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Allen Forte
James M. Baker, David W. Beach, and Jonathan Ber- Nard, Eds. Music
Pitch-Class Set Theory: an Overture
To Allen Forte from His Former Advisees: Tributes and Reminiscences
Bulletin 2006/Music/Pages
Henry Burnett & Roy Nitzberg, Composition, Chromaticism and The
MTO 16.3: Jenkins, After the Harvest
Review of the Music of Elliott Carter, Second Edition. by David Schiff
Z-Related Hexachords Explained by Transpositional Combination and the Complement Union Property
Comparing Collections of Set Classes: Indexes in Forte's Genera Theory
A Primer for Atonal Set Theory
A Detailed List and a Periodic Table of Set Classes
Transpositionally Invariant Subsets: a New Set-Subcomplex
Forte's Lecture on Jazz
Pitch-Class Set Theory in Music and Mathematics Volume I
Newsletter a Publication of the Society for Music Theory
The Problem of Prolongation in Post-Tonal Music Author(S): Joseph N
Smooth Voice-Leading Systems for Atonal Music
Tonality 1900–1950 Tconcepto and Practicenal 1900–1950
Top View
To Allen Forte from His Former Advisees
Prolongation in Post-Tonal Music: a Survey of Analytical
Allen Forte's Set Theory, Neutral Level Analysis and Poietics
The Twin Legacies of a Scholar-Teacher: the Publications and Dissertation Advisees of Allen Forte
AN INNOVATIVE APPROACH to SERIALISM: GEORGE ROCHBERG’S TWELVE BAGATELLES for PIANO and SYMPHONY NO
Elliott Carter 4
Pitch-Class Set Analysis Today Author(S): Allen Forte Source: Music Analysis , Mar
Allen Forte Loved That Music, the Music of Cole Porter, and Allen Himself Was the Top, in So Many Ways
Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts Michiel Schuijer