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- Music 231 Free Counterpoint, Two Parts
- 1 „So You Want to Write a Canon?‟ an Historically-Informed New Approach for the Modern Theory Class Introduction Canonic
- Schenker's Counterpoint
- Baroque Terms
- Reconsidering the Early Fugues of Johann Sebastian Bach: in the Light of Improvised Fugues by Organists
- Priore, Irna. "Theories of Histories of Serialism: Terminology
- Fourth-Species Counterpoint, We Expect Mostly Oblique Stepwise Motion
- A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
- Program Notes Johann Sebastian Bach
- The Selected Sacred Solo Vocal Motets of Claudio Monteverdi Including Confitebor Tibi, Domine
- Szymanowski Clash”: Harmonic Conflict and Ambiguity in the Szymanowski Mazurkas Matthew Bengtson
- A Comparison of the Counterpoint of the Classical and of the Modern Periods
- 7273X 68 ITOW Milhaud.Indd
- Keyboard Technique As Contrapuntal Structure in J. S. Bach's Clavier Works
- Counterpoint Worlds and Morphisms : a Graph-Theoretical Approach and Its Implementation on the Rubato Composer Software
- Counterpoint.Pdf
- Counterpoint – Introduction & First Species
- Ostinato Patterns in the Opera "Antigone" by Carl Orff and An
- A Comparative Analysis of JS Bach's Fugue in D
- Texture in Music Counterpoint Monophonic
- The Structure of First-Species Canon in Modal, Tonal and Atonal Musics
- Chopin's Canons: Technical Development, Chromaticism and Its Relationship with the Aesthetics of His Late Style
- When Counterpoint Meets Chinese Folk Melodies
- From Modal to Tonal: the Influence of Monteverdi on Musical Development
- Appendix 1: Invertible Counterpoint, Compound Melody, and Implied Harmonies
- Copyright by Laura Christine Amos 2007
- The Choral Fugue: a Comparative Study of Style and Procedure In
- The Theory and Practice of Integrating Invertible Counterpoint Into Classical Theme-Types Peter Franck
- Species Counterpoint
- Visualizing Bach's Polyphony at the Bauhaus
- The Art of Fugue
- Counterpoint of Imitation and Ostinato in Polyphonic Form (At the Example of Georgian Music)
- MUSIC 31 (Spring '09): TONAL HARMONY AND
- Svetlana Kurbatskaya on Serial Music: Twelve Categories of "Twelve-Toneness"
- A Computational Composer's Assistant for Atonal Counterpoint
- Generation of Two-Voice Imitative Counterpoint from Statistical Models Victor Padilla1*, Darrell Conklin2
- Polytonality"
- The Complete Guide to Counterpoint in Forty Lessons
- Counterpoint and Fugue Textbook Is to Introduce Concepts and Terminology Pertaining to Polyphony, and to Help Students Develop Their Music Analysis Abilities
- Dissonant Counterpoint, Henry Cowell, and the Network of Ultra-Modern Composers John D
- Fugue-Worksheet.Pdf
- Electric Counterpoint Is the Last in a Series of 3 Pieces for Soloists Playing Along with Pre- Recorded Multi-Track Tapes of Themselves
- Electric Counterpoint 3Rd Movement by Steve Reich
- AN INNOVATIVE APPROACH to SERIALISM: GEORGE ROCHBERG’S TWELVE BAGATELLES for PIANO and SYMPHONY NO
- Evolving Musical Counterpoint the Chronopoint Musical Evolution System
- Dolcissimo Uscignolo
- The Three Extant Masses of Claudio Monteverdi VAUGHN ROSTE