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Eastman Johnson
Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University
[email protected]
A Pioneer Artist on Lake Superior
Art-Related Archival Materials in the Chicago Area
Essays for Docents Project, 2007-2009 on the Occasion of UMMA's Expansion and Renovation
The Domestication of History in American Art: 1848-1876
Research Guide for Longfellow House Bulletins
Grand Portage As a Trading Post: Patterns of Trade at "The Great Carrying Place"
Conscience and Context in Eastman Johnson's the Lord Is My Shepherd
A Guide to the John Quincy Adams Ward Papers Summary Information
EJCR July29 2021 NA
The Grand Portage Guide Grand Portage: the Great Sharing Place Superintendent Tim Cochrane
American Images of Childhood in an Age of Educational and Social
19Th Century American Genre, Marine, Adn Still Life Paintings
Eastman Johnson's Lunchtime
What This Cruel War Was Over: Slavery and the Civil War
November 2009 Nnaahh Ggaahh Cchhii Wwaa Nnoonngg (Far End of the Great Lake) Ddii Bbaahh Jjii Mmoowwiinn Nnaann (Narrating of Story)
The End of Innocence: the Effects of the Civil War on Children in the Paintings of Eastman Johnson
Art from Europe and America, 1850-1950: Gallery 17
Top View
Oxford Bibliographies Your Best Research Starts Here
Narrating of Story) (Far End of the Great Lake
Eastman Johnson's Negro Life at the South and Urban Slavery in Washington,D.C
A Peculiar Aesthetic
Grand Portage As a Trading Post: Patterns of Trade at “The Great Carrying Place” ● 2005
Defining a Nation