LOS T AND F 0 UNO TIM ES c o .,-l CI) No.45,~ber2000 $6 2 o l­ 0- Al Ackerman Scott Keeney B John Adams Joan Payne Kincaid .,-l CI) Fernando Aguiar Richard Kostelanetz 2 c Stacey Allam Lewis LaCook .,-l William Allegrezza Eel Leonard c o Reed Altemus Jeffrey Little ',-l CI) Hartmut Andryczuk Giovanni Malito ;:l ~ Ivan Arguelles Malok () () Justin Audia McMurtagh o c Babynous Cult A. di Michele o .,-l David Baratier J. Michael Mollohan CI) ;:l Baron Randy Moore ~ () Nichael Basinski Gustav Morin <J) Guy R. Beining Christopher Mulrooney CI) c o John M. Bennett J. S. Murnet .,-l CI) Jake Berry Sheila E. Murphy ;:l ~ Star Bowers Keiichi Nakamura c o Keith Breese Richard William Pearce () Brouillet Simon Perchik c o .,-l Christian Burgaud Paco Perez CI) ;:l Casey Bush Leon Pifton ~ M Alan Catlin Ross Priddle .,-l Dave Baptiste Chirot Dan Raphael Jon Cone Cesar Reglero Campos Suzy Crowbar Harland Ristau Robin Crozier Daniel A. Russell Joel Dailey Spencer Selby John Elsberg "Swarthy" Turk Sellers Greg Evason Glans T. Sherman Ficus strangulensis Paul Silvia Tim Gaze Markus Steffen LeRoy GOrIj1an Rod Sununers Thompson John Grey Thomas L. Taylor Bob Grumman Thompson S. Gustav Hagglund Yvette Tucker Ken Harris Joseph Veronneau Aaron Hawk J. Leigh Welteroth Scott Helmes Madam X Eberhard Janke Desolate OPAL CONFESSION:8 Femme - Clair - Mer Front cover: Aaron Hawk I have credibility S"UBS"OIPTIO~. ~Q5 FOR 5 NOS". Back cover: Markus Steffen of histories murmur translucent scalp. raw between to the one turned in two fingers. rolls gentle fat. ~QO() Consultant: C. Mehrl Bennett BPCIl IS"S"UE:S". NOS". 1-44. COMPL€TE:. the shape of the collection beneath the skin. Editor: JOHN M. BENNETT biological inventory so LUNA BIs-ONTE: PRODS". 137 LE:lAND A~ can judge for perpetual translucent scallop. claw between COLUMBUS". OHIO 43214 US"A stochastic motion least two shells. rolls gentle survival. Ohiu A.-t<; Cuun,il R~RT landscape sometimes water beneath the gale. CC) JOHN M. BE:NNfTT QOOO. PU RIGHTS" A STATE AGENCY TO AUTHOR) PliD PiTlffi UPON PUBUCATION THAT SUPPORTS PUBLIC Giovanni Nalito J. Leigh Welteroth IS")N. 1083-6780 PROGRAMS IN THE ARTS FAR ALOFT (I TRACED HOSTll.E FOOTPRINTS) WHEN NIETZSCHE WET Down the stoney bowl in which town did the bowl reside, in the dust where I grew old, Legend has it that when Nietzsche wet, Old Doc Sow Bug came out and, and rocks boiling like my teeth, but my teeth feeling the drops, struggled to get never boiled they became petals and fell from his umbrella up. In trying my mouth when snow fell in the broken hills to do this, he staggered slightly frothing as you'd later write. I stood bare. and his mind was mighty confused But I did not stand bare, for I was naked and no wonder. Today? Little and clothed in my nakedness. Chained. has changed: the neighborhood still Of course, for the order of the day was in has a debased feeling on its chains, pintle chains, knockabout chains, Nietzsche-has-wet days, unwholesome Hartmut Andryczuk chains you'd use in rough weather in dune droplets and strong odor roaming, under metal clouds, and face.spray combining to form a morbid sort upon one's hands and lips like thumbed of cocktail that only someone haiku blank pages. Without documents we as crazy and criminally lived invisible, we ate sausage crowed negligent as my landlord in your dim back pock, a momentary plug up might want to order if it was and grease of hands, corrupt and seething, as on the menu. That's why I take dispense body plans ligaments filaments we found no route away from the tall stacks special care to avoid my landlord, pretty much every day TURN URN and the sound of metal ringing. fingers finding Allalong the cliff but most especially on Nietzsche-has-wet days. The fact like a plastic bag, where once we worked fans blow ashes. that Nietzsche-has-wet days always spa c e. shifts and iron overtime, where once we fell seem to coincide with rent days onto the mud to discover the sagged lake against helps keep me steadfast in this the asshole's spiggot, on fire, in desert, out of loose my resolve. turn kit w8.terFALLS orbit, loose bones flung against the steel sides, c u an elastic gale, which none but those indifferent --Eel Leonard in DARlGiESS h r would ignore could ignore an eye's retention n her damp knees. and then beneath the garage. What did you isolate whiteness. think? One phrase learned or laddered based on flutter and numbers in the hall. rni. into mi. The lumped diorama in the hall, or the innocent whose hands had made it happen. mild clouds of an i n It was a grinding core, a span ofgooey years! Huff, huffy, I don't care. The matter of these idyll. t chalked distinctions is spit. We know what happens e to spit. It pools, unpools. It spools, unspools. r termInal knot of eye interstices Le6n Pifi6n drops t a light. t e in sand burnt blood. armpit as flower one red ant. Guy R. Beining Gustav Norin o () AFTER BASHO () r-' C CJl .... ' o ~ so much Q) U) ~ of what we Q) "'1 Q) III ... ~ say and do is i:Q CJl trivial so ..c 2' .w .....CJl much of what .,., o Q) we say and ::..:: ~ III do is so much r-' r-' of what we C .....CJl say and Deep Discounts o ~ do so much of () what we o...... stirring in the bargains without debate, . r-' say and so the oyster mirl, hair bordering on the geophysIcal . C .....CJl much of what we up-thrust scalp, subduction zones constricted in lycra and demm g say so much ..... of what we so a caldera so big and so old you don't know w~lat youre in the middle of ~ () much of til that nunbling ofa planetary stomach. hearIn? th~de~ . ...... c what so much with your feet. lightning bolts ofacid distress ztppenng mSIde your stomach CJl ..... Discipline #1 o of so much ~ my eyes like colored oil on a pond thick with fluorescent water bugs so? "0 i tried the fermentation ofanother world's wanting. "'1 and koi pangled with bits of mirror--- .. o sunships & spelunkers, inside ofthe skeleton pink theyre schoolIng mto a sunken rrunvan ""+> John Elsberg c lungs were laughing about how no one red remains whose roof ripples from beneath as if four people are using it as a blanket CJl .... ' o ~ the same. the indentation left a sigh from another CJl Dan Raphael ro () ...... wanting's whorl. bucky balls & stun guns. neural c sasquatch swatting squash against tbe final fences .....CJl o standing carping that ''this red is the same remains." ~ .... ' ~ Jeffrey Little ~ "'1 C CJl .... ' P o ~ () E e o ~ D34 ~ ~ c CJl .... ' As if risk was still involved the group ... ' o .. ~ doesn't move, struck head on . :- W .. .... ' though the flash has too much sun in it r-' r-' --the class wants the yearbook to command C CJl flame with that relentless sound ....' n g only a chorus can ignite :a single voice caressed by others and you almost touch 0­ ( .... ' the face that once was yours, half ""+> c""+> at a stand-still, half telling you directions CJl --its eyes left open the way every grave r .... ' o ~ puts together those small stones s left al~ngside :flawless voices &. .... ' , ~ --a cleared mountain pass U ? CJl letting you through where the Earth Fernando Aguiar .... ' o is almost nothing in itself. ~ Simon Perchik Knothiss Snothat -Quandary of latent birth slough of what soul threatened.-Generosities at insistences of ego wrinkling wetly above the frets.-Knothiss Snothat. But just when quenched witch of cows recovers some vocable love circles.-A circle of stones in a vessel of trees?­ Enallagic particulars thought episteme engendered about hands us crepuscular as recidi­ vist we. We're doubt about parse matrices spondaic iterations centered in phelgm esperanto what strung hypertext imparts. -Say black place blue notes tremble amid tones. Say niche pelagic monoliths aboriginal eye.-Say nothing, my euphonic murmura­ tion. Centers anywhere we not by any means but through them move in so far as we can­ not be sure. -See Heraclitus, see Peru, see by submerging hydroponic regatta, dewed in code obses­ sion, and thereby reversing its center to accomplish loci of the newly(the newel) associa­ tive by which we reinvent the mirror -Sounds like a writer of the hypothetical beyond confessing read contextual turbulences of a working site.-Vision? Its the veritable instep of my working class announcing poet­ ical collapse. -To adduce belief circumscribe the divine and excogitate the fancy.-Selfconscious alphabetical noise.-Yes, atman brahmin, anathema. The feedback of consciousness becoming iterate pelf. There's only an angular nexus dubious in issues freed of the dis­ cursive exclusions of 0 the new belly and 0 the new pun aroused to quest spite of the eyed sequential. Where our shadows shut the barnacles and closing the crocus shuts our flame?-Fevers, new silences of the ludic live songs bet. But no, while I ponder clamoring proteins of con­ tinuity the movements of disturbances are reflected in a decoration.-Longer by deafen­ ing stases to points organ of ethos but through defunct hearings of bpdily doubts paper­ Christian Burgaud covered likenesses which in this collision become perspectus of epistomologies exit posit­ jng a radical intentionality which bombs gaps in the avant.-Look, a merely readied posi­ tion of wanting can only point to permissible methods of challenging belief.