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Buster Bailey
The Solo Style of Jazz Clarinetist Johnny Dodds: 1923 – 1938
Ernest Elliott
In This Issue... New Releases from CAPITOL the C O VER Music Views There Are Very Few People in July, 1955 Voi
View Or Download the 100 Page Accompanying Booklet
Proyecto Fin De Carrera Ingeniería Industrial Modelado Y Recreación
A Linked-Data Jazz Project for Stanford University Libraries
Buddy Defranco, the Standard Bearer
Ricardo Morales in This Issue Interview with Ricardo Morales and Genesio Riboldi “Queen Clarinet”: Doreen Ketchens a New Look at Lefèvre’S Third Concerto
Chronological Discography
Charles James Shavers “Charlie”
Kenny Barron Fun Adventure
Stompin' with Fats
The Yazoo Review. Hopefully, You Will Find a Combination of Indepth Reviews As Well As Great Prices for Purchasing Albums, Cassettes, Compact Discs, Videos, Books
Series 139 Playland Phonograph
Collection of Jazz Articles
LICORICE STICK: SOME THOUGHTS on the CLARINET in JAZZ by Ian Muldoon* ______
A Tommy Ladnier Discography Bo Lindström
Fletcher Henderson – Classic Period
Top View
The Jazz Review
Miguel Ruiz Santos
Oral History Transcript T-0109, Interview with Elijah Shaw And
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120672Bk Fletcher
Background, Compositional Style, and Performance Considerations in the Clarinet Works of David Baker
I. Jazz: a Historical Perspective II. Duke Ellington III. Charles Mingus
Benny Goodman (1909-1986) Was Born in Chicago's Toughest Neighborhood, the Maxwell Street Ghetto
Discography Compiled by Bob Weir
Black Music Research Journal Researching the New Orleans
Volume 30, Number 4, September 2003
INFORMATION to USERS This Manuscript Has Been Reproduced
Henry James Allen “Red”
Carol Steinbeck Record Collection
Katie Crippen
Jazz in the Garden Concert at Museum of Modern Art
The Chameleon Clarinet Cultural and Historical Perspectives in America
Military Manpower Beefs up the Third Miller Memorial Set