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Apocalypse (Dürer)
Antichrist As (Anti)Charisma: Reflections on Weber and the ‘Son of Perdition’
RELIEF PRINTS April, 2009 INTRODUCTION/ISSUES TO
Albrecht Dürer: “The Apelles of Black Lines”
How the World's Religions View Apocalypticism
Spotlights Albrecht Dürer and the Renaissance North of the Alps
Visions of Apocalypse: What Jews, Christians, and Muslims Believe
Zamanın Sonu Ve Bir İmparatorluğun Başlangıcı: Hicri Bininci Yılın Eşiğinde Bir İstanbul Efsanesi Abdüssamet YILMAZ*
Reading Sample
The Theme of Apocalypse in Three Works by Gogol' *
The Strange World of Albrecht Dürer the Strange
Albrecht Dürer's Horsemen of the Apocalypse
The Coming Final Battle?
Woodcuts to the Apocalypse in Durer's Time
Albrecht Dürer
COSMOLOGY and APOCALYPSE in DÜRR-İ MEKNUN By
Apocalypse La Salle University Art Museum
An Uncanny Melancholia: the Frame, the Gaze, and the Representation of Melancholia in Albrecht Dürer’S Engraving Melencolia I1
Melencolia I.1∗
Top View
The Visualization of Perspective Systems and Iconology in Dürer's
Apocalyptic Mentalities in Late-Medieval England Steven A
Albrecht Dürer's New Jerusalem: Revelation 21
Woodcuts As Wallpaper: Sebald Beham and Large Prints from Nuremberg
Apocalyptic Visions in Black and White by Heidi J
The Apocalypse and Religious Propaganda: Illustrations by Albrecht Dürer and Lucas Cranach the Elder
Authorship Claim by D Ürer, 215–16N17 Underdrawing