The Au~tralian Elizabethan Theatre Trust l'IU- ,',IIJl s :\ l I he Rt 11011 ,11J11h11 I ,11h,1111 (, ( \I(, QC ( 11.\IR\I .\"\ Ill II ( (.00111bs EX EC l 'T IVE DlllUTOll 11111-:h 1111111 110, \FCRE f.\R\ \l. 11111."ct•.,rku , l',, "nHllh \\ .tie-. \I t I.\""''' c llE Q11ce11,l,u1d 1'1okw11 I J ,,honell \\ 'c, Lern Alhl ralia Prok-.,ot I · \k,,llldc1 \" ic to 1ia \ It \ II I Gib,on ',0111h .\ 11,1,alia \ Ii I ( II atc11nan I a, 111a11ia \lr (, I )).nil '> .Foreword: /11 11.1Jint .\l't11011th£ Ur::,rt/,ei/,,111°[111.11 Of'ut1 ( u111J1,1111 I pre.1e11ted r1 •et1.rr,11of fo11r 1\l o_t1rl Op1:r,1.,. I hi, 11 "' t111,1111- hi110111hegi1111i11g . .. and the best r111d.1ho1u:d h£yo11d do11hl I h,11 t111111,,1111011.1 de111,1iidfor dt1s.11(t1Io/1err1 1 Yi.11.1 Iii 1/,1.1(r,1///il) . .·I i'rflg1,1111111£ way to travel ll'h1(h Iii /.:,11rof1eor / l/lle1i(t1 1/"IJ//ldhe re,~r1rdul "-' food (r,1 th£ i , 0111101.,seuronly. here J1ro1eel ,1 po/>11/t1rrl1c1 f /11 ,,II is by Thi, 1eaw11pro1 icln ,111oppor11111111 forth£ p111111:,111011of w111e ofleras that cl/e 11•ell-k1101111and ll'ell-101ed. 111r,r£1a111ple.r from ti,e 11•orlr/._(.11r,reho11.1c of operr1/1c 11er1,11u 1. / /,£ , r11/ of TA A,,,c111J11r wrh r1 .1er1.,011i.1 1 ery grcr1/. II" e r1rc 1110_1/ for/1111t1!£11, lh£ ge11err,11.1.\llf1f1orl of S/(1/e Go1 cn1111e11l.1.(1/J r Peopl e who like the be st include TAA in their (,r,11111ii, ,111rl111 1hr: ro-operalio11 of I he A11.11ud1.11181 o,1dca.11111g(01111111, 11r,11 11 h,ch preference s. They enjoy the luxury and superi ority alone /1/(lke., pr).l.1ihlethe (011/1111/C'dlife of th£ Com/ tll/1 h1111/ of TAA Viscounts - the quiet , poised perform ances ,.r 11po11you. the thealre-gr,er of / lmt 1td1,1.thrtl th£ Of>ur1 11111st of Ro1ls-Royce turbo-prop motors , the hi ghly al 1/'(l)'J 1110.11re/_1. efficient pre ssurisation and air-conditionin g. 011r 1c1lio11,d talent for the pe, for111r111aof <1/>trrthr1J the accomplished hostess ser vice. a111J1ly de111011s1rateditself hoth al home r111dabror1rl: if thi., talelfl goes fonrc ,,d 1/Jith the 1cide11ing r1ppreric11io11of the rtrl. 1he11the f11111reof th~ lyrir theatre i11 A11Strr1lir1i.r r11.wrul. Next tim e yo u mak e an i11te,-statejourney, book to fly by NPV571 _________________________ 'A A _ CH .\IRMAl\ '. 3 u =====;:;-= JOAN HAMMOND Has achieved b1 tlhanl -,uucv-. as lyric -dramatic soprano since lea, ing Aus · B e r n h d trali a in 1936. Bcfo1e a r going o,c1,ea, ,he w..t, a , iolini!)L with ,dnc, Conservalo1 ium and Philharm onic orthcs1ra..,, and a ..,pon-,woman of thampion,hip standa1d he \\a , engaged for p11nc,p,tl role, \\llh the \'ienn a State Opera after swd,ing lan­ guage, and opera in that city, and ,ho1 tl) aftc1wa1d, "'" a,ked to appear w1th the lal<· Sir Hen,) J. Wood at the opening of l.on don's Prom enade Concert,. Durin g \\' arid War II ,he combined ambulance d, i, ing in London's East End with concert and operatic performances , SC\leral of which we1c ghen in ait 1aitl shelters during the "b litz" . Followin g a recital tour of Australia in 19·16, she ,ew,ncd . a, the fu,t post 1,,ir guest arti,t, to the \ 'ienna State Ope1a. This was followed In .1 1<·,i1.,I tour of South Africa , a serie s of appe.irances in all the leading opera hou,e, and , otHl'Il halh in th e United State s and Canada, Briti sh Isles, Ea,t and Central \f, i, .i and Fu rope. In addition to being the first Briti sh artist to ,ing in Ru"ian in \!o,um\ Bohhoi Theatre since the Revolution , she was al)() the fu,t ,\u-,t1ali.111 to ,mg i11 thi"i. the world 's larg est opera hous e. Following her appca1ancc, Elizabethan wuh the I nht Opera Company in "To ,ca" and "Otello", she will return 10 wn«·1 t and I\ in the n ited Kin gdom. 10 be followed b, a 1our of the United \tat, ·, ,111d Europe includ­ ing candina, ia . .. ... ..... .. .. .. .. .. .. ..... ... .. ~ . .. .. .. ..... .... , .. .. .. .. .. ... .. ... ' .. ....... ... .. .·..·.·.·.·.· . ... .. ...... .... .. .. .. .. .. .. .. I • • . .• • • • • . .. .. .. ... .' . ..... .. .. .. .. .. ... ' .. .. .. - ..... ... ,i ••• . .. .. .. .. .. .. .... .. ·...· . .. ... .. ·.·.·.·.·. ----~-~-;-.·. - ·.·.·.·.· .... - 137KING. ST.. NiWTOWN FUR SALON7 TH. FLOOR, THE TRUST BU ILDING. 155 KING STREE T· BW 1309 LA3441 I AtMissenden Rd. I l !'Ji// "1111 ~ ;n ,..j l/1. 1' HSIE MOHISON Rt.·1u1 IP, to \u..,11,tltJ fn1 the hi-.t lillll' ,11Hc l~Hh. !(I ,1ppca1 111 ' I.a Hnlw111C.·... 111d I ill' B..11lnt. d Hi ide" !or the 1-·111.tlicth.111 I 1ll'll Opt·t.1 ( omp,111, 11" p111 <1pal ",1•p1.u111 .11 (.o,c.:111 ( ,at ,kn ..,Ju.. \\,h 1t.·ct:111h .Hll.umnl h, the I 011do11 pit·-.-. f1H IH·t i11t< 1p1t·l.tl1011 of C1lda 111 R1g11klto" wl11l I g It I .1111,1 with the "'i,1dlt-1 \ \\ di, Opt·1.1 ( 0111p.11n Rt.<o~nl"-t'cl .1, 111t. ol llil lo1cmo,l opt.·J,lllt .111d 111,1 1 1 Ill ,111,1,1111, 111 rug-land, ,Ill· ,,,111 !111 \lt'\h.i '·Hh11l,11,h1p 1n 1q11 .1nd l.111·1 ,,11h IIH lit Ip, f tla 11c11.., nf Ball a 1.11 \ ut1111.1 lat ,11lli ,l.ut· ,hl ,11t11ied ,11 I 11111\1111\ Ro,,tl ~1.1dn11, ol \ll, ..,ll Dut 1111.! '111 h1,1 ,t.,11 11 rlu \,-1,!1111, ,IH ,,on a lu1tht.·1 ,tlwl.u ...tup .rnd 1lw <!11t·1·11,P1i1 e Afler thte e H ·J J .., \\llh 1he 'i acll<-1\ \\ t'lh (.omp~111\ ..,ht: rn,1dt her f11..,1appeara nce with 1hc (,h1Hkh o 11111t ( omp.111, 111 ",tt ,t\111..,k,· l ht R.1kl 0 1'111g1t·..,..," ~ll 1he 1953 EJinb111 ~h l·e ...11\,tl I ht rok of \l 11111 111 I ,l Bohcntt·' 1 t1rn of l1t·1 1110-,l famou~. although ...he ha .., <·..,1JIJJi..,hcd ,11th ~1 f01mid,1hlt- 1t pt·11011c- 11 lu th opn,1 .u1d ora torio <luring 1hc l.1,1 ft ' \\ H·,u, .1, 10 m akl· ,ckt1w11 dilfHt1lt ,l,111\ n1n liu11thed workers are includ ed in ht ·1 0 1ato1io H.'JH:·11oi 1e mak111~ 11 111H ol rht mos! lomp 1ehe11..,ive of an, livin g , i11ge 1 10 da, In audition ,he ha , , ung the 10le of " \ln 1,1" 111 \11\t' Hughes' opera of the , ame nam e, for the W elsh 1a uonal Op era Compau, - . - ·- ·- - - - - - - ·- - ·- - ·- - - - - - - - - - ·- ··-= f OR A MOD EL IN HA I R STYLING Ila MARION \!REE i KILLARA. mosJ JAMES BUILDING , CITY . .,. BW62SS RONALD DOWD One of :\u '!u-ali a\ lea din g ten ors, he is known botl1 hc, c and o, cis ca for h is performan ces in op era . 01a ,011 0 and on the concert platform On rn mpl c11011 o f the Elizabethan Opera Co mp all\ 's l!l5i ,ea son . he will return to ad ler's W ells O pc 1a Company , of whi ch he h a, bee n a mcmh c1 sin ce 1955 . ~"tt~on 1{.\'\'t THEATRE \l.,I EWTOW F'RH)\Y. l1h OC'IOBEH, J957 THE AUSTRALIAN ELIZABETHA N THEATRE TRUST pr esen ts the World Premi ere of Visibly HEALING Better TV "THESHIFTING HEART" by RI CH ARD REYNO"I/ • Alum inised tubes fo r d eepest " b la cks" a nd brighte st " whites'' with a full ra ng e of in­ HEALING IVith an A ll-S tar Cast be tween shades . L\ ' ' DALL BARBOUR NEVA CARR -GU ''\' Rf( H \RD B EYNON • Opti cal filter safety glass to eliminate g lare a nd reflect ion, Manhattan TOM FARLEY DINAH SHEARI ' G FR \'\h. WATERS GORDON • Healing signalock to sc reen out sta t ic an d GLEl'iW RI GHT 1-.LITH J \l{\ 'JS pr event "roll over" and distortion. 17" X 21" Produced b) \I A \' H OLLI:\WORTH • Du Mont Steadi b eam to brin g you uniform pic tu re quali ty whether the station si g nal is Consolettes steady or varyin g . FIR ST PRll:E : S\!ln c1 Jou,nalist Club Pia, Com pcti11011 19",6 .\ cljud1ca 1n1S: Pl a,w1i gh 1, \ d 1i,01, • 10 channel turret tuner to receive al channels from l\oa,d that may be allotted. 1 he \ m 11ali,111 Fl 11ahc1ha11 I hca 1rc rru st • A utomatic electros tati c focus and twin con­ tr ol~ to orotect a g dinst human error~ rn tuning 225 Gns. THIRD PRl/E : Lo nd on "Ob scl\e1 " Pl,I\ (.0111pe1i1io11. 19.ii Adjuclirntors: .\ Ice Gninn cs-. Peter l ', 1i11m. Kenn eth I 111.111. 9 3 '" Sopranos ~ I I I I I JO\ CE ""f\l()'\-, - THE SPIDER WlLMA WHITNE\ For cen turi es in tbe J apane se the atre, th e Kabuki dram as bave used "i nterpr etative make-up" - s tand ard colours and pattern s for different per sonality type s. Tbe face of a good man , for instance, is painted white: the face of a wicked man i s painted red - the exact shade of red d etermin ed by the ex ten t and degre e of his wick edne ss.