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Bolognese School
ELISABETTA SIRANI's JUDITH with the HEAD of HOLOFERNES By
Cna85b2317313.Pdf
Collaboration and Originality in Early Modern Art
A Putto in Flight, Holding an Urn Red Chalk on Buff Paper, Laid Down on a Large Album Page, with Framing Lines in Red Ink
Felsina Pittrice LIVES of the BOLOGNESE PAINTERS
Center 8 Research Reports and Record of Activities
Guercino: Mind to Paper/Julian Brooks with the Assistance of Nathaniel E
The History of Painting in Italy, from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
From Artist to Audience Would Not Have Been Possible This Elegant and Professional Publication
The Women Artists of Bologna
Observing Protest from a Place
Stylistic Change & L'idea Della Bellezza in Early Modern
Studies in Seventeenth-Century Caricature
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Felsina Pittrice
Eclecticism and the Emergence of Baroque Painting in Italy Daniel M
Print Format
OCCASIONAL ESSAY 1 the Portrait of Monsignor Agucchi in York Art Gallery and the Question of Portraiture
Top View
Lauraine Diggins Fine
Captured Emotions: Baroque Painting in Bologna, 1575–1725 at the J
Mulvaneyjoy1980.Pdf
Defining Artistic Identity in the Florentine Renaissance: Vasari, Embedded Self-Portraits, and the Patron’S Role
Observing Protest from a Place
DIDIER AARON Paintings × Drawings × Sculpture
Bologna and Venice in the Seventeenth Century
1 Aleksandra Patalas Musical Life in the Church of San Domenico In