Lomello La Conservazione Del Costruito.Pdf

Lomello La Conservazione Del Costruito.Pdf

Indice Parte prima: i luoghi /DFRQVHUYD]LRQHGHOFRVWUXLWRHGHOSDHVDJJLRFXOWXUDOH 11 Giuseppe Piovera /D YDORUL]]D]LRQH GHO SDWULPRQLR DUFKLWHWWRQLFR H 13 SDHVDJJLVWLFR Massimo Granata /¶DWWLYLWjFXOWXUDOHHODSURPR]LRQHWXULVWLFD 15 Silvia Ruggia /¶HFRPXVHRGHOSDHVDJJLRORPHOOLQR 19 Giovanni Fassina, Umberto De Agostino 'DWLDUFKHRORJLFL 23 Rosanina Invernizzi I restauri storici della Basilica di Santa Maria Maggiore 31 GL/RPHOOR Paolo Savio Parte seconda: il metodo 'DO UHVWDXUR DOOD FRQVHUYD]LRQH GHO SDWULPRQLR 45 DUFKLWHWWRQLFR7HRULHHSUDVVL Maurizio Boriani, Susanna Bortolotto /D ULFHUFD VWRULFD SHU LO SURJHWWR GL FRQVHUYD]LRQH H 66 ULXVRGHJOLHGL¿FLGHOSDVVDWR Andrea Frigo /DULOHYD]LRQHJHRPHWULFDSHUODFRQRVFHQ]DGHOO¶HGL¿FLR 80 Elisabetta Ciocchini, Fabio Zangheri 7 Parte terza: le attività di ricerca ,OSDHVDJJLRDJUDULRGLLaumellum 93 Fabiano Bariani, Andrea Caligaris, Andrea Garzulino ,O³SURJHWWRFRORUH´GHOFHQWURVWRULFRGL/RPHOOR 108 Margherita Bertoldi, Marta Marletti, Silvia Puglisi $SSXQWLSHUXQDVWRULDGHO&DVWHOOR 125 Guido Gozzi, Francesco Bozzato, Alan Romitti Dalla conoscenza alla conservazione: 163 OD&KLHVDGL6DQ5RFFR Margherita Bertoldi, Marta Marletti, Silvia Puglisi /DGLDJQRVWLFDSHULOFRVWUXLWR 185 la Basilica di Santa Maria Maggiore Fabiano Bariani, Andrea Caligaris, Andrea Garzulino 5LQJUD]LDPHQWL 203 8 Parte prima: LOXRJKL 9 La conservazione del costruito e del paesaggio culturale Giuseppe Piovera - Sindaco ,QL]LDWDTXDVLSHUFDVRGRSRFLUFDVHWWHDQQLTXHVWDDYYHQWXUD DYYLDWDQHOFRQXQDFFRUGRWUDLO&RPXQHHGLO3ROLWHFQLFR GL0LODQRKDLOVXRFRURQDPHQWRFRQODSUHVHQWD]LRQHGLTXHVWR YROXPH IUXWWR GL VWXGLR H GL ULFHUFD PD DQFKH GL SDVVLRQH H GL SD]LHQ]D DUPL GL FXL VL VRQR PXQLWL SHU UHDOL]]DUH TXHVWR DPEL]LRVR ODYRUR JOL DOORUD VWXGHQWL XQLYHUVLWDUL RJJL YDOLGL H FRPSHWHQWL$UFKLWHWWL q SHU WXWWL QRL XQ LPSRUWDQWH WUDJXDUGR 3HUPHVL/RPHOOR³FDSLWDOHVWRULFDGHOOD/RPHOOLQD´qVWDWDXQ ODERUDWRULRDUFKHRORJLFRDUFKLWHWWRQLFRHGXUEDQLVWLFRFLDVFXQR GHLQRVWULPRQXPHQWLVWRULFLSLVLJQL¿FDWLYLqVWDWRRJJHWWRGL DSSURIRQGLWHDQDOLVLHVXFFHVVLYLSURJHWWLGLUHVWDXURHUHFXSHUR XWLOLDOOHJHQHUD]LRQLIXWXUHSHUQXRYHHGDSSURSULDWHIXQ]LRQL /¶RSHUD UDSSUHVHQWD XQ PH]]R SHU DLXWDUFL D FRPSUHQGHUH PHJOLR OD QRVWUD VWRULD DSSUH]]DUH LO QRVWUR SDWULPRQLR SHU HVRUWDUFLDFRQVHUYDUORHGDYLYHUORFRQULVSHWWRHGDWWHQ]LRQH 8Q JUD]LH SDUWLFRODUH YD ULYROWR ROWUH FKH DJOL HVWHQVRUL GHOOH ULFHUFKH H GHL SURJHWWL D WXWWL FRORUR FKH FRQ OXQJLPLUDQ]D KDQQRFUHGXWRLQTXHVWDV¿GDDLFKLDULVVLPLSURIHVVRUL0DXUL]LR %RULDQL 6XVDQQD %RUWRORWWR /XFLD 7RQLROR $OEHUWD &D]]DQL 0DXUR &HFRQHOOR /ROD 2WWROLQL (OLVDEHWWD &LRFFKLQL )DELR =DQJKHUL$QGUHD)ULJRH6WHIDQR&RORUXFKHKDQQRFRRUGLQDWR H GLUHWWR LO ODYRUR HG DL PLHL FROOHJKL$VVHVVRUL DOOD &XOWXUD 6LOYLD5XJJLDH0DVVLPR*UDQDWDFKHKDQQRFRQGLYLVRFRQPH TXHVWDDIIDVFLQDQWHHVSHULHQ]D/RPHOORFRQVDSHYROHHIRUWH GHOSURSULRSDVVDWRPDGHFLVRHFDSDUELRQHOODSURLH]LRQHDO IXWXURqTXLQGLRUJRJOLRVRGLSUHVHQWDUHTXHVWDSXEEOLFD]LRQH VHJQRWDQJLELOHGHOODYRORQWjGLULDSSURSULDUVLLQSLHQRGHOUXROR FKHPHULWDHFKHODVWRULDJOLKDJLjDVVHJQDWR 11 La valorizzazione del patrimonio architettonico e paesaggistico Massimo Granata - Assessore alla Cultura &LQTXHDQQLIDTXDQGRPLLQVHGLDLFRPH$VVHVVRUHDOOD&XOWXUD HDO7XULVPRGL/RPHOORJUDQSDUWHGHOODYRURFKHRJJLYLHQH VLQWHWL]]DWR GD TXHVWD SXEEOLFD]LRQH HUD JLj VWDWR VYROWR H GL TXHVWRYDPHULWRDFKLPLKDSUHFHGXWRLQTXHVWRLQFDULFR$PH UHVWDYDLOFRPSLWRFROPRGLVRGGLVID]LRQLGLGDUHFRPSLPHQWR DOO¶RSHUDIDFHQGRQHFRQRVFHUHLULVXOWDWLDL/RPHOOHVLHFRQXQ SR¶GLDPEL]LRQHDOO¶XQLYHUVRPRQGR/DSDUWHSLIDFLOHYHQQH DVVROWD LQYLWDQGR L QRYHOOL DUFKLWHWWL D SUHVHQWDUH LO IUXWWR GHO ORUR ODYRUR DOOD FLWWDGLQDQ]D FRQ XQ LQFRQWUR GL GLYXOJD]LRQH H FRQ XQD PRVWUD GHJOL HODERUDWL FKH ULPDVH SHU TXDOFKH WHPSRLQYLVLRQHQHOOXRJRGHSXWDWRDJOLLQFRQWULFXOWXUDOLFKH DFFDGRQR D /RPHOOR H FLRq QHOOD H[ FKLHVDRUDWRULR GL 6DQ 5RFFR RJJHWWR HVVD VWHVVD GL XQD GHOOH ULFHUFKH FKH TXL VL SUHVHQWDQRSUHJHYROLVVLPDSHUOHLQGLFD]LRQLFKHGDYDSHUXQ FRPSOHWDPHQWRGHOUHVWDXURJLjLQWUDSUHVRHSHUXQVXRIXWXUR XWLOL]]R 5HVWDYDO¶XQLYHUVRPRQGRGDUDJJLXQJHUHHUHQGHUHHGRWWR)X TXLQGLHQWXVLDVWLFDPHQWHFKHDFFROVLODSURSRVWDFKHPLYHQQH IDWWDQHOFRUVRGHLFRQWDWWLLQWUDSUHVLFRQLGRFHQWLGHOOD6FXROD GL$UFKLWHWWXUD&LYLOHGHO3ROLWHFQLFRGL0LODQRSHUGDUHVHJXLWR DOOD QRVWUD FROODERUD]LRQH QHOO¶DPELWR GHOOD FRQYHQ]LRQH LQ HVVHUH H FKH LQWHQGHYDPR ULQQRYDUH SHUIH]LRQDQGR LO ODYRUR svolto con le attività di ricerca concentrandone i risultati in XQD SXEEOLFD]LRQH FKH FRQ O¶LQGXEELR YDORUH GHO SDWURFLQLR VFLHQWL¿FRGHO3ROLWHFQLFRVWHVVRQHFRQVHQWLVVHXQDSLDPSLD GLYXOJD]LRQH /D FLUFROD]LRQH GL TXHVWD RSHUD LQIDWWL DYUHEEH SHUPHVVR GL ULQQRYDUH O¶LQWHUHVVH LQ DPELWR DFFDGHPLFR PD DQFKHLQTXHOODSLDPSLDFRPSDJLQHGLSHUVRQHFKHDQLPDQR LOWXULVPRFRQPHWHFXOWXUDOL ,QWHQGLDPRFLQRQFKHPDQFDVVHURSXEEOLFD]LRQLRSHUDGLVWRULFL ORFDOLRGLLQVLJQLDFFDGHPLFLLWDOLDQLHVWUDQLHULVX/RPHOOROD VXDVWRULDHLVXRLPRQXPHQWLPDODQRYLWjHO¶LPSRUWDQ]DGL TXHVWRQXRYRODYRURVWDQHOIDWWRFKHQRQFLSUHVHQWDXQDUHDOWj HVFOXVLYDPHQWHULYROWDDOSDVVDWRPDLQWURGXFHFLzFKHO¶HUHGLWj GHLVHFROLFLKDODVFLDWRQHOODSURVSHWWLYDGLXQVXRXWLOL]]RQHO 13 IXWXUR 3HUFKp FRQWLQXL D YLYHUH FUHDQGR QXRYH RSSRUWXQLWj VLD FXOWXUDOL FKH HFRQRPLFKH GL FRQRVFHQ]D H GL YLWD SHU OD FRPXQLWjFKHODFRQVHUYD ,QROWUHPDTXHVWRqXQPHURHIRUWXQDWRDFFLGHQWHWHPSRUDOH TXHVW¶RSHUD GLYHQWD GLVSRQLELOH PHQWUH FL DFFLQJLDPR D ULFHYHUH FRQ ([SR XQ ÀXVVR WXULVWLFR LPSRUWDQWLVVLPR IDWWRGLVHPSOLFLYLVLWDWRULPDDQFKHGLRSHUDWRULHFRQRPLFLH GLJUDQGLDJHQ]LHFXOWXUDOLSXEEOLFKHHSULYDWHFKHSRWUHEEHUR WURYDUH VSXQWR VXOOD EDVH GHOOH SURJHWWXDOLWj HVSUHVVH QHL SUHJHYROLODYRULFKHTXLYHQJRQRHVSRVWLSHUWURYDUHOHULVRUVH HUHDOL]]DUHTXHOORFKHRUDqSHUQRLVRORXQEHOOLVVLPROLEURGHL VRJQL 14 L’attività culturale e la promozione turistica Silvia Ruggia - 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