Assoc. Prof. ELİF ÖZTABAK AVCI OPfefricseo Pnhaol nIen:f +or9m0 3a1t2io 2n10 6496 WEmeabi:l :h ettlpifso:@//maveetusi.se.dmue.ttru.edu.tr/elifo Education Information UDnoictteodr aStea,t eUsn Oivfe Arsmiteyr oicfa W 20is0c4o n- s2in0-1M0ilwaukee, College Of Letters And Science, Department of English, Literary Studies, 1P9o9st8g r- a2d0u0a1te, Middle East Technical University, Graduate School of Social Sciences, İngiliz Edebiyatı (Yl) (Tezli), Turkey TUunrdkeeryg r1a9d9u3a t-e 1, 9M9i8ddle East Technical University, Faculty of Education, Department of Foreign Language Education, FEnogrliesihg, nC1 L Aadnvagnucaedges Dissertations CDoolcletogrea Otef , LDeitrtteyr sH Aanndds S: cTihene cSee, rDveapnat ratsm ae nPto Olitfi cEanl gFlisghu,r Lei tiner Caoryn tSetmudpioersa, r2y0 1F0iction, University Of Wisconsin-Milwaukee, RSoecsiael aSrcicehnc Aesr aenads Humanities, Philology, Western Languages and Literatures, Comparative Literature Academic Titles / Tasks 2A0ss1o9c -ia Cteo nPtrinoufeesssor, Middle East Technical University, Faculty of Education, Department of Foreign Language Education, 2A0ss1i8st -a n2t0 P1r9ofessor, Middle East Technical University, Faculty of Education, Department of Foreign Language Education, 2A0ss1i0st -a n2t0 P1r8ofessor, Middle East Technical University, Faculty of Education, Department of Foreign Language Education, Academic and Administrative Experience EPdrougcraatimon K, o2o0r1d4i n- aCtoönrüti,n Mueidsdle East Technical University, Faculty of Education, Department of Foreign Language Advising Theses AÖzdtavbiaski nAgvc Tı Eh.,e Tshees Deterritorialization of Home and Identity in Brian Chikwava's Harare North and Chris Cleave's The ÖOzthtaebra Hka Anvdc, ıP Eo.,s KtgArZaUduOa ItSeH, İI.GKUARYOG'IS IPZO(StTuMdOenDtE),R 2N0 2H0YPERTEXTS: GENERIC RE-CONFIGURATIONS IN THE REMAINS OF ÖTHZTEA DBAAYK, WAVHCEIN E .W, KEa zWuoE RisEh OigRuProH’As NpSo,s AtmNoDd TeHrnE hByUpReIrEteDx tGsI:A gNenTe, Drioc crteocroantefi,g Yu.SraÖtNioMnEs Zin( Stthued reenmt)a, i2n0s2 o0f the day, when we ÖwZeTreA BoArpKh AanVsC, Ia En.d, T the dbeutreirerdi tgoirainatli, zDaoticotno roaft he,o Ym.Seö annmde izd(eSntutidtye nint) B, 2ri0a2n0 Chikwava’s harare north and Chris Cleave’s the ÖotZhTeArB hAaKn dA, VPCoIs tEg.,r AadNu AatNeA, İL.KYaSyISg ıOsıFz (JSUtLuIdAeNn tB),A 2R0N2E0S' ENGLAND, ENGLAND & KAZUO ISHIGURO'S NEVER LET ME GO IN ÖTHZTEA LBIGAHK TA OVFC IJ EA., NFr BoAmU pDoRsItLmLoAdReDrn'Sis SmIM toU LmAeCtaRmA oAdNeDrn SisIMmU: cLhAaTnIgOiNng, Ppoesrtsgpreacdtuivaetse ,t Eo.wKaArRdAs( iSrtoundye annt)d, 2m0e1t9anarratives in ÖJuzltiabna Bka Arnvceıs E’s. , aF hroismto Pryo sotfm thoed ewronrisldm i nto 1 M0 eatnadm ½od cehrnapistmer: sC ahnadn gthineg n Poeirssep oefc tiimvees, tPoowstagrrdasd Iuraotney, Man.Adt eMş(eStatundaerrnat)ti,v 2e0s1 in9 2Ju0l1ia9n Barnes's A History of the World in 10 and ½ Chapters and The Noise of Time, Postgraduate, M.ATEŞ(Student), BÖaZkThAtBinAiaKn A dVisCtIi nEc.,t iAo nn oovf ethlizee edp eicp hice: rAon a annda tlyhsei sn ofv ethlies tLico hrder oof, tPhoes tRgirnagdsu tartileo, gSy.O bRyU JÇ.R(.SRt.u Tdoelnkti)e,n 2 i0n1 t8erms of the UÖnZiToAnB sAtrKe eAtV aCnId E A., nAg Setluad Cya ortfe fre’ms Niniigsht tpso asts tihbeil ictiiersc uosf, ePsocsatpgera fdroumat et,h Me .pAatanro(pSttiucodnen atn),d 2 t0h1e6 male gaze in Pat Barker’s VÖ.ZBTİLAGBEA(KS tAuVdCeIn Et).,, C2a0r1n6ivalization of gender hierarchies and the body in Virginia Woolf’s fiction, Doctorate, UÖnZiToAnB SAtrKe AetV aCnI dE .A, Ang setluad Cya orft efre'ms iNniigsht tpso asts itbhieli tCieirsc oufs ,e Psocasptger afrdoumat teh, eM p.AaTnAoRpt(iSctound aendt) ,t h2e0 1m6ale gaze in Pat Barker's RÖeZdTeAfBinAinKg A tVheC Ic Een., tEecro icnr irteiclatl iroenf lteoc tmioanrsg ins j ethanroeuttgeh w eicnotelorgsoicna'ls t hthinek sitnogn, eP ogsotdgsr aadnuda mtea, gGg.TieO gPeSeA'Ks AthLe( Sicteu dpeenotp)l, e2:014 SÖeZaT, APBoAstKg rAaVdCuIa tEe.,, AÖ .ApoRsStLcAolNo(nSiatul dneanrrt)a,t 2o0lo1g4ical study of silence in Abdulrazak Gurnah's Admiring Silence and By The SÖeZaT /A,B PAoKst AgrVaCdIu Ea.t, eA, ÖP.oAsrtscloalno(nSitaul dneanrtr)a, t2o0lo1g4ical study of silence in Abdulrazak Gurnah‟s Admırıng Silence and By The EÖnZgTlAanBdA K/, APVoCstIg Er.a, dMuoatthee, rBh.Çoaoğdla irn( PStaut dBeanrtk)e, r2’0s 1p4ost-industrial working-class fiction: a study of Union Street and Liza’s aÖnZdT AAB. HA.K T AanVpCıIn Ea.r, ,A D coocmtopraartea,t iHve.K sAtYuAdy(S otuf deisncto)n, 2te0n1t4 with modernity and modernization in the novels of A. L. Huxley fÖloZaTtAinBgA wKo ArVldC aI nEd., Cthoen srtermucatiinosn o afn tdh ed decaoyn /s, tPruocstigorna douf athtee, Hna.Dtioğnr aun(Sdt undateinotn)a, l2it0y1 i4n Kazuo Ishiguro’s an artist of the rÖeZdTeAfiBnAinKg AthVeC cI eEn.,t Eerc oincr riteilcaatli ornef tleoc mtioanrgs iinns Jteharnoeutgteh Wecionltoegrsicoanl ’tsh tihnek isntgo, nPeo gstogdrsa daunadt eM, aGg.Tgoiep Gsaekea’sl( tShteu diceen pt)e, o2p0l1e:4 fÖloZaTtAinBgA wKo ArVldC aI nEd., CTohnes Rtreumctaiionns aonf dth dee Dcoanys, tProuscttgiorand oufa tthee, Hn.aDtOioĞnR aUn(dS tnuadteionnt)a,l i2ty0 1in4 Kazuo Ishiguro's an artist of the EÖnZgTlAanBdA,K P oAsVtCgrI aEd.,u Matoet,h Be.rÇhAoĞoLdA iRn( PSatut dBeanrtk)e, r2's0 1p4ost-industrial working-class fiction: A study of Union Street and Liza's JÖoZsTeAphB ACKo nArVaCdI’s E H., eAa Crto omf pdaarraktnivees sn, aProrsatgorloadgiucatle a, nTa.Ylyılsdisır oımf (thSetu rdeepnrte)s, e2n0t1a3tion of women in Homer’s the Odyssey and JÖoZsTeAphB ACKo nArVaCdI's E H., eAa crot mofp Daararktinves nsa, Prroasttoglroagdicuaalt ea,n Ta.lYyIsLisD oIRf ItMhe( Srteupdreenste)n, t2a0ti1o3n of women in Homer's the Odyssey and DÖzetasbigakn Aevdc ıL Ee., sNsaorrnastologies: Classical and Postclassical Approaches, Doctorate, 2014 - 2015 AIr. ticPlleasy iPnug bBlaisdh feodr Winh Jitoeu Eranras lAs TSthuadty Eonf ttehree Nda rSrCaIt,e Se SinC IA anndrde aA HLeCvIy Isn Tdheex eLsong Song JÖnZt-TJAouBrAnKa lA OVfC NI aEr.rative Theory, vol.47, pp.117-142, 2017 (Journal Indexed in AHCI) II. CÖlzetaabnaikn gA vucpı Et.he "dirt": a study of Maggie Gee's My Cleaner III. AJOnU RANnAalLy OsiFs PoOfS ETlCifO LSOafNaIkAsL TWhReI TSIaNinGt, voofl .5In0c, ipppi.e4n7t8 -I4n9s1a,n 2i0ti1e4s (aJos uarnn aIln Itnedrenxaetdi oinn aAlH NCIo)vel AÖRZTIEALB: AAK R AeVviCeIw E o.f International English Literature, vol.38, pp.83-99, 2007 (Journal Indexed in AHCI) AIr. ticSlheisf tPinugb Llimshitesd o fi nT oOlethraenrc Jeo aunrdn Baelslonging in Andrea Levy s Fiction: An Encounter with the Refugee iÖnZ TLAoBoAseK CAhVaCnI Eg.e JMoaunrnisaal sC)elal Bayar Üniversitesi Sosyal Bilimler Dergisi, vol.16, pp.349-366, 2018 (Other Refereed National II. AN ARZhLeİ tEo.,r ÖicZaTlA NBaArKr aAtVoClIo Eg.ical Approach to the Treatment of Crime and Criminals in Great Expectations III. SDeiln vteim Taernihta-Cl oDğirsacfiypal iFnaek ü- ltAe sNi Darerragitsoi,l ovogli.c5a8l, pApn.5a7ly1s-5is9 4o,f 2 S0u1s8a (nO Wthearr nRefre rse Tedh eN aWtiiodnea lW Joiudren aWlso)rld DÖZil TvAeB TAaKri hA-VCCoIğ Era.fya Fakültesi Dergisi, vol.57, pp.822-837, 2017 (Other Refereed National Journals) IV. D“Seuhripstroisreicdi zaantdio Dn aozfz Cleudl twuriteh i nth De eBmeeaturtay Voaf ktah-eB Sruolwtann’s’s H Caarpeimtalli”k:: DSeopmoel iPtiacgizeast iforno man tdhe Life of TÖuZTrkAiBsAhK W AoVmCIe En. V. AKanr eId Deeorlgoi:g Kicaarlş ıSlaeşrtvıramnatl ıA E dSetubidyya to Dfe trhgeis iS, evorvl.2a,n ptp F.1i8g-u2r8e, 2in0 1K7a (zOutoh eIrs hRiegfeurreoe ds NTahteio Rnaelm Joauinrnsa olsf) the Day IÖnZteTrAaBcAtioKn AsV: ECgI eE .Journal of English and American Studies, vol.22, pp.93-103, 2013 (Refereed Journals of Other VI. WInshtituet iMonass)ters and Dark Servants in A S Byatt s Morpho Eugenia HÖZacTeAtBteApKe AÜVniCvIe Ers.itesi Edebiyat Fakültesi Dergisi, vol.28, pp.201-212, 2011 (Other Refereed National Journals) VII. MÖZrTsA BBrAoKw AnVsC WI Eo.rk in A S Byatts Art Work Instetirtauctitoionnss): Ege Journal of English and American Studies, vol.14, pp.25-32, 2005 (Refereed Journals of Other BIo. okEsn t&a nBgoleomke Cnth oafp ttheer sDomestic and the Global: A View of Globalization from Below in Desai’s The IÖnzhtaebraikta Anvcceı Eo.f Loss. Nine: wMcaapsptlien-gU pCounlt-uTryanl eId, penpt.8it-i2es8 ,a 2n0d1 I9ntersections: Imagological Readings, Botezat,Kirca, Editor, Cambridge Scholars, II. BÖZ/TOArBdAerKs A oVfC tIh Ee. Eye: Colonial Voyeurism and Fetishism in Caryl Phillips’xxs Cambridge Pine:t Ber O Lradnegr,s F Urnanbkofuunrdt aMma rMgainina,l iptyp .E4t9h-n6i6ci, t2y0 a1n7d Identity in Literatuıres, Sule Okuroglu Uzun, Mustafa Kirca, Editor, III. RYoemu aNienvse orf Kthneo wD aWyho You re Addressing: A Study of the Inscribed You in Kazuo Ishiguro s The iÖnZ: TKAaBzuAoK I AshViCguI rEo. in a Global Context, Wong, Cynthia, Yıldız, Hülya, Editor, Ashgate, pp.49-58, 2015 RIe. feJrueleiadn CBoanrngerse'ısns Z/a Smyamnıpn oGsüiruümltü Psüu bAldiclıa Rtioomnasn iınd Pa rDoucyegeudlainnıgmssal Bir Gerçeklik Olarak Korku HÖzatcaebttaekp Ae vÜcnı iEv.ersitesi Edebiyat Fakültesi Korku Sempozyumu, Ankara, Turkey, 4 - 06 December 2019, pp.21 II. WÖzrtaitbiankg ARvhcıy Es.: Caryl Phillips’s A View of the Empire at Sunset III. T13hteh RInetfeurgneateio ansa la I DMEaAr kCeorn foerf etnhcee :L Sitmuditise so ifn TEonlgelirsahn, Gceaz aianndte Bp,e Tlounrkgeiyn,g 2 4in - A26n dArperail 2L0e1v9y, sp pL.4o8o-s4e9 Change 7ÖtZhT IAnBteArKn aAtVioCnIa El .Conference on Language, Literature and Culture - Mapping Cultural Identitie: Translations and IV. AIn tSetrusdecyt ionf st,h Beü Nkraerşr, aRtoemea inni aA, 2n5d r- e2a6 LMeavyy