American Concepts of Expression
  • COPYRIGHTED MATERIAL 6 Poetics 57 Aristotle 7 Ennead I, Vi 73 Plotinus 8 De Musica 81 St
  • Henryk Elzenberg As a Forerunner of Anglo-American Concepts of Expression
  • Whiteheadian Aesthetic Digitized by the Internet Archive
  • Tonally Moving Forms – Peter Kivy and Eduard Hanslick's 'Enhanced
  • Chapter 20: Musical Politics in the Mid-Nineteenth Century I. Introduction
  • Modernism with Spirit: Wittgenstein and the Sense of the Whole Antonia Soulez
  • Béla Bartók's Concerto for Orchestra
  • Cavalleria Rusticana' Author(S): Matteo Sansone Source: Music & Letters, Vol
  • Mahler the Enigma: Progressive Composer, Traditional Conductor Anna Gatdula Depauw University
  • Rethinking Hanslick: Music, Formalism, and Expression
  • The Magic Wand of the Wagnerians: Musik Als Ausdruck Stephen Mcclatchie
  • Analysing Musical Multimedia.10 I Have Also Excluded Texts That Do Not Develop Temporally As Music Does Such As Abstract Painting and Architecture


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