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- Music-Music Theory (MUS THRY) 1
- Counterpoint and Polyphony in Recent Instrumental Works of John Adams Alexander Sanchez-Behar
- Music Theory Iii Species Counterpoint and Diatonic
- Alan Belkin, Composer Principles of Counterpoint
- From Johann Joseph Fuxs Gradus Ad Parnassum Ebook
- Reading Schenker's Kontrapunkt
- ANALYSIS of TONAL MUSIC: a Schenkerian Approach THIRD EDITION
- A Comparison of the Counterpoint of the Classical and of the Modern Periods
- Keyboard Technique As Contrapuntal Structure in J. S. Bach's Clavier Works
- Species Counterpoint Exercises from Fux's Gradus Ad Parnassum
- Proposing a Historically-Oriented Diminution Curriculum for Baroque
- SOFT RULES First Species HARD RULES First Species
- Schenkerian Analysis
- Pitch-Class Set Theory Exploration of Sound In
- A Comparative Analysis of JS Bach's Fugue in D
- Appendix 1: Invertible Counterpoint, Compound Melody, and Implied Harmonies
- MTO 3.1: Agmon, the Bridges That Never Were
- The Choral Fugue: a Comparative Study of Style and Procedure In
- Fux to Bach: Bridging the Gap Robert Gauldin
- The Problem of Prolongation in Post-Tonal Music Author(S): Joseph N
- Rothstein's Paradox and Neumeyer's Fallacies
- Schenker's Versus Schenkerian Attitudes Towards Sequences
- Visualizing Bach's Polyphony at the Bauhaus
- The Art of Fugue
- A Practical Approach to Eighteenth-Century Counterpoint
- MUSIC 31 (Spring '09): TONAL HARMONY AND
- Musical Algorithms and Fundamental Structures
- Prolongation in Post-Tonal Music: a Survey of Analytical
- Generation of Two-Voice Imitative Counterpoint from Statistical Models Victor Padilla1*, Darrell Conklin2
- The Complete Guide to Counterpoint in Forty Lessons
- Two Part Inventions
- Redalyc.Schenkerian Analysis and Popular Music
- Counterpoint of Lines Or Voices Mart Humal
- Counterpoint and Fugue Textbook Is to Introduce Concepts and Terminology Pertaining to Polyphony, and to Help Students Develop Their Music Analysis Abilities
- Music Theory Department SPRING 2017 ELECTIVES MUSIC THEORY at NEC
- Schoenberg, Unfolding, and “Composing with Twelve Tones”: a Case Study (Op
- EFFECTS of REPETITION on ATTENTION in TWO-PART COUNTERPOINT CECILIA TAHER, RENÉ RUSCH,& STEPHEN MCADAMS Mcgill University
- Schenker's Organicism Revisited 3