Ibero-Online.de Heft 13 September 2019 Trayectorias Music between Latin America and Europe 1945–1970 Música entre América Latina y Europa 1945–1970 Daniela Fugellie, Ulrike Mühlschlegel, Matthias Pasdzierny, Christina Richter-Ibáñez (eds.) IBERO-ONLINE.DE El Ibero-Amerikanisches Institut (IAI, Instituto Ibero-Americano) en Berlín es una institución de orientación interdisciplinaria que se ocupa del intercambio científico y cultural con América Latina, el Caribe, España y Portugal. Alberga un archivo de conocimiento del que forma parte la biblioteca especializada en el ámbito cultural iberoamericano más grande de Europa. Es, ade- más, un lugar de producción científica, transmisión de conocimiento y desarrollo cultural. En la serie IBERO-ONLINE.DE se publican textos provenientes de conferencias y simposios lleva- dos a cabo en el Instituto Ibero-Americano. 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The online version of this work can be found at: <http://www.iai.spk-berlin.de/publikationen/ibero-online.html> Contents / Contenido Preface / Prefacio .......................................................................................................5 Cultural Politics — Cultural Exchange — Musical Institutions and Programs 1945–1970 Dörte Schmidt Artistic Exchange between Europe and Latin America after World War II as Mirrored by Sources from the Archive of the German Federal Foreign Office ........9 Daniela Fugellie Los Institutos Chileno-Alemán, Chileno-Británico y Chileno-Francés de Cultura y su rol en la vida musical chilena (1945–1973). Una aproximación ..........17 Victoria Eli Rodríguez República Democrática Alemana (RDA): escena académica para los músicos cubanos (1960–1980)................................................................................................29 Music Festivals and Concert Trips during the Cold War Friedemann Pestel National Representation and Global Trajectories: Austrian and German Orchestras Touring Latin America in the 1950s and 1960s ....................................43 Carol A. Hess “Avant-garde Music Sounds Very Much the Same”: Spain at the Fourth Inter-American Music Festival in Washington, D.C. (1968) ...................................59 Tobias Rupprecht Moscow Mambo. Latin American Popular Music in the Cold War Soviet Union ..69 Belén Vega Pichaco América Latina canta y baila en la escena francesa: aspectos de política e identidad en el Théâtre des Nations (1958–1965) .................................................77 Dean Vuletic Latin America and the Eurovision Song Contest ....................................................85 Agents and Processes of Exchange: From Europe to Latin America and vice versa Consuelo Carredano La revista Nuestra Música (1946–1953): Un espacio de élite para la interacción de músicos mexicanos y españoles ...........................................95 Ilza Nogueira Intercultural Dialogues in Brazilian Concert Music: the Case of the Composers Group of Bahia ...........................................................105 Christina Richter-Ibánez Performing and Teaching in the New World: The Repertoire of German-speaking Musicians in Argentina and Brazil after 1945 .........................121 Omar Corrado Las óperas de Arnold Schoenberg y Alban Berg en Buenos Aires (1952–1970). Apuntes de recepción .............................................................................................137 Diego Alonso Tomás El pensamiento estético y político de Otto Mayer-Serra y su relación con el ideario de Hanns Eisler ...............................................................................149 María Fouz Moreno Compositores europeos en el cine argentino: la música cinematográfica de los Estudios San Miguel ....................................................................................155 Julio Ogas Julián Bautista en Argentina. Música de concierto y poética audiovisual ............163 Osvaldo Budón The Liberation of Sound in the Río de la Plata: Edgard Varèse’s Influence on New Music in Argentina ..................................................................................177 Poster Abstracts Pablo Cuevas Early Electroacoustic Music und Cultural Identity in Latin America ..................187 Marcela González Barroso ‘Transterrado’ Imaginary Sound. The Vocal Work of Eduardo Grau (Barcelona, 1919 – Buenos Aires, 2006) ...............................................................187 Daniel Moro Vallina Cultural Exchanges between Chile and Spain in the Reception of Twelve-tone Technique (1955–1965) .................................................................188 Preface This volume of Ibero-Online contains presentations from the international confer- ence Trayectorias / Cultural Exchanges: Music between Latin America and Europe 1945–1970 hosted by the Ibero-American Institute (Ibero-Amerikanisches Institut, IAI) in Berlin, 5 to 7 April 2017. The event was the fruit of a cooperation between the IAI, the Center for the Study of the Musical Culture of the Postwar Period at the University of the Arts Berlin (Universität der Künste, UdK) and the Federal University of Rio de Janeiro (UFRJ). It was supported and funded by the German Research Foundation (DFG), to which we would like to express our sincere thanks. The articles focus on developments in art music between 1945 and 1970 includ- ing research in music historiography and individual biographies as well as transfer and circulation of musicians, music and concepts. The topic was initially discussed during the first IAI / UdK International Colloquium hosted by the VI UFRJ International Symposium of Musicology Cultural Exchanges: Music Between Latin America and Europe, held in Rio de Janeiro, August 2015. The initiated academic exchange was broadened in Berlin and culminated in the establishment of the net- work Trayectorias, which in the meantime continued its activities by holding the international conference Trayectorias / Cultural Exchanges: Music between Latin America and Europe, 1970–2000 (14 to 16 March 2019) in Santiago de Chile.1 In the opening part, Cultural Politics — Cultural Exchange — Musical Institutions and Programs, Dörte Schmidt, Daniela Fugellie and Victoria Eli Rodríguez focus on the historical significance of cultural institutions in both German states, Chile and Cuba. The papers explore the crucial role that institutions such as embassies, the Goethe Institute or the universities in the German Democratic Republic played as agents of exchange in the realm of postwar cultural politics. The articles in the second part, Music Festivals and Concert Trips during the Cold War, deal with festivals, guest performances and broadcasting on both sides of the Atlantic: in North and South America, France and the Soviet Union. Friedemann Pestel, Carol Hess, Tobias Rupprecht, Belén Vega Pichaco, and Dean Vuletic show that the mobility of ensembles, musicians and repertoires was shaped by the devel- opment of media and transport, but also by the political and ideological tensions of the period. For the last part, Agents and Processes of Exchange: From Europe to Latin America and vice versa, Consuelo Carredano, Ilza Nogueira, Christina Richter- Ibáñez, Omar Corrado, Diego Alonso Tomás, María Fouz Moreno, Julio Ogas, and Osvaldo Budón focus on individual trajectories, exploring case studies of migrant repertories, composers, interpreters and musicologists. The articles present original perspectives on stage and film music, musical analysis, biographical perspectives and the establishment of networks. Finally, this volume includes the poster abstracts by Pablo Cuevas, Marcela González Barroso and Daniel Moro Vallina, dedicated to electronic music, the com- poser Eduardo Grau and the transfer of the twelve-tone technique from Chile to Spain. The editors wish to thank all institutions and researchers that made this event and the following publication possible, thus enabling the transatlantic dialogue. Daniela Fugellie, Ulrike Mühlschlegel, Matthias Pasdzierny, Christina Richter-Ibáñez Berlin, April 2019 1 <http://www.trayectorias.org> Prefacio Este volumen de Ibero-Online reúne trabajos presentados en la conferencia internacio- nal Trayectorias: Música entre América Latina y Europa 1945–1970, organizada