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Charles Ives

  • Msm Camerata Nova

    Msm Camerata Nova

  • University Microiilms, a XERQ\Company, Ann Arbor, Michigan

    University Microiilms, a XERQ\Company, Ann Arbor, Michigan

  • 1 MUHL M406 Topics in Music History 1850-Present, 2 Credits, MUHL

    1 MUHL M406 Topics in Music History 1850-Present, 2 Credits, MUHL

  • Musicianship IV Syllabus

    Musicianship IV Syllabus

  • Modern Art Music Terms

    Modern Art Music Terms

  • From the Instructor

    From the Instructor

  • Art Songs of Charles Ives Accessible to Beginning Singers By

    Art Songs of Charles Ives Accessible to Beginning Singers By

  • Defining Musical Americanism: a Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives

    Defining Musical Americanism: a Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives

  • Kaikhosru Shapurji Sorabji, Compositeur Sui Generis

    Kaikhosru Shapurji Sorabji, Compositeur Sui Generis

  • Ritual Dance, by Villa-Lobos: a Music Topic in the Tropics

    Ritual Dance, by Villa-Lobos: a Music Topic in the Tropics

  • Ives, Charles | Grove Music

    Ives, Charles | Grove Music

  • A New American Development in Music: Some Characteristic Features Extending from the Legacy of Charles Ives

    A New American Development in Music: Some Characteristic Features Extending from the Legacy of Charles Ives

  • American Music Review Formerly the Institute for Studies in American Music Newsletter

    American Music Review Formerly the Institute for Studies in American Music Newsletter

  • Wallingford Riegger

    Wallingford Riegger

  • Six Recital Pieces for Percussion

    Six Recital Pieces for Percussion

  • The Quarter-Tone System Oj Charles Ives Jderison

    The Quarter-Tone System Oj Charles Ives Jderison

  • EIU Music Composition Studies Handbook 19-20

    EIU Music Composition Studies Handbook 19-20

  • Elliott Carter, Charles Ives, and Musical Borrowing

    Elliott Carter, Charles Ives, and Musical Borrowing

Top View
  • A Wind Ensemble Adaptation and Conductor's Analysis of Selected Movements of Darius Milhaud's Saudades Do Brazil, with A
  • \(When a Poem Has No Words Reviewed\)
  • Homage in the Solo Guitar Music of Roland Dyens Sean Beavers
  • MICHAEL FINNISSY at 70 the PIANO MUSIC (2) IAN PACE – Piano Recital at Hollywell Music Room, Oxford
  • THE AMERICAN ORIGINAL, CHARLES IVES Bruce Hearey John Carroll University, [email protected]
  • National Gallery of Art
  • The Six String Quartets of Paul Cooper: an Analysis and Interview with the Composer
  • Toolkit for Interdisciplinary Learning
  • Charles Ives in the Mirror: American Histories of an Iconic Composer
  • University of Cincinnati
  • Copland in Pursuit of Neoclassicism
  • UCSB Department of Music Presents Spring 2018 Concert Series
  • VERGE 13 Mark Blair Crossroads of Boulez and Cage: Automatism In
  • Extract from Text
  • CHARLES IVES and DEMOCRACY: ASSOCIATION, BORROWING, and TREATMENT of DISSONANCE in HIS MUSIC Chelsey Lynne Hamm Submitted To
  • Ives-The-Unanswered-Question.Pdf
  • Ives on His Own Terms: an Explication, a Theory of Pitch Organization, and a New Critical Edition for the "3-Page Sonata"
  • The Symbiosis Between Villa-Lobos's Carnaval Das Crianças and Momoprecoce: a Comparative Study


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