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Donor portrait
Sex, Lies, and Mosaics: the Zoe Panel As a Reflection of Change in Eleventh-Century Byzantium*
Buildings in Their Patrons' Hands? the Multiform Function of Small Size
The Representation of Architecture on the Donor Portrait in Lesnovo
Hans Holbein the Younger's Darmstadt
Byzantium and Medieval Europe Byzantium—Early Byzantine 1. Title
Visions and Meditations in Early Flemish Painting Craig Harbison
Seek the Eyes of Mary': a Widow and a Virgin's Illuminating Invitation
Hazelhofman.Pdf
Women's Books? Gendered Piety and Patronage in Late Medieval
Bulgarian Lands
The Place and Space of a Donator in Late Medieval Devotional Art the Reciprocal Nature of the Living and the Dead
Gazes and Gesture of Bovine Animals in Trecento Fresco Elsa L
Prayers and Portraits
PALEOLITHIC Overlapping Forms Forms Placed in Front of Other Forms
Artist: Period/Style: Patron: Material/Technique
Art and Reform in Tenth-Century Rome – the Paintings of S. Maria in Pallara
Early Modern Faces Brings Together Nearly Ninety Paintings and Prints by Artists from Veronese and Rembrandt to Goya and Van Dyck
IDENTITY AS SYMBOL in MEDIEVAL SACRED ART a Thesis Submitted to the Faculty of the School of Continuing
Top View
Research.Pdf (801.5Kb)
Papal Apse Mosaics Dale Kinney Bryn Mawr College,
[email protected]
The Role of Naturalism in Religious Art of the Early Renaissance 1
Memory in Paintings of Quattrocentro Renaissance Florence: Religious Paintings and Secular Portraits