Syllabus THE CINEMA OF FEDERICO FELLINI - 30197 Last update 10-10-2013 HU Credits: 2 Degree/Cycle: 1st degree (Bachelor) Responsible Department: School of the Arts Academic year: 2 Semester: 1st Semester Teaching Languages: Hebrew Campus: Mt. Scopus Course/Module Coordinator: Dr. Hava Aldouby Coordinator Email: [email protected] Coordinator Office Hours: Monday, by appointment Teaching Staff: Dr. Hava Aldouby page 1 / 4 Course/Module description: The course will engage the oeuvre of one of the greatest cinematic auteurs of the 20th century, and will outline stylistic and thematic developments in his oeuvre. Course/Module aims: Students shall be acquainted with contemporary developments in Fellini studies and in film theory in general. Learning outcomes - On successful completion of this module, students should be able to: The students shall be able to analyze a cinematic work, and will widen their knowledge of film history and theory Attendance requirements(%): 80 Teaching arrangement and method of instruction: Lectue + projection of short film excerpts + discussion Course/Module Content: Lesson 1 Introduction: Fellinis early films, style and central themes Lesson 2 La Strada (1954), and the departure from neo-realism Lesson 3 La Dolce Vita (1960), Fellini as a modernist film auteur Lesson 4-5 8 ½ (1963), psychoanalysis and meta-cinema Lesson 6 Juliet of the Spirits (1965), Fellinis Jungian shadow play Lesson 7 Toby Dammit (1968) and the death of the author Lesson 8-9 Fellini Satyricon (1969), and A Directors Notebooks (1969) Lesson 10 The Clowns (1971), Fellini and the Circus Lesson 11 Fellini Amarcord (1973), Fellini and Italian fascism Lesson 12 Ginger and Fred (1985), Fellini as a postmodernist Lesson 13 Intervista (1988), meta-cinema and politics Lesson 14 The Voice of the Moon (1990), course conclusion Required Reading: רשימת סרטים וקריאת חובה לשיעור 2 (צפיה: "לה סטראדה") Millicent Marcus, Fellinis La strada: Transcending Neorealism, in eds. Peter Bondanella and Christina Degli-Esposti, Perspectives on Federico Fellini, New York: G.K. Hall, 1993, pp.87-99 page 2 / 4 לשיעור 3 (צפיה: "לה דולצה ויטה") Peter Bondanella, The Cinema of Federico Fellini, Princeton, New Jersey: Princeton University Press, 1992, pp. 132-49 לשיעורים 4-5 (צפיה: "שמונה וחצי") Peter Bondanella, The Cinema of Federico Fellini. Princeton NJ: Princeton University Press, 1992, pp. 150-159, 163-178. קריאה נוספת (רשות): John Stubbs, Federico Fellini as Auteur; Seven Aspects of His Films, Carbondale: Soutehrn Illinois Universiy Press, 2006, pp. 57-64 לשיעור 6 (צפיה: "גולייטה של הרוחות") John Stubbs, Federico Fellini as Auteur; Seven Aspects of His Films, Carbondale: Soutehrn Illinois Universiy Press, 2006, pp. 20-36 ("The Style of Excess"). לשיעור 7 (צפיה: "טובי דאמיט") Frank Burke, "Fellini: Changing the Subject", in eds. Peter Bondanella and Christina Degli-Esposti, Perspectives on Federico Fellini, New York: G.K. Hall, 1993, pp. 275-292. לשיעורים 8-9 (צפיה: "פליני סטיריקון") Frank Burke, Fellinis Films; From Postwar to Postmodern, pp. 167-81 לשיעור 10 (צפיה: "הליצנים") Helen Stoddart, Subtle Wasted Traces: Fellini and the Circus, in eds. Frank Burke and Marguerite R. Waller, Federico Fellini; Contemporary Perspectives, Toronto: University of Toronto Press, 2002, pp. 47-64 לשיעור 11 (צפיה: "זכרונות" Amarcord Fellini) קריאה (רשות): Peter Bondanella, The Cinema of Federico Fellini. Princeton NJ: Princeton University Press, 1992, pp. 262-284 לשיעורים 12-13 (צפיה: "גינגר ופרד", "אינטרוויסטה" ) Millicent Marcus, Fellinis Ginger and Fred: Postmodern Simulation Meets Hollywood Romance, in eds. Burke and Waller, Federico Fellini; Contemporary Perspectives, pp. 169-87 קריאה נוספת (רשות): Frank Burke, Federico Fellini: Reality/Representation/ Signification, in eds. Burke and Waller, Federico Fellini; Contemporary Perspectives, pp. 26-45 לשיעור 14 (צפיה: "קולו של הירח") קריאה (רשות): Millicent Marcus, Filmmaking by the Book. Baltimore and London: Johns Hopkins University Press, 1993, pp. 225-248s Additional Reading Material: General bibliography: Betti, Liliana. Fellini. Boston: Little, Brown, and Co., 1979 Bondanella, Peter. The Cinema of Federico Fellini. Princeton; Princeton University Press, 1992 Bondanella, Peter, and Christina Degli Esposti, eds., Perspectives on Federico Fellini. page 3 / 4 New York: G.K. Hall, 1993, pp. 249-59 Burke, Frank. Fellinis Films; From Postwar to Postmodern. New York: Twayne Publishers, 1996 Burke, Frank, and Marguerite R. Waller, eds. Federico Fellini; Contemporary Perspectives. Toronto: University of Toronto Press, 2002 Fellini, Federico, The Book of Dreams. New York, NY: Rizzoli International, 2008 Grazzini, Giovanni, ed., Comments on Film Federico Fellini. Fresno: The Press at California State University, 1988 Kezich, Tullio, Federico Fellini: His Life and Work. New York: Faber and Faber, 2006 Perugini, Sasa. The Aesthetics of Fellinis Art Seen through its Ties with Popular Entertainment. PhD dissertation, Ann Arbor, MI : UMI Dissertation Services, 2002 Stubbs, John. Federico Fellini as Auteur; Seven Aspects of His Films. Carbondale: Southern Illinois University Press, 2006 Course/Module evaluation: End of year written/oral examination 100 % Presentation 0 % Participation in Tutorials 0 % Project work 0 % Assignments 0 % Reports 0 % Research project 0 % Quizzes 0 % Other 0 % Additional information: Students will be required to watch full-length films before class, and read the required materials page 4 / 4 Powered by TCPDF (www.tcpdf.org).