Cambridge University Press 0521662567 - The Cambridge History of Twentieth-Century Music - Edited by Nicholas Cook and Anthony Pople Index More information Index Aaronson, Irving, 312 adowa, 600 ‘The Loveliest Night of the Year’, 312 Adventures of a Ten-Mark Bill, The, 182 Abba, 3, 309, 325, 496, 557, 615 Adventures of Ozzie and Harriet, The, 422, music in Mamma Mia, 325 430 Abbado, Claudio, 615 Aeolian (see also piano: player), 97 Abdel-Rahim, Gamal, 599, 602–3 African-Americans, 8, 154, 158, 167, 311, Rhapsody for Cello and Piano, 602 395, 414, 419, 423, 424, 440, 546 Abiam, Nana Danso, 592 confusion of the African and the Abstract Expressionism, 88, 344, 350 African-American, 160 accessibility(comprehensibility)( see also in Europe, 168 exclusion), 40, 45, 70, 91, 100, 110, impact on the musical, 322 152, 156, 168, 170, 179, 180, 183, 191, impact on Tin Pan Alley, 98 228, 246–8, 264, 298–9, 337, 364, 366, and National Socialism, 62, 174 367, 368, 369, 370, 371, 375, 376, 381, racialized image of, 158 382, 389, 463, 467, 474, 488, 524 African ‘art’ music, 589, 590–3, 596–604, ‘acoustic theology’, 474 606–12 Adami, Giuseppe, 203 Afro-Celt Sound System, 497 Adams, John, 539, 540, 543, 544–5, 549, Agawu, Kofi, 601, 603, 604 551, 553–4, 615 Aho, Juhani, 103 Christian Zeal & Activity, 544 Panu, 103 The Death of Klinghoffer, 553 Akai S-1100 sampler, 564 Grand Pianola Music, 544 Albarn, Damon, 578 Harmonielehre, 549 ‘Waterloo Sunset’, 578 El Ni˜no, 554 Albert, Eugen d’, 200 Nixon in China, 553–4 Tiefland, 200 Shaker Loops, 544 Die toten Augen, 200 Adams, Stephen, 312 Albini, Steve, 565 ‘The HolyCity’,312 aleatoricism, see indeterminacy Adderley, Julian ‘Cannonball’, 404 Alfie, 502 Addinsell, Richard, 310 algorithmic composition (see also ‘Warsaw Concerto’, 310 stochastics), 465, 535 Addy, Obo, 602 All Girls Band, 316 Kukrudu, 602 Alpert, Herb, 311, 441 Okropong, 602 Tijuana Brass, 311, 441 Ade, King Sunny, 595, 596, 615 Spanish Flea, 311 Ad`es, Thomas, 3, 510, 615 Alex, Joe, 169 Adler, Guido, 254 Alfano, Franco, 202 Adorno, Theodor, 46, 73–4, 80, 86, 87, 116, Alfv´en, Hugo, 310 191, 195, 197, 230, 264, 272, 308, 340, Alternative TV, 559 341, 508, 522, 533, 601, 616 ‘Love Lies Limp’, 559 ‘The Ageing of the New Music’, 522 amadinda, 584 ‘Vers une musique informelle’, 533 Amar Quartet, 177 [768] © Cambridge University Press www.cambridge.org Cambridge University Press 0521662567 - The Cambridge History of Twentieth-Century Music - Edited by Nicholas Cook and Anthony Pople Index More information Index 769 amateur music-making, 12, 43, 109, 113, Ballet m´ecanique, 182, 219 146, 177, 311 Jazz Sonata, 171 discouraged, 65 Sonata Sauvage, 171 ambient music (see also electronic dance Transatlantic, 182 music), 555–6, 568, 573, 585 The Wish, 339 Ambrose, Bert, 315, 316 Antoine, 330 A-Mei, 36 ‘La Tramontana’, 330 American Bandstand, 430, 431 AOR (adult-oriented rock), 498 American Civil War, 6, 124, 125 Aphex Twin, 568 American Graffiti, 502 Apollinaire, Guillaume, 83 American Music Club, 567 Arditti, Irvine (see also Arditti String AMM, 470 Quartet), 12, 510 Amos, Tori, 568 Arditti String Quartet, 509, 510, 533 ‘Me and a Gun’, 568 Arel, Bulent, 464 amplification, 21, 23–4, 442, 465, 564 Arlen, Harold, 320, 616 Amy, Gilbert, 454 ‘Come Rain Come Shine’, 320 Diaphonies, 454 Armstrong, Louis, 130, 131, 132, 135, 136, Triade, 454 137, 140, 141, 145, 146, 149, 396, 616 Anatomy of a Murder, 407 ‘Cake Walking Babies’, 131 Anbruch, see Musikbl¨atter des Anbruch ‘Dippermouth Blues’, 130 Anders, Allison, 448 ‘Froggie Moore’, 130 Grace of My Heart, 448 Hot Fives, 132, 137, 140, 145 Andersen, Lale, 328–9 ‘Cornet Chop Suey’, 132 ‘Lili Marleen’, 328–9 ‘Muggles’, 132 Anderson, Brett, 578 ‘Potato Head Blues’, 132 Anderson, Laurie, 552–3, 588 ‘Tight Like This’, 132 ‘O Superman’, 552 ‘West End Blues’, 132 Strange Angels, 588 Arndt, Felix, 111 United States, 553 ‘Nola’, 111 Anderson, Leroy, 102, 310 Arnold, Billy, 168, 175 Blue Tango, 310 American NoveltyJazz Band, 168–9 Sleigh Ride, 310 Arnold, Malcolm, 310 ‘The Typewriter’, 102 Arrested Development, 573 Anderson, Marian, 425 Artaud, Antonin, 347 Anderson, Signe, 449 Art Ensemble of Chicago, 411 Anderson, Thomas J., 7 Art of Noise, 606 Anderson, W. R., 381 Ashcan School, 133 Andriessen, Louis, 40, 471, 545–6, 616 Ashley, Robert, 474, 476, 552, 553 Anachronie I, 545 Atalanta, 552 Anachronie II, 545 Now Eleanor’s Idea, 552 Hoketus, 545 Perfect Lives, 552 On Jimmy Yancey, 545 The Wolfman, 474 Mausoleum, 546 Ashton, Frederick, 183 Reconstructie, 471 Asian Dub Foundation, 562 De Staat, 546 Community Music, 562 Volkslied, 545 Asmussen, Sven, 140 Workers’ Union, 545 Asso, Raymond, 326 Andy, Horace, 575 ‘Elle fr´equentait la rue Pigalle’, 326 Animals, The, 419, 437, 559 Association, 439 animated film, 100, 107, 115, 133, 179 ‘Along Comes Mary’, 439 Ansermet, Ernest, 166, 616 Astaire, Fred, 112, 317 Antheil, George, 70, 171, 182, 219, 292, Atkins, Cholly, 434 339, 616 atsiagbekor, 600 Airplane Sonata, 219 Attali, Jacques, 502, 503, 504 © Cambridge University Press www.cambridge.org Cambridge University Press 0521662567 - The Cambridge History of Twentieth-Century Music - Edited by Nicholas Cook and Anthony Pople Index More information 770 Index Atwell, Winifred, 314 Bach, J. S., 53, 157, 237, 241, 247, 252, 254, Auden, W. H., 207 265, 268, 269, 274, 295, 296, 389, 460, audience, 41–2, 95, 96, 100, 112–14, 115, 481, 485 155, 165, 180, 191, 195, 198, 199, 204, Art of Fugue, 254 205, 229, 232, 233, 246–8, 254, 264, Schoenberg’s version of the Prelude 268, 287, 289, 290, 295, 300, 302–3, and Fugue in E flat, BWV 552, 241 309, 324, 337, 350, 368, 382, 399–400, Webern’s version of the Ricercar from the 415, 431, 443, 467, 469, 485, 497, 509, Musical Offering, 241, 247 519, 524, 531, 535, 559, 589–90, 591 Bacharach, Burt, 329, 432, 570 fans, 399, 423, 443, 447, 478, 480, 490, ‘Magic Moments’, 329 491 background music: fanzine, 559 muzak, 308, 482, 483, 501 jazz, 134, 139, 145, 150, 315, 412 semi-audible, 482, 483 general public, 91, 105, 134, 190, 233, Bacon, Francis, 240, 245, 246, 286, 287–8, 303, 405, Baconiana, 271 482, 509 Baez, Joan, 439, 448, 449, 617 informed audience, 105, 482 ‘The Night TheyDrove Old Dixie listeners, 41, 116, 235, 370, 429, 481, Down’, 439 483, 488, 490, 491, 492, 493, 494, ba˘glama, 20, 21, 29 500, 501 Bailey, Kathryn, 253, 254, 255 construction of, 479–81 Baker, Arthur, 566 mass audience, 66, 308 Baker, Chet, 403 Auer, Leopold, 50 Baker, Josephine, 87, 168, 169–70, 172, 176, Auric, Georges, 174 177, 313, 617 Adieu, New York!, 174 Bakunin, Mikhail, 546 Auschwitz, 208, 389 Bal´asz, B´ela, 182 Austin, Larry, 466 Achtung! Aufnahme!, 182 authenticity, 49, 130, 145, 147, 156, 171, The Adventures of a Ten-Mark Bill, 182 175, 204, 230, 245, 268, 293, 294, Ball, Kenny, 317 302–3, 317, 332, 408, 414, 419, 425, ballad, 105, 311, 312 427, 431, 434, 437, 439, 440, 444, 446, parlour, 110, 311 448, 484–6, 487–8, 490, 493, 497, 523, royalty, 110 536, 560, 563, 565, 567–8, 572, 584 Ballard, Hank, 429–30 constructions of, 12, 589–90, 591, 596 ‘The Twist’, 420, 429–30 authorship (see also ownership), 11, 13, 30, ballet, 101 270, 359, 434, 470, 471, 487, 499, 503, Ballets Russes, 165, 166, 176 551, 587–8 Ballets Su´edois, 176 collective, 135, 272, 471–2 Bambaataa, Afrika, 572 Avalon, Frankie, 431 Ban, Jan Albert, 530 Avant-Garde (record set), 476 Vanitas, 530 Aveling, Claude, 312 Band, The, 12, 439 ‘Come Back to Sorrento’, 312 Band Aid, 568 Axton, Estelle, 433, 448 Banfield, Stephen, 324 Ayllu Sulca, 30 Bang on a Can, 502, 546–7 Aznavour, Charles, 313 banjo, 125, 163, 166 Bankole, Ayo, 597 Babbidge, Dora Dean, 177 Three Part-Songs, 597 Babbitt, Milton, 7, 46, 345, 379, 409, 455, Barbara (=Monique Serf), 328 464, 475, 525, 546, 617 ‘L’Aigle Noir’, 328 Philomel, 464 L’Ecluse, 328 Twelve-Tone Rhythmic Structure and the ‘Nantes’, 328 Electronic Medium, 475 Barber, Samuel, 111, 379, 408, 617 Vision and Prayer, 464, 546 Antony and Cleopatra, 379 Bach, C. P. E., 268 Knoxville: Summer of 1915, 379 © Cambridge University Press www.cambridge.org Cambridge University Press 0521662567 - The Cambridge History of Twentieth-Century Music - Edited by Nicholas Cook and Anthony Pople Index More information Index 771 Medea, 379 Anthology, 576 Piano Concerto, 379 Let It Be, 560 Piano Sonata, 379 ‘Across the Universe’, 560 Vanessa, 379 ‘Let It Be’, 577 Barbirolli, John, 617 ‘Love Me Do’, 436 Barenboim, Daniel, 617 Revolver, 441, 576 Baresel, Alfred, 173, 176 ‘Eleanor Rigby’, 576–8 Das neue Jazzbuch, 173 Sergeant Pepper’s Lonely Hearts Club Barnet, Charlie, 141, 142, 143, 402 Band, 332, 441, 442, 468, 560 arrangement of ‘Cherokee’, 143 ‘A Dayin the Life’, 560 Barraqu´e, Jean, 343 ‘When I’m Sixty-Four’, 332 Piano Sonata, 343 ‘Taxman’, 561 Barrie, J. M., 106, 207 ‘Ticket to Ride’, 329 Mary Rose, 106 ‘Yesterday’, 332 Barrister, Alhadji Sikuru Ayinde, 594 Beatniks, 400, 435 Barron, Bebe, 346 Bebey, Francis, 584 Barron, Louis, 346 bebop, 45, 148, 150, 397–401, 402, Barry, James, 308 403–4, 405, 406, 409, 413, 422, Barry, Jeff, 432 442, 444 Barry, John, 434, 618 Becce, Giuseppe, 106 James Bond theme, 434 Bechet, Sidney, 129, 130, 131, 135, 139, Barthes, Roland, 327 168, 619 Bartok,´ Bela, 4, 47, 50, 55, 75, 77, 83, 111, ‘Cake Walking Babies’, 131 115, 193, 244, 279, 301, 366, 378, 485, ‘Kansas CityMan Blues’, 131 515, 618 ‘Wildcat Blues’, 131 Cantata profana, 301 Beck, Jeff, 437 Miraculous Mandarin,77 Beckett, Samuel, 82 Basement Jaxx, 499 Bedford, David, 456 Basie, Count, 141, 142, 150, 317, 402, 618 Beefheart, Captain, 567 Count Basie Band, 143, 149 Captain Beefheart and the Magic Bassey, Shirley, 320, 327 Band, 567 Baudelaire, Charles, 6, 239, 347, 361, 481 Trout Mask Replica, 567 ‘Le voyage’, 361 Beethoven, Ludwig van, 5, 9, 51, 53, 62, 66, Baudrier, Yves, 289 93, 102, 106, 115, 206, 236, 238, 241, Bauhaus, 54 250, 257, 263, 268, 278, 372, 460, 461, Baum, Chris, 602 484, 485, 486, 493, 532, 544, 548 Baumol, William J., 55, 56, 58, 59 F¨ur Elise, 461 Bax, Arnold, 492 Piano Sonata no.