Mural Design Information Form LEAD ARTIST ADDRESS CITY STATE ZIP CODE EMAIL PHONE PROJECT COORDINATOR ADDRESS CITY STATE ZIP CODE EMAIL PHONE SPONSORING ORGANIZATION ADDRESS CITY STATE ZIP CODE EMAIL PHONE FUNDING SOURCES PROPOSED SITE (address, cross street ) DISTRICT District numbers can be found at http://sfgov.org/elections/district-citywide-maps MURAL TITLE DIMENSIONS ESTIMATED SCHEDULE (start and completion dates) 1. Proposal (describe proposed design, site and theme. Attach a separate document if needed). 2. Materials and processes to be used for wall preparation, mural creation and anti-graffiti treatment. 3. List individuals and groups involved in the mural design, preparation and implementation. Attach the following documents to this form: 1. Lead artist's resume/qualifications and examples of previous work 2. Three (3) letters of community support 3. Letter or resolution approving proposal from city department or; 4. Letter of approval from private property owner along with Property Owner Authorization Form 5. Signed Artist Waiver of Property Rights for artwork placed upon city property or; 6. Signed Artist Waiver of Proprietary Rights financed in whole or in part by city funds for artwork placed upon private property 7. Maintenance Plan (including parties responsible for maintenance) 8. Color image of design 9. One image of the proposed site and indicate mural dimensions Tauba Auerbach Born 1981 in San Francisco, CA Lives and works in New York Education 1999-2003 BA Visual Art, Stanford University, Palo Alto, CA Awards 2016 Queen Sonja Print Award 2016, Oslo, Norway 2011 Artist Research Fellowship, Smithsonian Institution 2008 SECA Art Award, SF MoMA, San Francisco, CA 2008 Eureka Fellowship, The Fleischhacker Foundation One-Person Exhibitions 2019 Tauba Auerbach: Current, The Artist’s Institute at Hunter College, New York, NY (4/12 —6/1/19) 2018 INDUCTION: Tauba Auerbach + Elaine Radigue, curated by Andria Hickey, Museum of Contemporary Art, Cleveland, OH (2/16—6/10/18) Tauba Auerbach: Flow Seperation, Public Art Fund, New York Harbor, NY (7/1/18— 5/12/19) TAUBA AUERBACH: OOO. 19 flags for 019, 019, Ghent, Belgium (5/5—8/14/18) Tauba Auerbach: A BROKEN STREAM, Paula Cooper Gallery, New York, NY (11/10/18—12/22/18) 2017 Diagonal Press, Stevenson Library, Bard College, Annandale-on-Hudson, NY (2/15- 4/20/17) 2016 Tauba Auerbach: Projective Instrument, Paula Cooper Gallery, New York, NY (1/9 - 2/13/16) 2014 Tauba Auerbach: The New Ambidextrous Universe, Institute of Contemporary Arts, London, UK (4/16 – 6/15/14) 2013 Gnomon/Wave, part of the Night (1947 – 2015) sculpture-in-residence program at Philip Johnson Glass House, New Canaan, CT (5/2 – 9/1/13) A comb A grating A wave A particle A solid A field A mirror A sundial A slice A charge A hole A ghost, Standard, Oslo, Norway (8/30–9/28/13) 2012 Float, Paula Cooper Gallery, New York, NY (5/5 – 6/9/12) 2011 Tetrachromat, Bergen Kunsthall, Norway (11/11 – 12/22). Travels to Malmö Konsthall, Sweden (3/16 6/10/12); Wiels Contemporary Art Center Belgium (3/28 Sweden (3/16 – 6/10/12); Wiels Contemporary Art Center, Belgium (3/28 – 6/6/13) A Book is Not An X, Glenn Horowitz Bookseller, East Hampton, NY (8/12 – 9/20) 2010 The W Axis, Standard (Oslo), Oslo, Norway Quarry, Whitney Museum Construction Site Installation, New York, NY Ne Year, Western Bridge, Seattle, WA 2009 Here and Now/And Nowhere, Deitch Projects, New York, NY 2008 Passengers, Wattis Institute for Contemporary Art, San Francisco, CA The Uncertainly Principle, Standard (Oslo), Oslo, Norway 2007 The Answer/Wasn’t Here, Jack Hanley Gallery, San Francisco, CA 2006 Yes and Not Yes, Deitch Projects, New York, NY 2005 All Time, All the Time, San Francisco Art Commission, San Francisco, CA How to Spell the Alphabet, New Image Art Gallery, Los Angeles, CA Group Exhibitions 2019 Movies are for Selling Popcorn, Standard (Oslo), Oslo, Norway (2/1—3/2/19) Surface Tension, Carolina Nitsch Project Room, New York, NY (2/2—4/6/19) Season XVI, The Artist’s Institute at Hunter College, New York, NY (4/12—6/1/19) Coordinates: Maps and Art Exploring Shared Terrain, David Rumsey Map Center, Stanford University, Stanford, CA (4/30—9/30/19) New Order: Art and Technology in the Twenty-First Century, Museum of Modern Art, New York, NY (3/17—6/15/19) Group Exhibition, Affective Care, New York, NY (6/14—9/7/19) Trade Syllables, Andreas Melas Gallery, Athens, Greece (6/21—9/21/19) 2018 Artwork for Bedrooms, CCA Wattis Institute for Contemporary Art, San Francisco, CA (3/15—5/12/18) General Rehearsal: A Show in three acts from the collections of V-A-C, MMOMA and KADIST, Moscow Museum of Modern Art, Moscow, Russia (4/26—9/16/18) The Swindle: Art Between Seeing and Believing, Albright-Knox Art Gallery, Buffalo, NY (5/26—10/28/18) Atelier E.B., Serpentine Sackler Gallery, London, England (10/3/18—1/2019) Bauhaus und Amerika, curated by Kristin Bartels, LWL-Museum für Kunst und Kultur, Kassel, Germany (11/9/18—3/10/19) Coordinates: Maps and Art Exploring Shared Terrain, curated by Emily Prince, David Rumsey Map Center, Stanford University, Stanford, CA (4/30/18—9/30/19) Programmed: Rules, Codes, and Choreographies in Art, 1965-2018, Whitney Museum of American Art, New York, NY (9/28/18—4/14/19) Graphic Revolution: American Prints 1960 to Now, Saint Louis Art Museum, St. Louis, MO (11/11/18—2/3/19) More/Less, De la Cruz Collection, Miami, FL (December 2018—November 2019) O-R-G Small Softwares Shop, New York, NY 2017 Oracle, The Broad, Los Angeles, CA (4/29-9/3/17) MEDUSA: Bijoux et tabous, curated by Anne Dressen, Museé d’art Moderne de la Ville de Paris, Paris, France (5/19—11/5/17) Unpainting, Art Gallery NSW, Sydney, Australia (9/3017–7/18) Gray Matters: Art en grisaille, Wexner Center, Ohio State University, Columbus, OH (5/20–8/11/17) ( ) Abstract / Not Abstract, organized by be Jeffrey Deitch and Gagosian, Moore Building, Miami, FL (12/6—12/10/17) Force and Form, De la Cruz Collection, Miami, FL (12/5/17—11/1/18) Vloed, Ten Bogaerde, Koksijde, Belgium (12/3/17, 12/23/17, 1/2/18, 1/7/18) 2016 New to the Cantor, The Cantor Arts Center at Stanford University, Stanford, CA (10/6/2016–indefinite) ‘33 – ‘29 – ‘36 curated by Lucy McKenzie, UM Gallery – Academy of Arts, Architecture, and Design, Prague, Czech Republic (12/20/16–2/25/17) NO MAN’S LAND: Women Artists from the Rubell Family Collection, National Museum of Women in the Arts, Washington, D.C., (9/30/16-1/8/17) Olympia, curated by Brendan Duggan, Galerie Patrick Sequin, Paris, France (10/17– 12/26/16) You’ve Got to Know the Rules… To Break Them, de la Cruz Collection, Miami FL, (11/’16–11/’17) Too Much of a Good Thing, Basilica, Hudson, NY (7/9-7/24/16) Material Considerations, John Berggruen Gallery, San Francisco, CA (2/4—3/12/16) Minimalism Into Algorithm, The Kitchen, New York, NY (3/3–4/2/16) Progressive Praxis, de la Cruz Collection, Miami FL (11/2016-11/2017) Typeface to Interface: Graphic Design from the Collection, SFMOMA, San Francisco, CA (5/14-10/23/16) Flags, 019, Ghent, Belgium (5/6/16—8/6/17) A Slow Succession with Many Interruptions, organized by Jenny Gheith, San Francisco Museum of Modern Art, San Francisco, CA (12/10/16—4/2/17) 2015 Condensed Matter Community, Synchrotron Radiation Center: Home of Aladdin, Stoughton, WI (Dec 12, 2015 - Jan. 2016) Beneath the Surface, de la Cruz Collection, Miami, FL (11-12/15) Constructive Interference: Tauba Auerbach and Mark Fox, Anderson Collection at Stanford University, Palo Alto, CA (9/9/2015 – March 2016) Flat World, David Kordanksy Gallery, Los Angeles, CA (6/26 – 8/15/15) TELE-Gen, Kunstmuseum Bonn, Bonn, Germany (10/1/15 – 1/10/16) Reciprocal Score: Tauba Auerbach + Charlotte Posenenske, Indipendenza Studio, Rome (4/23 – 7/11/15) On Paper: Spin, Crinkle, Pluck, Baltimore Museum of Art, Baltimore, MD (4/19 – 9/20/15) You’ve Got to Know the Rules… To Break Them, de la Cruz Collection, Miami FL (11/2015-11/2016) 2014 Looking at Progress, de la Cruz Collection, Miami, FL (11-12/14) DECORUM: Carpets and tapestries by artists, Musee D’Art Moderne, Paris, France (10/11/14 – 2/9/15) Reductive Minimalism, University of Michigan Museum of Art, Ann Arbor, MI (10/4/14 – 2/25/15) Halftone: Through the Grid, Max Hetzler Gallery, Berlin, Germany and Paris, France (6/28 – 7/30/14) PLIAGE/FOLD, Gagosian Gallery, Paris, France (2/28 – 4/19/14) FIFTH DIMENSION, Reva and David Logan Center for the Arts, University of Chicago, IL (12/20/13 – 2/16/14) 2013 Selections from the de la Cruz Collection, de la Cruz Collection, Miami, FL (11-12/13) UIA (Unlikely iterations of the abstract), curated by Bill Arning, Contemporary Arts Museum, Houston, TX (10/31/13 – 1/5/14) The Illuminated Library, San Francisco State University, CA (9/21 – 10/17/13) Test Pattern, Whitney Museum of American Art, New York, NY (8/22 – 12/1/13) Surface Tension, Senior & Shopmaker Gallery, New York, NY (6/20 – 8/8/13) Collection Sandretto Re Rebaudengo: Have you seen me before?, Whitechapel Gallery, London, UK (6/18 – 9/8/13) Abstract Generation: Now in Print, Museum of Modern Art, New York, NY (3/15 – 9/2/13) 9/2/13) Contemporary Galleries: 1980 – Now, Museum of Modern Art, New York, NY (March 2013 – February 2014) White Collar Crimes, organized by Vito Schnabel, Acquavella Gallery, New York, NY (2/21 – 3/27/13) 2012 Field Conditions, curated by Joseph Becker, SFMOMA, San Francisco, CA (9/1/12- 1/6/13) Coquilles Mécaniques, curated by Joanna Fiduccia, Centre Rhénan d’Art Contemporain, Alsace, France (10/7/12-1/13/13) Ecstatic Alphabets, curated by Laura Hoptman, Museum of Modern Art, New York, NY (5/5 – 8/27/12) The Painting Factory, Museum of Contemporary Art, Los Angeles, CA (4/29 – 8/20/2012) Remote Control, curated by Matt Williams, ICA London, London, UK (4/3 – 6/10/12) Lifelike, Walker Art Center, Minneapolis (2/25 – 5/27/12); travels to New Orleans Museum of Art, New Orleans, LA (11/10/12 -1/27/13), Museum of Contemporary Art, San Diego, CA (2/24-5/25/13), Blanton Museum of Art, University of Texas at Austin, TX (6/23 – 9/29/13) 2011 The Indiscipline of Painting, curated by Daniel Sturgis, Martin Clark and Sarah Shalgosky, Tate St.