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Dafne
Mora Wade the RECEPTION of OPITZ's Ludith DURING the BAROQUE by Virtue of Its Status As the Second German Opera Libretto, Martin
Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort
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3. Monody and Opera
A European Singspiel
Chapter 7: Humanism and the Birth of Opera I. Introduction A. the Chief
Chapter 7: Humanism and the Emergence of Opera in Italy: 1590–1640
Death and the Female Body in Homer, Vergil, and Ovid
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Forgotten Reality, Remembered Fiction, Production Values and Court Opera
Echos in Und Um »Dafne«*
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The Metamorphosis As a Figure of the Boundary Between Life and Death
Busenello Satirico: New Sources for Apollo and Dafne
Cultural Exchange, Brokerage Networks, and Social Representation in Early Mode
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The Metamorphoses of Dafne (And Apollo): the Birth of Opera at the Crossroads of Genres
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Heinrich Schütz's Weihnachtshistorie Trombones for the Three Kings?
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The Constructional and Expressive Role of Modality in L'euridice By
Florentine Publishing in the Renaissance