1 Zoömusicology bibliography/Hollis Taylor zoömusicology / la zoömusicologie Armstrong, Edward A. 1973. A Study of Bird Song. New York: Dover. Baptista, Luis F., and Robin A. Keister. 2005. Why birdsong is sometimes like music. Perspectives in Biology and Medicine 48 (3): 426-443. Boswall, Jefferey. 1983. Language of birds. Proceedings of the Royal Institution of Great Britain 55: 249-303. Curtis, H. Sydney, and Hollis Taylor. 2010. "Olivier Messiaen and the Albert's Lyrebird: from Tamborine Mountain to Éclairs sur l'au-delà." In Olivier Messiaen: The Centenary Papers, ed. Judith Crispin. Newcastle upon Tyne: Cambridge Scholars. 52-79. Demuth, Norman. 1960. Messiaen's early birds. The Musical Times 101 (1412): 627- 629. Dicken, Libby. 2006. Messiaen and birdsong. Wildlife Sound Spring 2006. Doolittle, Emily L. 2006. “Other Species’ Counterpoint: An Investigation of the Relationship between Human Music and Animal Songs.” PhD, Princeton University. Doolittle, Emily. 2008. Crickets in the concert hall: A history of animals in Western music. Transcultural Music Review 12. Doolittle, Emily L., Bruno Gingras, Dominik M. Endres, and W. Tecumseh Fitch. 2014. Overtone-Based Pitch Selection in Hermit Thrush Song: Unexpected Convergence with Scale Construction in Human Music. PNAS 111, no. 46: 16616-21. Doolittle, Emily, and Bruno Gingras. 2015. Zoomusicology. Current Biology 25: R819- R20. Fallon, Robert. 2007. "The Record of Realism in Messiaen’s Bird Style." In Olivier Messiaen: Music, Art, and Literature, eds. C. Dingle and N. Simeone. Aldershot: Ashgate. 115-136. Fitch, W. Tecumseh. 2015. Four Principles of Bio-Musicology. Philosophical Transactions B 370 (1664): 1-12. Gardiner, William. 1840. The Music of Nature. London: Longman, Orme, Brown, Green, and Longmans. Garstang, Walter. 1922/1923. Song of the Birds. Revised and Enlarged, 1923 ed. London: John Lane the Bodley Head. Halafoff, K. C. 1959. Musical analysis of the lyrebird's song. Victorian Naturalist 75: 169-178. Halafoff, K. C. 1968. A survey of birds’ music. Emu 68 (1): 21-40. Hall-Craggs, Joan. 1962. The development of song in the blackbird. Ibis 104 (3): 277- 300. Hall-Craggs, Joan. 1984. "Inter-specific copying by blackbirds," Journal of the Wildlife Sound Recording Society (7). Harley, Maria Ana. 1994. Birds in concert: North American birdsong in Bartok's Piano Concerto No. 3. Tempo 189: 8-16. Hartshorne, Charles. 1953. Musical values in Australian songbirds. Emu 53: 109-128. Hartshorne, Charles. 1958. The relation of bird song to music. Ibis 100: 421-445. 2 Zoömusicology bibliography/Hollis Taylor Hartshorne, Charles. 1968. The aesthetics of birdsong. The Journal of Aesthetics and Art Criticism 26 (3): 311-315. Hartshorne, Charles. 1973. Born to Sing: An Interpretation and World Survey of Bird Song. Bloomington, Indiana: Indiana University Press. Hindley, David. 1990. The music of birdsong. Wildlife Sound 6 (4): 25-33. Jellis, Rosemary. 1977. Bird Sounds and Their Meaning. Ithaca, New York: Cornell University Press. Kircher, Athanasius. c. 1650. Musurgia universalis. Mâche, François-Bernard. 1983. La musique au naturel. Interface 12: 199-206. Mâche, François-Bernard. 1983. Musique, mythe, nature, ou les Dauphins d’Arion. Paris: Méridiens Klinksieck. Mâche, François-Bernard. 1986. L’analyse melodique. International Review of the Aesthetics and Sociology of Music 17 (2): 259-272. Mâche, François-Bernard. 1992. Music, Myth and Nature. Trans. Susan Delaney. Switzerland: Harwood Academic Publishers. Mâche, François-Bernard. 1996. "La musique chez les oiseaux." In Comme un oiseau, ed. Catalogue de l'Exposition de la Fondation Cartier. Paris: Gallimard/Electa. 133-152. Mâche, François-Bernard. 1997. Syntagms and paradigms in zoomusicology. Contemporary Music Review 16 (3): 55-78. Mâche, François-Bernard. 1999. "Convergences zoomusicologiques: aperçus sur certains traits musicaux universels chez les êtres vivants." In Méthodes nouvelles, musiques nouvelles : musicologie et création, ed. Márta Grabócz. Strasbourg: Presses Universitaires de Strasbourg. 1-10. Mâche, François-Bernard. 2000. "L’homme qui écoute les oiseaux." In Sans les animaux, le monde ne serait pas humain, ed. Karine Lou-Matignon. Paris: Albin Michel. 37-48. Mâche, François-Bernard. 2000. "The necessity of and problems with a universal musicology." In The Origins of Music, eds. N.L. Wallin, B. Merker and S. Brown. Cambridge, Massachusetts: The MIT Press. 473-479. Mâche, François-Bernard. 2000. La musique n'est pas le propre de l'homme. La Recherche Hors-Série No. 4: 76-77. Mâche, François-Bernard. 2001. Musique au Singulier. Paris: Éditions Odile Jacob. Mâche, François-Bernard. 2002. Les oiseaux musiciens. Sciences et Avenir 131: 62- 68. Mâche, François-Bernard. 2006. "L’oiseau chez Messiaen et chez moi." In La Cité céleste: Olivier Messiaen zum Gedächtnis, eds. Christine Wassermann Beirão, Thomas Daniel Schlee and Elmar Budde. Berlin: Weidler. 315-330. Martinelli, Dario. 2001. Symptomatology of a semiotic research: methodologies and problems in zoomusicology. Sign Systems Studies 29 (1): 1-12. Martinelli, Dario. 2002. How Musical Is a Whale?: Towards a Theory of Zoömusicology. Hakapaino: International Semiotics Institute. Martinelli, Dario. 2008. Introduction (to the issue and to zoomusicology). Transcultural Music Review 12. Martinelli, Dario. 2009. Of Birds, Whales, and Other Musicians: An Introduction to Zoomusicology. Scranton: University of Scranton Press. 3 Zoömusicology bibliography/Hollis Taylor Messiaen, Olivier, and Harriet Watts. 1979. Canyons, colours and birds: an interview with Olivier Messiaen. Tempo 128 (March 1979): 2-8. Messiaen, Olivier. 1994-2002. Traité de Rythme, de Couleur, et d’Ornithologie (1949- 1992). Two vols. Tome V, 1er Volume - Chants d’Oiseaux d’Europe. Paris: Éditions Musicales Alphonse Leduc. Messiaen, Olivier. 1994-2002. Traité de Rythme, de Couleur, et d’Ornithologie (1949- 1992). Two vols. Tome V, 2e Volume - Chants d’Oiseaux Extra-Européens. Paris: Éditions Musicales Alphonse Leduc. Nichols, Roger. 1972. Messiaen's birds. Music & Letters 53 (2): 233-234. Ouellette, Antoine. 2008. Le chant des oyseaulx. Saint-Laurent: Tryptyque. Powers, Alan. 2003. BirdTalk. Berkeley, CA: Frog, Ltd. Rothenberg, David. 2005. Why Birds Sing: A Journey into the Mystery of Bird Song. New York: Basic Books. Rothenberg, David. 2013. Bug Music: How Insects Gave Us Rhythm and Noise. New York: St. Martin's Press. Rothenberg, David, Tina C. Roeske, Henning U. Voss, Marc Naguib, and Ofer Tchernichovski. 2014. Investigation of Musicality in Birdsong. Hearing Research 308: 71-83. Soldier, David. 2002. Eine kleine naughtmusik: how nefarious nonartists cleverly imitate music. Leonardo Music Journal 12: 53-58. Sorce Keller, Marcello. 2012. Zoomusicology and Ethnomusicology: A Marriage to Celebrate in Heaven. 2012 Yearbook for Traditional Music 44: 166-83. Sotavalta, Olavi. 1956. Analysis of the song patterns of two sprosser nightingales, Luscinia luscinia. Annals of the Finnish Zoological Society "Vanamo" 17 (4): 1- 31. Staal, Frits. 1985. Mantras and bird songs. Journal of the American Oriental Society 105 (3): 549-558. Szőke, P., and M. Filip. 1977. The study of intonation structure of bird vocalizations: an inadequate application of sound spectrography. Opuscula Zoologica Budapest XIV (1-2): 127-154. Szőke, Péter. 1963. Ornitomuzikológia. Magyar Tudomany 9: 592-607. Taylor, Hollis, and Dominique Lestel. 2011. The Australian pied butcherbird and the natureculture continuum. Journal of Interdisciplinary Music Studies 4 (3). Taylor, Hollis. 2008. Decoding the song of the pied butcherbird: An initial survey. Transcultural Music Review (12). Taylor, Hollis. 2008. "Towards a Species Songbook: Illuminating the Vocalisations of the Australian Pied Butcherbird (Cracticus nigrogularis)." PhD. Western Sydney University. Taylor, Hollis. 2009. Olivier Messiaen's transcription of the Albert's lyrebird. AudioWings 12 (1): 2-5. Taylor, Hollis. 2009. Super Tweeter. Art Monthly Australia 225: 16-19. Taylor, Hollis. 2010. Blowin’ in Birdland: Improvisation and the Australian pied butcherbird. Leonardo Music Journal 20: 79-83. Taylor, Hollis. 2011. Composers’ appropriation of pied butcherbird song: Henry Tate’s ‘undersong of Australia’ comes of age. Journal of Music Research Online. http://www.jmro.org.au/index.php?journal=mca2&page=issue&op=current 4 Zoömusicology bibliography/Hollis Taylor Taylor, Hollis. 2013. Connecting Interdisciplinary Dots: Songbirds, “White Rats,” and Human Exceptionalism. Social Science Information 52 (2): 287-306. Wallin, Nils L. 1991. Biomusicology. Stuyvesant NY: Pendragon Press. Wallin, Nils L., Björn Merker, and Steven Brown, eds. 2000. The Origins of Music. Cambridge, Massachusetts: MIT Press. West, Meredith J., and Andrew P. King. 1990. Mozart's starling. American Scientist 78: 106-114. musicology / la musicologie Blacking, John. 1987. A Commonsense View of All Music. Cambridge: Cambridge University Press. Cohen, Dalia. 1983. Birdcalls and the rules of Palestrina counterpoint: towards the discovery of universal qualities in vocal expression. Israel Studies in Musicology 3: 96-123. Cook, Nicholas. 1987. A Guide to Musical Analysis. Oxford: Oxford University Press. Goehr, Lydia. 1992. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon Press. Huron, David. 2007. Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, Massachusetts: The MIT Press. Lochhead, Judy. 2006. "How does it work?": Challenges to analytic explanation. Music