Università Prima edizione 2009 © 2009 - Progedit Progetti editoriali srl via De Cesare, 15 - 70122 Bari Tel. 0805230627 Fax 0805237648 www.progedit.com e-mail: [email protected] Questo volume viene pubblicato con il contributo FORMS OF MIGRATION MIGRATION OF FORMS Literature Proceedings of the 23rd AIA Conference Bari, 20-22 September 2007 edited by Vito Cavone, Claudia Corti, Maristella Trulli Progedit È vietata la riproduzione non autorizzata anche parziale, realizzata con qualsiasi mezzo, compresa la fotocopia, anche ad uso interno o didattico. Le fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% di ciascun volume dietro pagamento alla SIAE del compenso previsto dall’art. 68, commi 4 e 5, della legge 22 aprile 1941 n. 633. ISBN 978-88-6194-055-0 Fotocomposizione: Digit Service snc - Bari Finito di stampare nel luglio 2009 presso la Di Canosa srl Cassano delle Murge (Ba) per conto della Progedit - Progetti editoriali srl CONTENTS Acknowledgements IX Claudia Corti, Vito Cavone, Maristella Trulli XI FOREWORD Vito Amoruso (Università di Bari) LE FORME DEL TRAGICO IN SHAKESPEARE: L’ESEMPIO DEL CORIOLANUS 1 THEATRE AND ARTS ed. by Claudia Corti C. Maria Laudando (Università di Napoli “L’Orientale”) KEMP’S NINE DAYS’ WONDER: INTERTEXTUAL ACROBATICS BETWEEN STAGE, PACE AND PAGE 13 Carla Dente (Università di Pisa) THE LAW AGAINST LOVERS: DA SHAKESPEARE A DAVENANT 24 Francesca Saggini (Università della Tuscia) BETWEEN CREATION AND RECEPTION: STAGE APPROPRIATION AS A TEXTUAL PRACTICE 35 Valeria Pellis (Università di Firenze) THE STRANGE CASE OF S.T. COLERIDGE’S WALLENSTEIN IN ANGLO-GERMAN RELATIONSHIPS AT THE START OF THE NINETEENTH CENTURY 48 Francesca Lotti (Università di Milano) UN ALTROVE CULTURALE FRA ORIENTE E OCCIDENTE: YEATS VS. GILBERT E SULLIVAN 59 Cinzia Giglioni (Università di Milano) IRIS MURDOCH: FROM PAGE TO STAGE 72 VI Contents Rossana M. Sebellin (Università di Roma “Tor Vergata”) IN BETWEEN: TRADUZIONE E ORIGINALITÀ IN SAMUEL BECKETT 83 Floriana Guerriero (Università di Salerno) JAVIER MARÍAS RISCRIVE MACBETH E RICHARD III 97 Daniela Guardamagna (Università di Roma “Tor Vergata”) LA REVENGER’S TRAGEDY, DAL TESTO ALLA REALIZZAZIONE FILMICA 109 Luigi Cazzato (Università di Bari) IL FILM PIÙ TIPICO DELLA STORIA DEL CINEMA. TRISTRAM SHANDY: A COCK AND BULL STORY DI MICHAEL WINTERBOTTOM 119 Mariateresa Franza (Università di Salerno) FROM FLATLAND, A ROMANCE OF MANY DIMENSIONS (1884) TO FLATLAND THE FILM (2007): MIGRATIONS TO ‘NEW’ DIMENSIONS 138 POETRY AND MUSIC ed. by Vito Cavone Susan Payne (Università di Firenze) LADY MARY WROTH AND THE PETRARCHAN LABYRINTH: THE CROWN OF SONNETS IN PAMPHILIA TO AMPHILANTHUS 149 Valentina Pontolillo D’Elia (Università di Milano) MIGRAZIONI DELL’‘UGLINESS’: IL ‘DISGUSTO’ DA JONATHAN SWIFT A T.S. ELIOT 155 Arianna Antonielli (Università di Firenze) ‘THIS WAS THE FALL’. THE MYTH OF THE FALL FROM THE PROPHETIC BOOKS TO THE WORKS OF WILLIAM BLAKE 164 Mariacristina Petillo (Università di Bari) MIGRAZIONI DI POETICHE. ELIOT E STRAVINSKY: DUE PROTAGONISTI DEL VENTESIMO SECOLO A CONFRONTO 176 Susanna Francesca Mineve (Università di Milano) MIGRAZIONI DI POETICHE: IL DINGGEDICHT DA RAINER MARIA RILKE A WYSTAN HUGH AUDEN 189 Sauro Fabi (Università di Macerata) THE POPULAR AVANT-GARDE: THE ROLE OF RUSSIAN CONSTRUCTIVISM IN FINLAY’S AND MORGAN’S CONCRETE POETRY 203 Contents VII Anna Enrichetta Soccio (Università di Pescara) PHILIP LARKIN TRA POESIA E MUSICA 217 Sabrina D’Alessandro (Università di Napoli “Federico II”) MIGRANT MINDS: SENSE OF PLACE AND DISPLACEMENT IN TWENTIETH CENTURY NORTHERN-IRISH LITERATURE 226 Irene De Angelis (Università di Torino) THE ‘JAPANESE EFFECT’ IN CIARAN CARSON’S THE TWELFTH OF NEVER 239 PROSE AND FICTION ed. by Maristella Trulli C. Bruna Mancini (Università della Calabria) PAMELA’S MIGRATIONS. RE-WRITING THE FEMININE BODY IN THE EIGHTEENTH-CENTURY NOVEL 259 Serena Cenni (Università di Trento) ‘JANE CONCERNING LAST NIGHT...’: METAPASTICHE E VENTRILOQUISMO LETTERARIO IN CHARLOTTE DI DONALD MICHAEL THOMAS 273 Valentina Polcini (University of Exeter – UK) IL VECCHIO MARINAIO NELLO SPAZIO PROFONDO: PERCORSI INTERTESTUALI NELLA NARRATIVA DI J.G. BALLARD 287 Valentina Castagna (Università di Palermo) INTERLACING CHRISTIAN AND CLASSICAL MYTHS: SUBVERSIVE REWORKING OF MYTHS OF REBIRTH IN MICHÈLE ROBERTS 299 Rosella Mallardi (Università di Bari) ‘MIGRAZIONI DI FORME’: ‘SPETTRO’ FOTOGRAFICO E SCRITTURA LETTERARIA 305 Iolanda Plescia (Università di Roma “La Sapienza”) FROM THE ‘PLAY-POEM’ TO THE ‘ESSAY-NOVEL’: TIME AND EXPERIMENTATION WITH FORM IN VIRGINIA WOOLF’S THE WAVES AND THE YEARS 320 Maria Giovanna Nigro (Università di Bari) IL GRANDE SPAZIO DELLA METAMORFOSI IN GOOD MORNING, MIDNIGHT DI JEAN RHYS 330 Laura Mollea (Università di Torino) SCIENCE AND LITERATURE MIGRATIONS. THE CONTEMPORARY NATURAL HISTORY NOVEL: GRAHAM SWIFT’S EVER AFTER AND A.S. BYATT’S MORPHO EUGENIA 339 VIII Contents Alessandra Squeo (Università di Bari) PATCHWORK GIRL, OR A MODERN MONSTER. RE-IMAGINING NARRATIVE FORMS IN HYPERFICTION 355 Rossella Ciocca (Università di Napoli “L’Orientale”) CINEMATIC NARRATION AND THE MÉLANGE OF GENRES IN THE ACCIDENTAL BY ALI SMITH 367 Pierpaolo Martino (Università di Bari) MYTH, MUSIC AND MIGRATION IN SALMAN RUSHDIE’S THE GROUND BENEATH HER FEET 374 Cristina Benicchi (Università della Tuscia) PRE-WESTERN LITERARY IDENTITY OF THE CARIBBEAN: THE CASE OF THE GUYANESE LITERARY REVIEW KYK-OVER-AL 381 Lucia Claudia Fiorella (Università di Firenze) IL MODELLO DI SPAZIO ARTISTICO IN DUSKLANDS (1974) DI J.M. COETZEE 390 Pietro Deandrea (Università di Torino) HUMAN BONDAGE IN CONTEMPORARY UK AND ITS GENERIC TRANSFORMATIONS: FROM BRIDGET ANDERSON’S BRITAIN’S SECRET SLAVES TO RUTH RENDELL’S SIMISOLA AND KAZUO ISHIGURO’S NEVER LET ME GO 402 Mauro Pala (Università di Cagliari) SEASON OF MIGRATION TO THE WEST: FROM SALIH’STOSAID’S AUTOBIOGRAPHICAL JOURNEYS 418 METHODOLOGICAL AND BIBLIOGRAPHICAL ISSUES Carlo M. Bajetta (Università della Valle d’Aosta − Université de la Vallée d’Aoste) TEXTUAL MIGRATIONS AND THE NEED FOR BIBLIOGRAPHY 429 ACKNOWLEDGEMENTS The 23rd AIA Conference was particularly successful on account of the participation of a quite large number of researchers, both young and less young. For this success the organizing committee is grateful to the delegates who attended with keen interest all the sessions of the Conference. The organization of a three-day national conference, with about 250 participants, requires considerable funds, and, as we all know, raising them is not a simple matter. Several institutions were addressed and their generosity allowed the organisers to meet all expenses. In this respect we really thank the Rector and the Consiglio di Amministrazione of the University of Bari, as well as other contributors: the Assessorato al Mediterraneo della Regione Puglia; the Dipartimento di Studi Anglo- Germanici e dell’Europa Orientale, the Faculty of Foreign Languages and Literatures, the Fondazione Carime. Invaluable help was offered to the organizers by the constant, competent and sympathetic support from the AIA Board in charge at the time, chaired by Marina Bondi and including Daniela Carpi, Maria Del Sapio, John Douthwaite, Alessandra Marzola and Oriana Palusci. A national conference requires a qualified and helpful team of people who are ready to work without sparing themselves. We had such team, mainly made up of people who played their backstage role perfectly and almost invisibly, granting a smooth path to the proceedings of the conference. So heartfelt thanks go to the administrative staff: Milly De Venuto, Angela Mattia and Antonio Prezioso; the Library staff: Rosa Papagna and Rosa Chiola; and the technicians: Rossella Mezzapesa and Emanuele Ponzio, so young but so experienced in their art. Highly appreciated was also the supportive cooperation of all the colleagues in the Department, while researchers and doctoral students, always ready to help in whatever problem or task, proved invaluable in their all- round efficiency. Particular gratitude is to be expressed to Mariacristina Petillo for her constant help and collaboration. X Aknowledgements Special thanks must go to Nadia Fusini who chaired the Literary Plenary Session whose keynote address was given by Vito Amoruso to whom we are particularly grateful. All the colleagues who chaired the literary workshops and stimulated fruitful discussion must also be thanked. Highly stimulating was also the Round Table, thanks to Rosa Maria Bosinelli, Elio di Piazza and Carlo Bajetta. In the introductory session, sadness was expressed at the deaths of John Sinclair and Bernard Hickey, and is now felt by all of us for the loss of Giorgio Melchiori and Ermanno Barisone. Though interested in different fields of research in English Studies, they all shared constant enthusiasm for their studies and intense attention to the students and the young researchers who happened, or chose, to work with them. They are, and will be, missed by all those who happened to know them. The editors CLAUDIA CORTI, VITO CAVONE, MARISTELLA TRULLI FOREWORD This volume of the Conference Proceedings collects the contributions presented in the Literature Section of the XXIII AIA Conference held in Bari (Faculty of Foreign Languages and Literatures) from 20 to 22 September 2007, whose Convenors were Vito Cavone and Maristella Trulli (internal Convenors) and Claudia Corti (external Convenor). The Conference attracted more than 250 scholars from across the country. The programme included three plenary