Art and Water Research Laboratory ésam Caen/Cherbourg December — 2013 Contents Art and Water Research Laboratory 3 4 Foreword 7 The relationship between art and water as a subject for research 11 Territories & Landscapes 15 Matter & Material 19 Movement & Travel 23 Team members 26 Credits Foreword Art and Water Research Laboratory 4 Foreword Éric Lengereau Director The Art and Water Laboratory is a research unit at the école supérieure d’arts & médias de Caen/ Cherbourg. It affiliates scientific and artistic skills and methods with the aim of creating projects that investigate the relationship between art and water. Foreword Art and Water Research Laboratory 5 The laboratory is organised around a a subject for artistic research when it collective project that encourages pioneering is anthropologically linked to the material. intellectual production at the crossroads This suggests that numerous prospects and of knowledge and creativity. The work of this opportunities lie ahead for the Art and Water research unit is by definition interdisciplinary. Laboratory. The following pages will show It is in harmony with the concerns of that the three chosen directions of research contemporary creation as it relates to the are at once inviting and stimulating. All socioeconomic and cultural realities of art, projects are conceived and realised by team in immediate contact with works of art and members, in collaboration with experienced their production. and skilled external contributors from other disciplines. The new research unit is by Water is a quotidian material as well as necessity associated with the school’s study a source of dreams, as Bachelard so subtly program, as many of the team members are puts it in his essay, "L'Eau et les rêves". also professors at ésam. Water is a source of life and of death. Even today, water suggests peace as it instigates With the Art and Water Laboratory’s annual war. It is a planetary economic vector with residency program, the school can welcome significant political stakes. In some cases, two foreign scientific or artistic researchers it can become a cultural enquiry bringing for the duration of a semester. Research together knowledge and the imagination. projects will be selected according to It is at these crossroads that scientific and their pertinence to the aforementioned artistic practices coexist and where the intellectual challenges. energies of art school research are shaped, With the creation of this research unit, with both significant cultural and now recognised and supported by the French professional ramifications. Ministry of Culture and Communication, Through space as well as through time, the école supérieure d’arts & médias de water has proven exceedingly fruitful within Caen/Cherbourg holds a prime position the field of art. Many of Klaus Rinke’s works in the European higher education landscape. demonstrate this, and they most significantly show how water is especially valid as Art and Water Research Laboratory 7 The relationship between art and water as a subject for research Introduction Introduction Art and Water Research Laboratory 8 Introduction Michèle Martel Head of Research The two campuses of the école supérieure d’arts & médias de Caen/Cherbourg have an obvious point in common: they are both surrounded by water. The Caen peninsula and the Cherbourg harbour are the expressions of a shared cultural reality that owes everything to their geographical context. The immediate closeness of water, as a traditional subject and a recurrent artistic material, is a topographical pretext for artistic and theoretical research dynamics. More than a pretext, this situation imposes itself, necessitating the creation of the Art and Water Research Laboratory. Introduction Art and Water Research Laboratory 9 The relationship between art and water has The second area deals with water as matter changed throughout the contemporary era. or material; as a substance or a component The sea has been a subject of pictorial of the living environment. Its recurring representation for a long time, but it evolved presence in contemporary artworks often new meaning with William Turner’s 19th emphasizes its physical qualities, such as century watercolours. Turner was the first its impermanency. As well, the use of this to understand subject and material together, medium coincides with a period when most notably as the material itself and the “all that is solid melts into air”, to quote way it was implemented became part of Marx and Engels (1848). the very meaning of the representation. The third area of research treats the The intimate relationship between matter relationship that art and water have with and pattern remains in today’s contemporary movement and travel, from the perspective production. of a continuous mobility of goods and people The investigations of the Art and Water through time and space; from the opening Laboratory are organized around three of foreign shores; from the resultant interest areas of research. The first one deals with in alteriety, and the socioeconomic realities the relationship between art and water in of the modern world, with an oft-incumbent the geographical sense of territories and and necessary exile. landscape. Water draws borders, but it also Despite very different scales, structures makes them porous. It has been domesticated and natures, the research projects of the Art in order to serve human development, and Water Laboratory fit into these three but it can also destroy it. Through accident areas. They are developed by members or by design, water transforms the landscape of the team who are either scientific or artistic and suggests a whole range of artistic researchers. These projects can take various approaches. shapes: meetings, workshops, symposiums, experimentations, exhibitions or publications. Art and Water Research Laboratory 11 Territories & Landscapes Research area #1 Research area #1 Art and Water Research Laboratory 12 Territories & Landscapes Water is an element. Through its many paradoxes, it is fundamental for the transformation of territories and the landscape. It is subject to domestication and exploitation in the interest of human economical and political expansion, as it is also a constant threat (climate, economy, ecology). So it is both a conquest and an uncontrollable and even destructive natural element. Yet water is also space: an aquatic space that can be conceived as an unlimited expanse, a symbol of liberty. In this context, it questions territorial limits and the truth of landscapes. Research area #1 Art and Water Research Laboratory 13 This combination of paradoxes raises stakes on this territory in flux, where the trade in that are linked to the very concept ideas, people and goods is at the foundation of territoriality. Because water changes of the historical evolution of humans? landscapes and ways of life, it influences Seen as a place of memory for the marine the architectural and urban space. How are and submarine worlds, reflecting the past, experience and the representation of seas and oceans are also present and territories modified through water? forward-looking. They are of course global The creation of intermediary spaces is an solutions for the survival of species; opportunity to focus on the territories that but above all they are places and non-places are shaped by humans, oscillating between for contemporary art. appearance and disappearance, artificial A closer look reveals that the relationship and natural, heaven and earth. This is the between art and water often comes from case with fluvial geography. Given the a pluralist perception of the territory as historical importance of the social and spatial it is built and shaped into its own political, changes, the river is an endless source economical and cultural identity. Works of encounter for arts and knowledge. belonging to this area of research can As reflected in painting and poetry, the port, naturally consider territories and landscapes in the founding of urban civilizations, in the broadest sense, in a speculative vision has been the place of the most fruitful of water’s spaciousness through visual, of aesthetic initiatives. What about their literary, architectural and cinematographic sometimes ambiguous relationship with investigations. contemporary art practices? Both the landscapes of the river and the coastal space are involved in this question. But what is the relationship between works of art (design, production and reception) and the harbour, Art and Water Research Laboratory 15 Matter & Material Research area #2 Research area #2 Art and Water Research Laboratory 16 Matter & Material In a different and complementary register of investigation, the laboratory’s second area of research is focused on the organic and physical dimensions of the relationship between art and water. Organic because the realm of the living is here invoked; physical because the permanency of water in art is often addressed through the means of images and sound. Research area #2 Art and Water Research Laboratory 17 In places such as Lower Normandy, landscape Water isn’t immaterial, but most of the time and weather undulate and change at the pace our perception of its liquid and fluctuating of water. Which kind of visual, textual or state is imaginative and aural. The gaseous, acoustic shape can water-based artwork take? liquid and solid states of water make us What imaginative relationship do artists have question the present state of the material as with this natural or artificial element as they well as its resistance, its resonance, its shape. read it, listen to it, feel it? But beyond the Water is protean and moving, and is by nature desire to understand artists’ approach experienced as movement through time. This and the quality of their work, the researches linear unfolding can also be found in the very of the Art and Water Laboratory concentrate nature of sound and cinematographic works. on the conceptual proximity that organizes a The art of sound recording rose during the fertile dependence on the artworks inception 20th century and at least since the fifties, and the knowledge of water as matter flaneurs and strolling individuals attentive and a material.