лептир машна, leptir mašna, папионка, вратоврска пеперутка, fl utur... 2014 the literary journal of students in balkan studies UNIVERSITY OF CHICAGO COLLEGE Vol. 11 / No. 1 DEPARTMENT OF SLAVIC LANGUAGES AND LITERATURE THE CENTER FOR EAST EUROPEAN AND RUSSIAN/EURASIAN STUDIES Spring 2014 80 79 лептир машна, leptir mašna, папионка, вратоврска пеперутка, fl utur... We dedicate this issue to Tracy Davis for her diligence and grace while making things happen. 78 I The Brighter Side of the Balkans: Humor and Satire in Literature and Film Spring 2015, SOSL 26610/368; NELC 20884/30568; CMLT 2/33301; ANTH 2/35908 Laughter is universal but its causes are culturally determined. A joke in one culture can be a shaggy dog story in another. The fi gure of the trickster occurs in many places and times and under many guises. Ste- reotypes can be revelatory about those who deploy them. At the same time, humor can be both an outlet лептир машна, leptir mašna, папионка, and a danger. There is a special word in Russian for those sentenced to prison for telling political jokes. This course fo- вратоврска пеперутка, fl utur... cuses on Balkan humor, which, like the Balkans itself, is located in a space where “Western Europe”, “East- ern Europe” “Central Europe” “The Mediterranean”, “The Levant”, and the “Near/Middle East” intersect in the literary journal of students in balkan studies various ways (linguistically and culturally), compete for dominance or resist domination, and ultimately create a unique--albeit fuzzily bounded--subject of study. In this course, we examine the poetics of laugh- ter in the Balkans. In order to do so, we introduce humor as both cultural and transnational. WE unpack the multiple layers of cultural meaning in the logic of “Balkan humor.” We also examine the functions and Editor mechanisms of laughter, both in terms of cultural specifi city and general practice and theories of humor. Nada Petković Thus, the study of Balkan humor will help us elucidate the “Balkan” and the “World,” and will provide in- sight not only into cultural mores and social relations, but into the very notion of “funny.” Our own laugh- Editorial Assistants ter in class will be the best measures of our success – both cultural and intellectual. Erin Franklin, Nora Dolliver, William Bursich Production Editor Tijana Velarde Cover Art Dale Pesmen Cartoon Dušan Petričić Contributing Photographers Nora Dolliver, Rachel Rossner, Kaitlyn Tucker, Published with support from The University of Chicago College Department of Slavic Languages & Literatures, and The Center for East European, Russian/Eurasian Studies Volume 11, Number 1 Spring 2014 Contact Address: 1130 E 59th Street, Chicago, IL 60637 E-mail: [email protected] Telephone: 773-702-0035, 773-702-8033 Facsimile: 773-702-7030 II 77 plate the responses to this existential position of identifying symbolically with a normative site outside of oneself -- self-consciousness, defi ance, arrogance, self-exoticization -- and consider how these responses have been incorporated in the texture of the national, gender, and social identities in the region. EDITOR’S NOTE Orhan Pamuk, Ivo Andrić, Nikos Kazantzakis, Aleko Konstantinov, Emir Kusturica, Milcho Manchevski Poetics of Gender in the Balkans: Wounded Men, Sworn Virgins, Eternal Mothers As we enter our journal’s second decade, there is cause for concern as well as cause to rejoice. Many people Autumn 2014, SOSL 2/37610, CMLT 2/33902, GNSE 27607 have advised me to put the journal online. Frankly, people like me, who cling to the physical concept of Through some of the best literary and cinematic works from Southeastern Europe, we will consider the book as book or magazine as magazine, are still uncomfortable with the idea. Please check back with me questions of socialization into gendered modes of being – the demands, comforts, pleasures and frustra- in a decade. tions that individuals experience while trying to embody and negotiate social categories. We will examine My favorite literary form is the short story. Surely, it is the genre that best lends itself to novice writers; how masculinity and femininity are constituted in the traditional family model, the socialist paradigm, it’s not as daunting as the novel, and perhaps not as revelatory as poetry. The mere length of the short story, and during post-socialist transitions. We will also contemplate how gender categories are experienced however, is better suited to today’s technologies than most other literary forms. through other forms of identity–the national and socialist especially–as well as how gender is used to sym- With this in mind, we open this issue with the story А Chronicle of Hovering by Vladimir Pištalo, a bolize and animate these other identities. contemporary Serbian writer and Professor of Liberal Arts at Becker College, who visited our campus last October. Pištalo is the author of eleven books ranging in genre from poetic prose to novels. His work has Balkan Folklore been recognized with many prestigious literary awards, prizes and nominations, including the Miloš Đurić Winter 2015, SOSL 26800, CMLT 233, NEHC 20568, Anth 25908 Award for his translation of Charles Simić’s poems, and the 2009 NIN Literary Award for Best Novel for his Vampires, fi re-breathing dragons, vengeful mountain nymphs. 7/8 and other uneven dance beats, most recent book, Tesla, A Portrait Among Masks. His stories have been included in all major anthologies heart-rending laments and a living epic tradition. This course is an overview of Balkan folklore from his- of contemporary Serbian prose, and his books translated into fi fteen languages. The English translation of torical, political and anthropological, perspectives. We seek to understand folk tradition as a dynamic his novel Tesla will be released on January 6, 2015 by Graywolf Press. process and consider the function of diff erent folklore genres in the imagining and maintenance of com- Nonetheless, our editorial board is sympathetic to a broad range of theoretical and critical approaches, munity and the socialization of the individual. We also experience this living tradition fi rst-hand through and is strongly committed to presenting the work of talented young students who are trying to break new visits of a Chicago-based folk dance ensemble, “Balkan Dance.” ground in their respective fi elds. Well, herein lies a showcase of talents as testament to that mission—a gift, I hope. There is one small Burden of History: The Nation and Its Lost Paradise service you can do for me—read it before you recycle it! Winter 2015 (SOSL 2/37300, CMLT 2/33401, NEHC 2/30573) How and why do national identities provoke the deep emotional attachments that they do? In this course we try to understand these emotional attachments by examining the narrative of loss and redemption through which most nations in the Balkans retell their Ottoman past. We begin by considering the mythic Nada Petkovic, temporality of the Romantic national narrative while focusing on specifi c national literary texts where the national past is retold through the formula of original wholeness, foreign invasion, Passion, and Salvation. Spring 2014 We then proceed to unpack the structural role of the diff erent elements of that narrative. With the help of Žižek’s theory of the subject as constituted by trauma, we think about the national fi xation on the trauma of loss, and the role of trauma in the formation of national consciousness. Specifi c theme inquiries involve the fi gure of the Janissary as self and other, brotherhood and fratricide, and the writing of the national trauma on the individual physical body. Special attention is given to the general aesthetic of victimhood, the casting of the victimized national self as the object of the “other’s perverse desire.” With the help of Freud, Žižek and Kant we consider the transformation of national victimhood into the sublimity of the national self. The main primary texts include Petar Njegoš’ Mountain Wreath (Serbia and Montenegro), Ismail Kadare’s The Castle (Albania), Anton Donchev’s Time of Parting (Bulgaria). Imaginary Worlds: The Fantastic and Magic Realism in Russia and Southeastern Europe Spring 2015, SOSL 27700/37700; CMLT 27701/37701; RUSS 27300/37300 In this course, we will ask what constitutes the fantastic and magic realism as literary genres while reading some of the most interesting writings to have come out of Russia and Southeastern Europe. While consid- ering the stylistic and narrative specifi cities of this narrative mode, we also think about its political func- tions —from subversive to escapist, to supportive of a nationalist imaginary—in diff erent contexts and at diff erent historic moments in the two regions. 76 III CONTENTS UPCOMING COURSES IN SOUTH SLAVIC AND BALCAN STUDIES OFFERED BY THE SLAVIC DEPARTMENT ХРОНИКА ЛЕБДЕЊА .....................................................................................................................................1 Elementary Bosnian/Croatian/Serbian Владимир Пиштало BCSN 10100/10200/10300, Autumn, Winter, Spring 2014/15 The course is designed for both undergraduate and graduate students with a wide range of interests. The A CHRONICLE OF HOVERING .................................................................................................................7 major course objective is to build a solid foundation in the basic grammatical patterns of written and spo- Vladimir Pištalo, Nada Petković, transl. ken BCS, while simultaneously introducing both the Cyrillic and Latin alphabets. Students will become