Andrew Sarris
Top View
- Revisiting Annie Hall: Exploring Jewish Identity on the Silver Screen
- Martin Scorsese As an Auteur: from Goodfellas (1990) to the Irishman (2019)
- Andrew Sarris and the Politique Des Auteurs (1962-1974): an Assessment and an Analysis Steven Grumbacher Western Kentucky University
- An Application of the Auteur Theory of Filmmaking
- Women, Convergent Film Criticism, and the Cinephilia of Feminist Interruptions
- Creating the Cinematic Illusion of Samson's Phenomenal Biblical Strength in Cecil B. Demille's Samson and Delilah (1949)
- John Cassavetes and the Uneasy Conformism of the American Middle Class Vrasidas Karalis in September 1981, As I Opened the Door
- Andrew Sarris and American Filmmaking
- Andrew Sarris
- Cannes Critics Week Panel: Selected Bibliography 1 the Higher Learning Staff Curate the Digital Resource Packages to Complement
- “In the Same Figure, Like the King That's Dead”: the Phantasmic Authorship of the Other Side of the Wind
- Citizen Kane by Godfrey Cheshire “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
- Female Auteurs and Their Perceptions of Gender, Sexuality, and National Identity
- Auteur Theory and Its Implications
- The Village Voice Film Guide