Cambridge University Press 978-1-107-15150-5 — Performance Practice in the Music of Steve Reich Russell Hartenberger Index More Information 255 I n d e x 2 X 5 , 231n.83 172 – 180 , 182 – 184 , 190 , 197 , 209 , 216 – 218 , 234 Abdulai, Ibrahim, 136 Beethoven, Ludwig van, 77 accent, 32 , 38 Example 3.4 , 54 , 55 , 65 , 70 , 73 , Belgium, 22 , 25 , 153 108 – 109 , 131 – 133 , 136 – 142 , 159 , 184 bell, 7 – 9 , 9n.1 , 34 , 45 , 51 , 90 , 131 , 137 – 138 , Accra, 6 – 7 , 132 148 , 157 – 159 , 163 , 167 , 167n.16 , 185 , 212 , acoustics, 30 , 90 – 93 , 97 , 136 , 190 222 – 233 , 227n.76 Adams, John, 185 , 185n.5 Bensman- Rowe, Cheryl, 67 Adzenyah, Abraham, 1 , 5 , 7 , 15 , 147 – 149 , Blackearth Percussion Group, 190 227 – 230 Blacking, John, 228 , 228n.77 Akan, 1 , 9 , 93 , 137 Blackwell, Virgil, 189 al- Farabi, 124n.25 Bliss, Andrew, 133 Alorwoyie, Gideon, 132 bongos, 10 – 24 , 19n.15 , 33 , 42 , 45n.31 , 46 , amadinda , 215 – 217 47 – 107 , 112 , 115 , 119 , 121n.20 , 123 , 125 , ambiguity, 101 , 108 – 109 , 119 , 131 , 133 , 134 , 239 141 – 142 , 146 , 147 , 152 , 159 , 160 , 164 , Boosey & Hawkes, 22 , 33n.2 , 47 , 50 , 55 – 65 , 170 , 173 , 179 , 186 , 230 – 231 , 235 – 236 68 , 77 , 90n.2 , 95 , 103 , 108 , 110 , 112 , 176 , Arabic music, 124n.25 178n.12 , 182 , 184 , 208 Aristoxenus, 124n.25 Boston Symphony Orchestra, 121n.20 Armstrong, Rebecca, 67 , 190 , 196n.24 Brahms, Johannes, 229 Arnold, Elizabeth, 190 brekete , 93 Arnold, Johanna, 190 Broadway, 9 , 17 , 76 , 189 – 190 , 220 atoke , 9 , 9n.1 , 171 Brooklyn Academy of Music, 18 , 19f.1.3 , Atsiagbekor , 131 , 156 , 158 , 159 , 163 , 212 , 33n.1 , 75 222 – 233 Brussels, 25 , 156 attack placement, 95 , 96 , 108 , 118 – 123 , 131 , Bryars, Gavin, 25 141 , 148 , 233 build- up, 23 , 45n.31 , 51 , 55 – 65 , 80 , 82 , 84 – 87 , atumpan , 6 109 , 112 , 119 , 122 , 123 , 125 , 146 , 152 , axatse , 9 , 93 169 – 171 , 173 , 174 – 179 , 181 – 184 , 190 , 196 , 210 , 211 , 223 Bach, Johann Sebastian, 138 Burke, Gary, 16 Baldwin, 174 – 175 Bush, Phillip, 189 , 210 – 211 , 211n.51 , 217 Balinese gamelan, 192 Bang on a Can All- Stars, 189 Cage, John, 25 , 25n.18 , 142 , 142n.59 , 185 , 186 , Barabási, Albert- Lászlō, 166 188n.10 , 189 Baroque, 16 , 108 Cahn, Bill, 3 , 4 , 54 , 117 , 123f. 10.2 Bartók, Béla, 231 , 232 California Institute of the Arts, 188 bass clarinet, 186 – 220 Candle Rack , 9 Beck, John, 31 , 31n.9 canons, 13 , 33 , 92 , 94 , 159 , 164 Beckenstein, Marion, 190 Cantaloupe, 112 – 113 Becker, Bob, 3 – 4 , 28 , 31 , 50 – 51 , 54 – 55 , Cardew, Cornelius, 25 , 98 , 164 61f.4.2 , 109 – 110 , 117 – 118 , 117n.14 , Carnegie Hall, 30 , 121n.20 , 123f.10.2 123f.10.2 , 127 , 127n.31 , 140 , 163 , Cave , h e , 145 , 189 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-15150-5 — Performance Practice in the Music of Steve Reich Russell Hartenberger Index More Information 256 256 Index cello, 186 , 200 – 202 , 203 , 209 – 210 Drumming , 1 – 159 , 181 – 185 , 187 , 189 , 190 , chamber music, 53 , 99 , 102 , 116 , 205 , 192 – 200 , 205 , 209n.48 , 235 – 239 218 , 234 Dukas, Paul, 75n.2 Chambers, Steve, 10 – 12 , 22 , 27 , 43 , 175 – 176 , duration, 42 , 97 , 108 , 113 , 116 , 118 , 123 – 125 , 182 , 189 124n.25 , 143 – 144 , 205 , 237 Chattopadhyaya, Debiprasad, 144 , 144n.63 dynamics, 69 , 108 – 111 , 109n.2 , 116 , 125 , 131 , Chernof , John, 116 – 117 , 122 , 134 , 202 , 220 163 – 165 , 185 chronos protos , 124n.25 Eastman School of Music, 4 , 31 City Life , 227 ECM, 185 , 189 , 193 Clapping Music , 25 , 27 , 36n.7 , 117 , 125 , Electric Counterpoint , 35 , 230n.80 140n.55 , 152 , 153 – 168 , 212 , 222 – 227 , electric organ, 130 , 181 – 182 , 186 233 , 235 , 239 electronics, 23 , 45 – 46 clarinet, 77 , 186 – 227 endurance, 70 , 137 , 200 , 210 Clarke, Kenny, 29 , 138 – 140 , 139n.52 , 237 energy, 135 – 138 , 145 , 147 , 200 , 212 , 219 claves, 168 – 173 , 186 , 212 energy- shit ing, 137 , 148 , 163 – 164 , 203 Clayton, Jay, 11 , 27 , 66 – 68 , 189 – 192 , 192n.19 , Engelman, Robin, 3 – 5 , 121f.10.1 , 123f. 10.2 206 – 209 , 234 Engelmann, Paul, 77 Cohen, Richard, 191 , 192n.15 E n g l a n d , 2 2 – 2 7 Come Out , 53n.11 , 158 Erle, Broadus, 218 concentration, 90 , 107 , 108 , 118 , 133 – 135 , 147 , Erskine, Peter, 139 200 , 203 Europe, 2 , 17 , 22 – 24 , 30 , 125 , 154 , 171 , 189 congas, 48 , 49n.8 Ewe, 9 , 9n.1 , 93 , 131 – 132 , 137 , 185 , 222 , 227 , Craden, Michael, 3 227n.76 , 230 – 231 cross- rhythm, 33 – 35 , 39 – 42 , 133 crotales, 75n.3 , 122n.21 , 172 F a n t e , 1 Curran, Alvin, 2 F a r i sa organ, 22 Curtis Institute of Music, 1 , 16 , 31 , 128 – 129 Feldman, Andrew, 173 Feldman, Morton, 27 , 154 d’Azevedo, Warren, 135 Ferchen, Tim, 28 , 31 , 173 , 182 , 190 Dagbamba, 137 – 138 Fitzsimmons, h omas, 121n.20 Dagomba, 93 , 116 , 137 l ute, 13 dance, 2 , 6 , 9 , 25 , 27 , 35 , 93 , 122 , 137 , 141 , 145 , Fluxus, 24 153 , 201 , 227 – 228 , 231 , 232 Four Organs , 13 , 22 , 25 , 76n.6 , 181 , 184 , 212 Dance Patterns , 227 Fraley, Pamela Wood, 67 , 190 Daniel Variations , 231n.83 frame drum, 190 Darkwa, Asante, 5 France, 22 , 24 – 25 , 27 , 154 Davis, Miles, 138 dawuros , 7 gamelan, 1 , 189 , 239 Deagan, 76 gankogui , 9 , 9n.1 , 15 , 51 , 51 Example 4.2 , 131 , Dean, Laura, 27 156 , 171 , 227 , 230 – 231 , 239 Debussy, Claude, 75n.2 Germany, 22 , 25 , 27 , 31 , 179 , 208 , 209 deconstruction, 50 – 51 , 55 – 57 , 60 – 64 , 80 – 83 , gestalt l ip, 137 , 216 122 , 123 Ghana, 1 – 10 , 12 , 13 , 35 , 47 , 93 , 116 , 131 , 132 , Desert Music , h e , 70 , 231n.83 136 , 137 , 165 , 171 , 222 , 239 Deutsche Grammophon, 112 , 179 Gibson, John, 19 dif erence tones, 91 , 92 , 137 Gibson, Jon, 10 – 12 , 13 , 15 , 22 , 43 , 76 , 77 , 189 Dif erent Trains , 130 , 189 Gillespie, Dizzy, 139 Dillard, Ray, 10n.4 , 103 Glass, Philip, 13 , 26 , 132 , 189 Dolby, Paul, 12 glockenspiel, 13 – 15 , 20 , 21 , 22 , 29 , 33 , 56 , 74 , Double Sextet , 231n.83 75 – 83 , 75n.2 , 75n.3 , 84 – 93 , 95 , 100 , 124 , drum set, 45 , 139 124n.24 , 150 , 184 , 186 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-15150-5 — Performance Practice in the Music of Steve Reich Russell Hartenberger Index More Information 257 Index 257 gong- gongs, 9 Kubik, Gerhard, 53n.11 , 141 , 142n.58 , 216 , gongon , 93 216n.60 Goodman, Saul, 30 Kvistad, Garry, 28 , 32 , 54 , 91 , 92n.4 , 123f.10.2 , Greek music, 124n.25 177 , 190 groove, 133 , 138 , 140 – 141 , 204 , 207 Grossman, Kory, 180 La Barbara, Joan, 11 , 21 – 22 , 66 – 68 Guibbory, Shem, 188 – 218 , 188n.11 , 197n.25 LeBlanc, Jeanne, 188 , 200 , 200n.30 , 202 , 203 , gyil , 7 , 93 205 , 219 Legon, 6 , 7 hand patterning, 23n.16 , 33 , 36 – 42 , 108 , LeWitt, Sol, 9 , 76n.6 126 – 133 , 142 , 147 , 232 Lim- Dutton, Elizabeth, 188 , 200 – 203 , 202n.31 , Hardin, Louis T., 13 219 , 234 Harms, Ben, 16 , 31 Locke, David, 136 – 137 , 137n.48 , 138n.49 , Haslam, Micaela, 66 – 71 , 68n.2 , 77 , 88 , 116 , 227n.76 190 , 208 – 210 Loeb Student Center, 17 , 171 Heath, Percy, 138 lot , 2 , 7 – 12 , 17 , 23 , 76 , 107 , 153 , 158 , 181 , Heinemann, Herr, 31 185 – 196 , 220 , 234 hidden beat, 7 , 228 , 229 , 239 Lucier, Alvin, 109 , 109n.3 hi- hat, 139 lunna , 137 Hinger, Fred D., 1 , 31 – 32 , 127 – 133 , 127n.32 , Lunna, Alhaji Abubakari, 137 127n.33 Hiraoka, Yoichi, 31n.10 ma , 4 , 120 – 123 , 122n.21 Hobbs, Chris, 25 Maefsky, Frank, 16 Hungary, 166 , 215n.59 Makoto, Ōoka, 121n.20 Huron, David, 119 , 146 Mallet Quartet , 227 , 231n.83 Manhattan Marimba Quartet, 180 India, 132 , 144 , 159 , 166 , 189 , 230 , 237 , 239 Manhattan School of Music, 14 , 14n.9 , 16 , 190 Indonesia, 1 , 3 , 5 Manny’s, 49 , 49n.7 Institute for African Studies, 132 maracas, 13 , 186 , 212 – 213 , 218 intuition, 235 , 236 marimba, 3 , 10 – 12 , 14 – 16 , 19 – 27 , 29 , 33 , invisible conductor, 228 42 – 49 , 65 , 66 – 74 , 75 – 92 , 95 , 99 – 100 , Ishii, Ken, 188 117 , 125 , 150 , 151 , 153 – 164 , 172 , 180 , It’s Gonna Rain , 158 181 – 188 , 193 , 201 , 202 , 204 , 205 – 217 , Iyer, Vijay, 140 – 141 , 141n.56 219 , 222 – 227 , 232 Marimba Phase , 16 , 26 Japan, 2 , 4 , 93 , 120 – 122 Marlboro Music Festival, 3 Jaques, Miles, 192 McGill, David, 129 , 129n.35 Jarrett, Janice, 67 , 190 , 192 , 192n.18 , 207 , 208 McMaster University, 103 – 105 jazz, 139n.52 , 206 Mehta, Zubin, 146 Jones, A. M., 9 , 227n.76 Mellits, Marc, 50 ju- ju , 7 Mendelssohn, Felix, 30 Messiaen, Olivier, 118 Karnatak, 1 , 132 , 142 – 145 , 159 , 166 metallophone, 183n.10 , 187 , 187 Example 15.1 , Karush, Larry, 189 188n.9 Kassel, Matthias, 50 metronome, 112 , 113 , 165 , 193 , 193n.22 , Keller, Michael, 16 217 – 218 Kippen, James, 144 Middletown, CT, 1 , 4n.3 , 9 , 12 , 142n.59 , 178 Kitchen, h e, 198 minimalism, 26 K o h l o f , Roland, 30 Mistake Drawing , 9 Korea, 2 moleskin, 20 , 50 , 64 , 90 , 92 Kozinn, Allan, 29 Moondog, 13 Kramer, Jonathan, 124n.25 Moore, Lisa, 189 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-15150-5 — Performance Practice in the Music of Steve Reich Russell Hartenberger Index More Information 258 258 Index Mozart, Wolfgang Amadeus, 30 , 75n.2 phrasing, 13 , 52 , 54 , 70 , 108 , 123 , 125 – 133 , mrdangam , 1 , 140 , 143 , 166 140 , 142 , 147 , 158 – 165 , 206 , 221 , 232 , Multiples, 19 , 95 , 112 , 113 233 , 236 Murphy, Arthur, 10 – 12 , 22 , 27 , 43 , 80f.6.1 , 114 piano, 22 , 26 , 67 , 75 , 77 , 152 , 174 – 180 , Music for 18 Musicians , 13 , 89 , 91 , 117 , 152 , 186 – 196 , 196n.23 , 200 , 204 , 205 , 167 , 178 , 185 – 239 209