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Amelia Jones

  • AMELIA G. JONES Robert A

    AMELIA G. JONES Robert A

  • The Body and Technology Author(S): Amelia Jones, Geoffrey Batchen

    The Body and Technology Author(S): Amelia Jones, Geoffrey Batchen

  • 'I Write Four Times….': a Tribute to the Work and Teaching of Donald Preziosi

    'I Write Four Times….': a Tribute to the Work and Teaching of Donald Preziosi

  • ARHS 3358 – Gender and Sexuality in Modern and Contemporary Art

    ARHS 3358 – Gender and Sexuality in Modern and Contemporary Art

  • AMELIA JONES “'Women' in Dada: Elsa, Rrose, and Charlie”

    AMELIA JONES “'Women' in Dada: Elsa, Rrose, and Charlie”

  • AMELIA G. JONES Robert A

    AMELIA G. JONES Robert A

  • Interview with Amelia Jones’ Doing This As Well As I Am Now Because I Was More Absorbed in What Was, at the Time, a Straight White Paris Lettau & Feminist Discourse

    Interview with Amelia Jones’ Doing This As Well As I Am Now Because I Was More Absorbed in What Was, at the Time, a Straight White Paris Lettau & Feminist Discourse

  • Art's Sexual Politics

    Art's Sexual Politics

  • Amelia G. Jones

    Amelia G. Jones

  • Reclaiming the Feminine Identity Through the Abject: a Comparative Study of Judy Chicago, Mary Kelly, and Cindy Sherman

    Reclaiming the Feminine Identity Through the Abject: a Comparative Study of Judy Chicago, Mary Kelly, and Cindy Sherman

  • A Sidelong Glance: the Practice of African Diaspora Art History in the United States

    A Sidelong Glance: the Practice of African Diaspora Art History in the United States

  • Subjective Art History: Considerations in Amelia Jones' Irrational Modernism

    Subjective Art History: Considerations in Amelia Jones' Irrational Modernism

  • “The Artist Is Present” Artistic Re-­Enactments and the Impossibility of Presence Amelia Jones

    “The Artist Is Present” Artistic Re-­Enactments and the Impossibility of Presence Amelia Jones

  • Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency

    Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency

  • Otherwise Imagining Queer Feminist Art Histories

    Otherwise Imagining Queer Feminist Art Histories

  • 1 on Intimacy and Writing Histories of Performance: an Interview With

    1 on Intimacy and Writing Histories of Performance: an Interview With

  • Material Traces Performativity, Artistic “Work,” and New Concepts of Agency Amelia Jones

    Material Traces Performativity, Artistic “Work,” and New Concepts of Agency Amelia Jones

  • JACKSON DAVIDOW • Jacksondavidow@Gmail.Com

    JACKSON DAVIDOW • [email protected]

Top View
  • (Or Is It the Feminist Curating of Art?) Amelia Jones
  • The Museum As Feminist Space in the Sexual Politics Exhibition, 1996
  • A Reevaluation of the Pedestal in the Sculpture of Arlene Shechet, Nicole Cherubini, and Francesca Dimattio
  • Vulnerability, Generosity, and Relationality in Ulay's Self-Imaging
  • A Companion to Contemporary Art Since 1945
  • Phenomenology and the Early Work of Carolee Schneemann 1957-1973
  • Carl and Karen Pope's
  • Masculinity, Scatology, Mooning and the Queer/Able Art of Gilbert & George
  • THE ENACTED THOUGHT: Performance Practices and the Theatres of Learning


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