CONTINGUTS DE L’EXPOSICIÓ ACKERMAN (1919-2016) Biblioteca de l’ETSAV 20.02.2017 - 24.03.2017 TRIBUT A JAMES S. ACKERMAN 1919-2016 LLIBRES James S. Ackerman (copyright Jill Slosburg-Ackerman) Exposició organitzada per Josep Giner, Raúl Martínez, José Ángel Sanz (professors del Departament de Teoria i Història de l'Arquitectura i Tècniques de Comunicació) i l’equip de la Biblioteca de l’ETSAV. Agraïments: Biblioteca Oriol Bohigas de l’ETSAB, Biblioteca d’Humanitats de la UAB, Biblioteca de la UB, Biblioteca del COAC, Biblioteca del MNAC i Jill Slosburg-Ackerman. ETSAV, Sant Cugat del Vallès, febrer del 2017. Llibres: Aquesta secció s’ha organitzat en cinc apartats temàtics per tal de facilitar la seva comprensió. Renaixement 1954. The Cortile del Belvedere. Città del Vaticano: Biblioteca Apostolica Vaticana. 1961. The Architecture of Michelangelo. London: A. Zwemmer. 1966. Palladio. Baltimore: Penguin Books. 1983. “The Tuscan/Rustic Order: A Study in the Metaphorical Language of Architecture”. A : Journal of the Society of Architectural Historians, XLII, 1 (març 1983) : 15-34. La vil·la 1986. “The Villa as Paradigm”. A : Perspecta 22 (1986) : 10-31. 1990. The Villa: Form and Ideology of Country Houses. London: Thames and Hudson. Orígens del dibuix arquitectònic 1997. “Villard de Honnecourt’s Drawings of Reims Cathedral: a Study in Architectural Representation”. A : Artibus et Historiae, 35 (1997) : 41-50. 2000. “Conventions of Architectural Drawing, North and South”. A : SEIDEL, Max (ed). Europa e l’arte italiana. Venècia : Marsilio Editori, 2000, p 220-235. Art i crítica 1958. “On American Scholarship in the Arts”. A : College Art Journal, XVII, 4 (1958) : 357-362. 1962. “A Theory of Style”. A : The Journal of Aesthetics and Art Criticism, XX, 3 (1962) : 227-237. 1963. “Western Art History”. A: ACKERMAN, James S i CARPENTER, Rhys. Art and Archaeology. Englewood Cliffs, NJ : Prentice Hall, 1963, p 123-229. 1973. “Toward a New Social Theory of Art”. A : New Literary History, IV, 2 (hivern 1973) 315-330. 1984. “Interpretation, Response: Toward a Theory of Art Criticism”. A : ABRAMS, M.H. i Ackerman, James. Theories of Criticism. Washington DC : Library of Congress, 1984, p. 33-53. Art i ciència 1949. “Ars Sine Scientia Nihil Est : Gothic Theory of Architecture at the Cathedral of Milan”. A : The Art Bulletin, XXXI (1949) : 84-111. 1961. “Science and Visual Art”. A : RHYS, Hedley H (ed). Seventeenth Century Science and the Arts. Princeton : Princeton University Press, 1961, p 63-90. 1985. “Early Renaissance ‘Naturalism’ and Scientific Illustration”. A : The Natural Sciences and the Arts (Acta Universitatis Upsaliensis : N..S., 22), Uppsala, 1985, p 1- 17. TRIBUT A JAMES S. ACKERMAN 1919-2016 ARTICLES 1949-1977 James S. Ackerman (copyright Jill Slosburg-Ackerman) Exposició organitzada per Josep Giner, Raúl Martínez, José Ángel Sanz (professors del Departament de Teoria i Història de l'Arquitectura i Tècniques de Comunicació) i l’equip de la Biblioteca de l’ETSAV. Agraïments: Biblioteca Oriol Bohigas de l’ETSAB, Biblioteca d’Humanitats de la UAB, Biblioteca de la UB, Biblioteca del COAC, Biblioteca del MNAC i Jill Slosburg-Ackerman. ETSAV, Sant Cugat del Vallès, febrer del 2017. James S. Ackerman (1919-2016) Articles: “The Certosa of Pavia and the Renaissance in Milan”. A : Marsyas, V (1949) : 23-37. “Ars Sine Scientia Nihil Est : Gothic Theory of Architecture at the Cathedral of Milan”. A : The Art Bulletin, XXXI (1949) : 84-111. “The Belvedere as a Classical Villa”. A : Journal of the Warburg and Courtauld Institutes, XIV (1951) : 60-91. “Architectural Practice in the Italian Renaissance”. A : Journal of the Society of Architectural Historians, XIII, 3 (1955) : 3-11. “Report on California”. A : Architectural Review, CXX, 717 (1956) : 237- 239. “Marcus Aurelius on the Capitoline Hill”. A : Renaissance News, X (1957) : 69-75. “On American Scholarship in the Arts”. A : College Art Journal, XVII, 4 (1958) : 357- 362. “Bramante” i “Michelangelo” A : FRANCASTEL, Pierre (ed). Les architectes célèbres, II. París : 1959. “Art History and the Problems of Criticism”. A : Daedalus (hivern 1958) : 253-263. “Science and Visual Art”. A : RHYS, Hedley H (ed). Seventeenth Century Science and the Arts. Princeton : Princeton University Press, 1961, p 63-90. “A Theory of Style”. A : The Journal of Aesthetics and Art Criticism, XX, 3 (1962) : 227-237. “Sources of the Renaissance Villa”. A : MEISS, Millard (publ). Studies in Western Art : Acts of the Twentieth International Congress of the History of Art(1961). Princeton University, 1963 : 6-18. “Western Art History”. A: ACKERMAN, James S i CARPENTER, Rhys. Art and Archaeology. Englewood Cliffs, NJ : Prentice Hall, 1963, p 123-229. “Palladio e l’architettura del ‘700 negli Stati Uniti”. A : Bollettino del Centro Internazionale di studi d’architettura A. Palladio, VI (1964) : 29-38. “Il Presidente Jefferson e il palladianismo americano”. A : Bollettino del Centro Internazionale di studi d’architettura A. Palladio, VI (1964) : 39-48. Amb LOTZ, Wolfgang. “Vignoliana”. A : FREEMAN SANDLER, Lucy (ed). Essays in Memory of Karl Lehman. Nova York, 1964 : 1-24. “Art and Evolution”. A : KEPES, G. (ed). The Nature and Art of Motion. Nova York, 1965, p 32-40. “Della Porta’s Gesù Altar”. A : Essays in Honor of Walter Friedlaender, New York, 1965 : 1-2. “On Scientia”. A : Daedalus (hivern 1965) : 14-23. “Reports on Scholarship in the Renaissance : Art”. A : Renaissance News, 18, 1 (primavera 1965) : 73-81. “Introduction”. A : Harvard Art Review, I (hivern 1966) : 8. “Palladio’s Lost Portico Project for San Petronio in Bologna”. A : FRASER, D, HIBBARD, H i LEWINE, MJ. Essays in the History of Architecture Presented to Rudolf Wittkower. Londres : Phaidon, 1967, p 110-115. “Introduction to the Issue ‘The Future of the Humanities’”. A : Daedalus (estiu 1969) : 605-614. “Two Styles : A Challenge to Higher Education”. A : Daedalus (estiu 1969) : 855-869. “Concluding Remarks: Science and Art in the Works of Leonardo” A : O’Malley, CD (ed). Leonardo’s Legacy: An International Symposium. Berkeley: University of California Press, 1969, p 205-225. “The Demise of the Avant Garde : Notes on the Sociology of Recent American Art”. A : Comparative Studies in Society and History, XI (octubre 1969) : 371-384. “Notes on Bramante’s Bad Reputation”. A : Studi bramanteschi : Atti del Congresso Internazionale : 1970. Roma : 1974, p 339-350. “The Gesù in the Light of Contemporary Church Design”. A : JAFFE, I i WITTKOWER, R (eds). Baroque Art : The Jesuit Contribution. Nova York, 1972, p 15-28. “Toward a New Social Theory of Art”. A : New Literary History, IV, 2 (hivern 1973) 315-330. “Transactions in Architectural Design”. A : Critical Inquiry, I (1974) : 229-243. “Il contributo dell’Alessi alla tipologia della chiesa longitudinale”. A : Galeazzo Alessi e l’architettura del Cinquecento. Gènova, 1975, p 461-466. “The History of Design and the Design of History”. A: Psicon 2/3 (1975) : 138-146. “Alberti’s Light”. A : Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss. Nova York : 1977, p 1-27. “Introduction”. A: LOTZ, Wolfgang. Studies in Italian Renaissance Architecture. Cambridge Mass., 1977, p xvii-xxiv. TRIBUT A JAMES S. ACKERMAN 1919-2016 ARTICLES 1978-2012 James S. Ackerman (copyright Jill Slosburg-Ackerman) Exposició organitzada per Josep Giner, Raúl Martínez, José Ángel Sanz (professors del Departament de Teoria i Història de l'Arquitectura i Tècniques de Comunicació) i l’equip de la Biblioteca de l’ETSAV. Agraïments: Biblioteca Oriol Bohigas de l’ETSAB, Biblioteca d’Humanitats de la UAB, Biblioteca de la UB, Biblioteca del COAC, Biblioteca del MNAC i Jill Slosburg-Ackerman. ETSAV, Sant Cugat del Vallès, febrer del 2017. James S. Ackerman (1919-2016) Articles 1978-2012: “Introduction”. A: NAN ROSENTHAL, Myra (ed). Sebastiano Serlio On Domestic Architecture : The Sixth Book. Nova York i Cambridge, 1978. “On Rereading ‘Style’”. A : Social Research, 45 (1978) : 153-163 “Leonardo’s Eye”. A : Journal of the Warburg and Courtauld Institutes, XLI (1978) : 108-146. “On Judging Art Without Absolutes”. A : Critical Inquiry, V, 3 (primavera1979) : 441- 469. “Notes and Exchanges”. A : Critical Inquiry, V (1979) : 795-799. “Palladio e lo sviluppo della concezione della chiesa a Venezia”. A : Bollettino del Centro Internazionale di Studi di Architettura 1977, XIX, 1980 : 9-26. “L’architettura religiosa veneta in rapporto a quella toscana del Rinascimento”. A : Bollettino del Centro Internazionale di Studi di Architettura 1977, XIX, 1980 : 135-164. “On Early Renaissance Color Theory and Practice”. A : Studies in Art History. American Academy in Rome I (1980) 11-38 “La storia dell’architettura e l’architettura della storia”. A : Spazio e società, IV, 14 (1981) : 25-37. “Worldmaking and Practical Criticism”. A : Journal of Aesthetics and Art Criticism, XXXIX, 3 (primavera 1981) : 249-254. “The Geopolitics of Venetan Architecture in the Time of Titian”. A : ROSAND, David (ed). Titian, His World and His Legacy. Nova York, 1982, p 41-71. “The Planning of Renaissance Rome, 1480-1580”. A : Rome in the Renaissance,The City and the Myth. Binghamton ; 1982, p 3-18. “Palladio Revisited: Civic Architecture”. A : Spazio e società, VI, 21 (1983) : 8-19. “Palladio Revisited: The Churches”. A : Spazio e società, VI, 22 (1983) : 62-75. “Palladio Revisited: The Villas”. A : Spazio e società , VI, 23 (1983) : 8-19. “The Tuscan/Rustic Order: A Study in the Metaphorical Language of Architecture”. A : Journal of the Society of Architectural Historians, XLII, 1 (març 1983) : 15-34. “The Faces of Palazzo Chiericati”. A : ROSAND, David (ed). Interpretazioni veneziane: studi di storia dell’arte in onore di Michelangelo Muraro. Venècia: Arsenale, 1984, p 213-220. “Interpretation, Response: Toward a Theory of Art Criticism”. A : ABRAMS, M.H. i Ackerman, James. Theories of Criticism. Washington DC : Library of Congress, 1984, p. 33-53. “Il paradigma della villa”. A : Casabella, XLIX (1985) : 53-65. “Early Renaissance ‘Naturalism’ and Scientific Illustration”. A : The Natural Sciences and the Arts (Acta Universitatis Upsaliensis : N..S., 22), Uppsala, 1985, p 1-17.