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Bimal Roy

  • Movie Aquisitions in 2010 - Hindi Cinema

    Movie Aquisitions in 2010 - Hindi Cinema

  • Magazine1-4 Final.Qxd (Page 3)

    Magazine1-4 Final.Qxd (Page 3)

  • Unit Indian Cinema

    Unit Indian Cinema

  • Devdas by Sanjay Leela Bhansali

    Devdas by Sanjay Leela Bhansali

  • Dharmendra View Read More

    Dharmendra View Read More

  • Desertion of Rural Theme from Hindi Cinema: a Study

    Desertion of Rural Theme from Hindi Cinema: a Study

  • Alternative Cinema(S) of South Asia/ Submission of Abstracts: 20Th August 2020

    Alternative Cinema(S) of South Asia/ Submission of Abstracts: 20Th August 2020

  • Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema

    Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema

  • Role Name Affiliation National Coordinator Subject Coordinator Prof Sujata Patel Department of Sociology, University Of

    Role Name Affiliation National Coordinator Subject Coordinator Prof Sujata Patel Department of Sociology, University Of

  • History of Indian Cinema.Pdf

    History of Indian Cinema.Pdf

  • 1604642781 Digipaper 01 Ravi Vasudevan.Pdf

    1604642781 Digipaper 01 Ravi Vasudevan.Pdf

  • VOL.LIX January 2016 No. 1 HIGHLIGHTS

    VOL.LIX January 2016 No. 1 HIGHLIGHTS

  • Recycle Industry: the Visual Economy of Remakes in Contemporary Bombay Film Culture by Ramna Walia “Audiences Now Want New Stories

    Recycle Industry: the Visual Economy of Remakes in Contemporary Bombay Film Culture by Ramna Walia “Audiences Now Want New Stories

  • SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I the Birth of Cinema Lumie

    SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I the Birth of Cinema Lumie

  • The Making of a Terrorist: Through the Lens of Bollywood

    The Making of a Terrorist: Through the Lens of Bollywood

  • How the Indian Filmmakers, Directors and Performers Changed the Perceptions of Asian Culture and Heritage in Global Scenario

    How the Indian Filmmakers, Directors and Performers Changed the Perceptions of Asian Culture and Heritage in Global Scenario

  • Representation of the Protagonist in Bimal Roy's 1959 Film Sujata

    Representation of the Protagonist in Bimal Roy's 1959 Film Sujata

  • 'Do Bigha Zameen' (1953) Dr. Pallav Mukhop

    'Do Bigha Zameen' (1953) Dr. Pallav Mukhop

Top View
  • Parineeta Regie: Pradeep Sarkar
  • Popular Indian Cinema in Conversation with Reincarnation: Some Aspects
  • Gulzar's Films: Alice in Bollywood
  • Romance and the Family in the Early Films of Raj Kapoor
  • Gulzar in Conversation with Nasreen Munni Kabir
  • On the Meaning of Style: Cognition, Culture, and Visual Technique in Bimal Roy's Sujata
  • Global Bollywood - P4088S - Michael Lawrence | Sussex University
  • Research Scholar
  • From Bombay to Bollywood
  • An Overview of Indian Film *Prof
  • Cinematic Liberties, Navarasa Influences and Digressions in Adaptation in Sanjay Leela Bhansali's Devdas P
  • Marketing Films Through Social Realities: Shyam Benegal's
  • Padmanabhan Georgetown 007
  • HERITAGE and RUPTURES: IDENTITY NEGOTIATIONS of the HERO in the CINEMATOGRAPHIC ADAPTATIONS of DEVDAS Jitka De Préval
  • Print This Article
  • INDICE Parte Prima
  • It's Not All About Song and Dance: How the Natyashastra Informs
  • Can Pleasure Be Serious? Appropriately Opening on April


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