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- Federal Register/Vol. 85, No. 200/Thursday, October 15, 2020
- Girls' Generation? Gender, (Dis)Empowerment and K-Pop
- YG Entertainment and Live Nation Proudly Announce the BIGBANG ALIVE TOUR 2012
- The Korean Wave in America: Assessing the Status of K-Pop and K-Drama Between Global and Local
- Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music Sarah Leung
- GPMS Gazette March, 2019
- Students Strike a Pose at Home
- Sandara Park and Kim Soo Hyun Dating Sie Nie Wieder
- Teaching K-Culture: the Traditional in the Modern in K-Pop Music Videos
- One Direction Copies Kpop
- Comparative Discourse on J-Pop and K-Pop: Hybridity in Contemporary Local Music
- The Korean Wave
- The Globalization of K-Pop: Is K-Pop Losing Its Korean-Ness?
- Stuart A. Kallen Featuring Quirky Horse-Riding Dance Moves and an Infectious Electronic Beat, an Unlikely Music Video and Its Leading Man Made History in 2012
- The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, Or Other?
- Gd&T Tolerance Stack up Analysis
- The Representation of Femininity in the Music Video of 2Ne1's “I Am
- Korean Popular Music (K-Pop), Youth Fan Culture, and Art Education Curriculum Aelim Kim University of South Carolina