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Brian Plomley
Correcting Misconceptions About the Names Applied to Tasmania’S Giant Freshwater Crayfish Astacopsis Gouldi (Decapoda: Parastacidae)
'Miss Dalrymple' to 'Daring Dolly': a Life of Two Historiographical Episodes
Reviewing the History Wars
Chapter Eleven Mabo and the Fabrication of Aboriginal History
Australian Photography and Transnationalism
THE FABRICATION of ABORIGINAL HISTORY Photo – David Karonidis Keith Windschuttle
The French in the South Seas
The Bone Collectors
Remembering the Debate About Massacre in the Black War in Tasmania
The Millipede Genus Lissodesmus Chamberlin
CHS53-Plomley-Collection.Pdf(PDF, 313KB)
Stingray in the Sky
Unsettled Settlers: Fear and White Victimhood in New South Wales and Van Diemen’S Land, 1788 – 1838
The Free Aboriginal Inhabitants of Van Diemen's Land at Wybalenna, 1832–47
2. Hard Evidencen: the Debate About Massacre in the Black War In
No Reprieve for Tasmanian Rock Art
The Axe Had Never Sounded’ Place, People and Heritage of Recherche Bay, Tasmania
Presence and Absence: the Play of Race and Aesthetics in the Portraits of Thomas Bock and Benjamin Duterrau
Top View
The Scientific Results of Tbe D' Entrecasteaux Voyage in Van Diemen's Land, 1792-93
No Reprieve for Tasmanian Rock Art
Musical Encounters in Terra Australis, 1802
The Axe Had Never Sounded’ Place, People and Heritage of Recherche Bay, Tasmania