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Apparent source width
Architectural Acoustics
Object-Based Reverberation for Spatial Audio Coleman, P, Franck, A, Jackson, P, Hughes, RJ, Remaggi, L and Melchior, F 10.17743/Jaes.2016.0059
Contribution of Precisely Apparent Source Width to Auditory Spaciousness
Characterizing Apparent Source Width Perception
The Sonification Handbook Chapter 3 Psychoacoustics
Measurements of IACC During Music Performance in Concert Halls by Magne Skålevik a Paper Presented (Link) at ISMRA 11 September, La Plata, Argentina
Concert Hall Acoustics, Springer-Verlag, It Is Considered That the Scale Value of Apparent Heidelberg
Interaural Cross-Correlation Affects Perceived Elevation of Auditory Images Presented Via Height Channels in Multichannel Audio Reproduction Systems
Dynamic Spatial Responsiveness in Concert Halls
Subjective Study on Listener Envelopment Using Hybrid Room Acoustics Simulation and Higher Order Ambisonics Reproduction
Beyond 80Ms: the Subjective Effects of Sound Energy Arriving Shortly After the “Early” Sound Period
The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata
A Preliminary Investigation on the Sound Field Properties in the Sagrada Familia Basilica
Auditory Distance Control Using a Variable-Directivity Loudspeaker †
Auditory Distance Control Using a Variable-Directivity Loudspeaker †
Dynamic Diffuse Signal Processing for Sound Reinforcement and Reproduction
Parametric Directional Coding for Precomputed Sound Propagation
MASTER's THESIS Listener Envelopment
Top View
Apparent Source Width Perception in Normal-Hearing, Hearing-Impaired and Aided Listeners
The Effect of Various Source Signal Properties on Measurements of The
Recent Experiences with Electronic Acoustic Enhancement in Concert Halls and Opera Houses
Aspects of Concert Hall Acoustics
General Overview of Spatial Impression, Envelopment, Localization, and Externalization
Perception of Spatial Impression Due to Varying Positions of the Source
Spatial Auditory Blurring and Applications to Multichannel Audio Coding Adrien Daniel
Creation and Perception of Sound Source Width in Binaural Synthesis