Keynote Works, Libraries and Manuscripts SELECTED KEYNOTE WORKS Michael Alexander (2007) Medievalism: The Middle Ages in Modern England. Susan Aronstein (2005) Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia. New York: Palgrave MacMillan. An overview of Hollywood’s contributions to the Arthurian legend, from 1917’s Knights of the Square Table to 2004’s King Arthur, in their political and cultural contexts. See also Susan Aronstein and Tison Pugh, co-editors (2002). The Disney Middle Ages: A Fairy Tale and Fantasy Past. New York: Palgrave MacMillan. Contributors: Martha Bayless, Clare Bradford, Allison Craven, Maria Sachiko Cecire, Amy Foster, Rob Gossedge, Kevin J. Harty, Kathleen Coyne Kelly, Erin Felicia Labbie, Ilan Mitchell-Smith, Paul Sturtevant, Stephen Yandell. Tison and I also have articles in the collection. The essayists of The Disney Middle Ages explore Disney’s mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the Middle Ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. AND Susan Aronstein (2012) An Introduction to British Arthurian Narrative. University of Florida Press: A introductory discussion of medieval British Arthurian texts, ranging from early Welsh romances, through Geoffrey of Monmouth, later chronicles and popular romances, and concluding with Sir Gawain and the Green Knight and Thomas Malory’s Morte D’Arthur.[Entry written by Susan Aronstein] Brantley L Bryant (2010) Geoffrey Chaucer Hath A Blog. Palgrave. Siobhan Brownlie (2013) Memory and Myths of the Norman Conquest. Boydell and Brewer. Brain Cogan and Jeff Massey (2014) Everything I Ever Needed to Know About —, I Learned From Monty Python. Julie A Chappell (2013) Perilous Passages: The Book of Margery Kempe, 1534-1934. Palgrave. Kathleen Coyne Kelly and Tison Pugh Queer Movie Medievalisms. Kathleen Davis and Nadia Altschul (eds) (2009) Medievalism in the Postcolonial World: The Idea of ‘The Middle Ages’ Outside Europe. MMedievaledieval - OOnline.indbnline.indb 8899 11/28/2015/28/2015 44:06:58:06:58 PPMM 90 MEDIEVAL AFTERLIVES IN CONTEMPORARY CULTURE Carolyn Dinshaw (2012) How Soon Is Now? – Medieval Texts, Amateur Readers, and the Queerness of Time. Duke University Press. Louise D’Arcens (2014) Laughing at the Middle Ages: Comic Medievalism. Boydell and Brewer. AND with Andrew Lynch (eds) (2014) International Medievalism and Popular Culture AND (ed) (2015) The Cambridge Companion to Medievalism. Elizabeth Emery and Richard Utz (2014) Medievalism: Key Critical Terms. Boydell and Brewer. Laurie Finke and Martin Shichtman (2009) Cinematic Illusions: The Middle Ages on Film AND Medieval Texts and Contemporary Readers AND Laurie Finke (2004) King Arthur and the Myth of History. Nickolas Haydock and EL Risden (2009) Hollywood in the Holy Land: Essays on Film Depictions of the Crusades and Christian-Muslim Clashes. Ann Howey and Stephen R. Reivers (2006) A Bibliography of Modern Arthuriana (1500-2000). Brewer. Eileen A. Joy (2012) Dark Chaucer: An Assortment Karolyn Kinane and Meriem Pagès (2015) Televising the Past: Small-Screen Medievalisms. McFarland. Daniel T Kline (2014) Digital Gaming Re-imagines The Middle Ages. Routledge. David Marshall (ed) (2007) Mass Market Medieval: essays on the Middle Ages in Popular Culture. David Matthews (2015) Medievalism: A Critical History. Boydell and Brewer. Alexander Nagel (2012) Medieval Modern: Art Out of Time. Dan Nastali and Phillip Boardman (2004) The Arthurian Annals: the Tradition in English from 1250- 2000. Oxford: Oxford University Press. Tison Pugh and Kathleen Coyne Kelly (2014) Cinema Chauceriana Carol Robinson and Pamela Clements (2012) Neomedievalism in the Media: Essays in Film, TV and Electronic Games. Margaret Rogerson (2011) The York Mystery Plays: Performance in the City. Jason Tondro (2011) Superheroes of the Round Table: Comics Connections to Medieval and Renaissance Literature. Mcfarland. Stephanie Trigg (2012) Shame and Honor: A Vulgar History of the Order of the Garter. Angela Weisl and Tison Pugh (2012) Medievalisms: Making the Past in the Present AND (2005) MLA Approaches to Teaching Chaucer’s Troilus and Criseyde and The Shorter Poems. Julian Weiss and Sarah Salih (eds) (2012) Locating the Middle Ages: The Spaces and Places of Medieval Culture. Boydell and Brewer. JOURNALS AND WEBSITES Barrington and Hsy’s Global Chaucers project: www.globalchaucers.wordpress.com Brantley L Bryant as LeVostreGC: http://houseoffame.blogspot.com Boydell and Brewer’s Medievalism series, edited by Chris Jones and Karl Fugelso. Got Medieval, Carl S Pyrdum. See www.gotmedieval.com Medievally Speaking: See www.medievallyspeaking.blogspot.com, edited by Richard Utz, especially for extensive list of reviews and interviews. MEMO, Medieval Electronic Multimedia Organisation, edited by Carol Robinson and Pamela Clements. See www.medievalelectronicmultimedia.org Bonnie Wheeler’s New Middle Ages series for Palgrave postmedieval, edited by Eileen Joy. Studies in Medievalism, edited by Karl Fugelso. See www. medievalism.net/sim.html TEAMS texts online: The Camelot project, the Robin Hood project, The Crusades Project, Visualizing Chaucer. www.dlib.rochester.ed Jason Tondro is doctor comics: See www.doctorcomics.blogspot.com MMedievaledieval - OOnline.indbnline.indb 9900 11/28/2015/28/2015 44:06:58:06:58 PPMM KEYNOTE WORKS, LIBRARIES AND MANUSCRIPTS 91 SELECTED PRIMARY WORKS Patience Agbabi (2014) Telling Tales Simon Armitage (2006) Sir Gawain and the Green Knight. AND The Death of King Arthur (2013) Caroline Bergvall (2011) Meddle English Julian T. Brolaski (2011) gowanus atropolis Gillian Clarke, The King of Britain’s Daughter. See also Collected Poems (1997) Carcanet. Greg Delanty and Michael Matto (2012) The Word Exchange: Anglo-Saxon Poems in Translation. Norton and Co. Jane Draycott, with Peter Hay and Lesley Saunders (1998) Christina the Astonishing. tworivers press. AND Pearl (2011) Catherine Fisher (1994) The Unexplored Ocean. Seren. ALSO Crown of Acorns (2010) and other works: go to www.catherine-fi sher.com Matthew Francis (2008) Mandeville Lavinia Greenlaw (2014) A Double Sorrow: Troilus and Criseyde Seamus Heaney (2000) Beowulf Gwyneth Lewis (2012) A Hospital Odyssey Karen Maitland The Vanishing Witch (2014); Company of Liars (2009); The Owl Killers (2010); The Gallows Curse (); and many more, including her medieval mystery collective. Go to www. karenmaitland.com Bernard O’Donoghue (2006) Sir Gawain and the Green Knight Seren’s book series: telling modern versions of the Welsh Mabinogion. See www.serenbooks.com/ books/mabinogion-stories KEYNOTES AND SUGGESTIONS: BOOKS, FILMS, WEBSITES AND MORE . Interested in fi lm? Take a look at these keynote works By Lesley Coote Ashton, G. and Kline, D. T. (eds) (2012). Medieval Afterlives in Popular Culture. The New Middle Ages. Basingstoke: Palgrave Macmillan. Bernau, A. and Bildhauer, B. (eds), (2009). Medieval Film. Manchester: Manchester University Press. Bildhauer, B. (2011). Filming the Middle Ages. London: Reaktion Books. Clements, P and Robinson, C. (eds) (2012). Neo-Medievalism in the Media: Essays on Film, Television, and Electronic Games. New York and Lampeter: Edwin Mellen Press. Driver, M. and Ray, S. (2004). The Medieval Hero on Screen: Representations from Beowulf to Buffy. Jefferson NC and London: McFarland. Elliot, A. B. R. (2011). Remaking the Middle Ages: The Methods of Cinema and History in Portraying the Medieval World. Jefferson NC and London: McFarland. Finke, L. A. and Schichtman, M. B. (2010). Cinematic Illuminations: The Middle Ages on Film. Baltimore: Johns Hopkins University Press. MMedievaledieval - OOnline.indbnline.indb 9911 11/28/2015/28/2015 44:06:58:06:58 PPMM 92 MEDIEVAL AFTERLIVES IN CONTEMPORARY CULTURE Fulton, H. (ed) (2009), ‘Arthur on Film.’ A Companion to Arthurian Literature. Chichester: Wiley-Blackwell, pp. 479–542 Harty, K. (ed) (2002). Cinema Arthuriana. (rev. ed.) Jefferson NC and London: McFarland. Kelly, K. C. and Pugh, T. (2009). Queer Movie Medievalisms (Queer Interventions). Farnham and Burlington VT: Ashgate. Pugh, T. and Weisl, A. J. (2014), ‘Movie Medievalism: Five (or Six) Ways of Viewing an Anachronism’, in Crocker, H. A. and Smith, D. V. (eds). Medieval Literature: Criticism and Debates. London and New York: Routledge. The following websites provide articles, reviews and information: the journals of Studies in Medievalism are particularly recommended, but there are now some other journals in this fi eld. Medieval Electronic Multimedia Organization. http://medievalelectronicmultimedia.org Medieval Herald. http://www.boydellandbrewer.com/medieval_herald_newsletter.asp Medievally speaking. http://medievallyspeaking.blogspot.co.uk Postmedieval. http://www.palgrave-journals.com/pmed/index.html Studies in Medievalism. http://www.medievalism.net/sim.html For good reviews and notices of fi lms, journals (among others) to be recommended are Screen, Sight and Sound, and Viewfi nder, the journal of the British Universities’ Film and Video Council. For all fi lm, the Internet Movie Database (IMDB) is the basic information tool. If it’s on, or been on (anywhere), it’s in—somewhere. Non-English language fi lms may be a bit more diffi cult to fi nd, especially Eastern European and Asian, but they are usually in there, somewhere. http://www.imdb.com KEYNOTES: YOUNG ADULT FICTION By Angela Jane Weisl Cadnum, Michael. The Book of the Lion. New York: Penguin,