Cambridge University Press 978-1-107-13101-9 — a History of American Crime Fiction Edited by Chris Raczkowski Index More Information 353

Cambridge University Press 978-1-107-13101-9 — a History of American Crime Fiction Edited by Chris Raczkowski Index More Information 353

Cambridge University Press 978-1-107-13101-9 — A History of American Crime Fiction Edited by Chris Raczkowski Index More Information 353 Index abolitionist literature see also slave narratives women writers, 110 , 118 – 21 Address of Abraham Johnstone, A Black Alcott, Louisa May, 110 Man … To the People of Color , 31 Alfau, Felipe, 223 – 4 nativist rhetoric, 64 Alger, Horatio, 103 , 107 slave narratives and, 263 Ames, Levi, 21 – 2 Uncle Tom’s Cabin (Stowe), 58 , 63 antebellum crime fi ction see also city mystery abolitionists see also slavery novels ; urban crime fi ction accusations of slave stealing, 77 immigrants’ living conditions, 66 – 7 American Anti- Slavery Society (AASS), 72 , racial ambivalence of, 63 73 , 77 – 8 , 80 as social critique, 57 anti- slavery sentiments in Romanticism, 62 – 3 anthropometry, 141 incrimination of, 77 – 8 Appel, Benjamin, 184 slave testimonies at alternative Arendt, Hannah, 195 , 196 tribunals, 79 – 81 Auden, W. H. Acker, Kathy, 228 on the detective genre, 158 , 176 African- American detective fi ction see also “ Th e Guilty Vicarage”, 159 , 168 , 341 Himes, Chester New Year Letter , 163 – 5 absurd violence and representations of Auster, Paul, 94 , 229 racism, 269 authority, institutionalized Black Chicago Renaissance, 267 – 8 city mystery novels as challenge to, 51 – 2 black identity and ties with Africa, 265 – 6 individual autonomy vs. social authority in Th e Black Sleuth (Bruce), 265 – 6 gallows genre, 21 – 2 Th e Conjure Man Dies (Fisher), 266 – 7 liberal authority values in hard- boiled fi ction, contemporary, 271 – 2 182 , 237 – 8 critiques of Jim Crow era, 264 – 5 Pinkerton’s relationship with, 100 – 1 during the Harlem Renaissance, 266 – 7 autobiographies, criminal female novelists and detectives, 272 – 4 A Brief Narrative of the Life and Confession of Hagar’s Daughter (Hopkins), 264 – 5 Barnett Davenport , 35 Harlem Domestics (Himes), 186 – 8 , 268 – 9 A Narrative of the Life of William Beadle , 35 Holloway House school, 269 – 70 female malefactors, 32 – 4 Let Th at Be the Reason (Stringer), 274 of gallows genre, 21 – 2 links with slave narratives, 78 , 81 , 263 and the gothic, 34 – 6 literary criticism, 349 infl uence on novels of seduction, 33 – 4 “Mama” series (DeLoach), 272 – 3 Life and Confession of Johnson Green , 3 0 – 2 Native Son (Wright), 267 – 8 Th e Memoirs of Steven Burroughs , 2 9 – 3 0 Pimp: Th e Story of My Life (Beck), 270 postmodernist, 270 – 1 Bailey, Frankie Y., 349 street literature novels, 273 – 4 Barnard, Philip, 36 African Americans Beck, Robert “Iceberg Slim”, 270 Charlotte Justice (detective), 240 , 241 Belsey, Catherine, 128 Double- Victory strategy, 186 – 8 Benjamin, Walter, 160 353 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-13101-9 — A History of American Crime Fiction Edited by Chris Raczkowski Index More Information 354 354 Index Berry, Jedediah, 232 Chintz, David, 154 Bester, Alfred, 224 – 5 Choi, Susan, 231 Betz, Phyllis M., 349 Christie, Agatha, 89 , 113 , 131 , 167 Biggers, Earl Derr, 175 – 6 Citizenfour , 306 – 9 Birchfi eld, D. L., 259 city mystery novels see also antebellum crime black minstrelsy, 63 fi ction ; urban crime fiction Bloch, Robert, 215 – 16 African- American characters, 63 – 4 Borges, Jorge Luis anti- Catholicism, 64 infl uences of Poe, 91 – 2 authors of, 49 – 50 “La muerte y la brujula”, 91 – 2 , 223 as challenge to moral authorities, 51 – 2 writing career, 91 City Crimes or Life in New York and Boston Browne, Ray B., 349 (Th ompson), 50 – 1 , 52 , 53 – 4 , 60 , 64 Bruce, John Edward, 265 – 6 class confl ict in, 52 – 3 , 57 , 58 – 60 , 62 Buntline, Ned criminality in, 52 Th e Mysteries and Miseries of New York , 50 , depictions of women, 53 – 4 51 , 60 , 139 gothic elements to, 50 – 1 sympathies for the working man, 52 , 56 industrial capitalism critiques, 44 , 57 , 58 – 9 , Burroughs, William S., 94 60 , 63 – 4 , 66 Th e Knights of the Seal (Duganne), 60 , 64 Cain, James M. Les Mysterès de Paris (Sue), 44 Double Indemnity , 193 , 195 , 202 , 210 – 11 , 314 , 316 Th e Mysteries and Miseries of New York Ossessione (fi lm), 186 (Buntline), 50 , 51 , 60 , 139 Th e Postman Always Rings Twice , 153 , 184 , 185 , nativist rhetoric in, 64 , 65 , 66 – 7 186 , 316 pornographic depictions, 53 writing style, 185 Quaker City: or, the Monks of Monk Hall Calweti, John, 343 (Lippard), 44 , 52 , 53 , 58 – 60 , 64 cant, 9 race in, 57 , 63 – 4 carceral gothic, 38 – 9 as secret histories, 44 Carey, John, 168 sensationalism of, 51 Carr, John Dickson, 168 , 171 , 173 – 4 urbanization and, 44 – 6 Carretta, Vincent, 69 – 70 , 71 women in, 53 – 4 Chabon, Michael, 230 class Chabrol, Claude, 317 and the Molly Maguire case, 101 Chandler, Raymond class confl ict in city mysteries, 52 – 3 , 57 , Th e Big Sleep , 163 , 192 – 3 , 211 – 12 58 – 60 , 62 Farewell, My Lovely , 316 class confl ict in Th e House of the Seven Gables fi lm adaptations, 1970s, 320 (Hawthorne), 60 – 2 Fredric Jameson’s essays on, 346 – 7 class hierarchies, 140 Th e Long Goodbye , 238 cross- racial sympathies, 63 – 5 “ Th e Simple Art of Murder”, 89 – 90 , 174 , 176 , inheritance and marriage plots, 174 – 5 182 – 3 , 341 – 2 middle- class hypocrisies, 52 – 3 , 103 , 123 – 4 Chang, Henry middle- class private rooms as public crime exhaustion in, 247 scenes, 160 identity as trauma, 241 and race in Golden Age fi ction, 175 – 6 identity knowledge, 240 surveillance to counter class- based social institutional corruption, 242 threats, 137 as neoliberal texts, 245 – 6 , 247 working- class populism, 180 – 2 the resisting individual, 242 – 3 cliff hangers, 28 urban landscape knowledge, 239 Cohen, Daniel, 34 Chartier, Jean- Pierre, 315 – 16 Collins, Wilkie, 124 , 126 , 155 – 6 Chatman, Seymour, 342 – 3 Comstock, Anthony, 99 Chesnutt, Charles, 144 Conan Doyle, Arthur Chesterton, G. K. admiration for Anna Katharine Green, 126 “A Defense of Detective Stories”, 160 chain of inheritance with Poe/ Dupin, 85 – 6 “ Th e Blue Cross”, 88 – 9 dual nature of Holmes, 86 – 7 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-13101-9 — A History of American Crime Fiction Edited by Chris Raczkowski Index More Information 355 Index 355 femme fatale detective (“A Scandal in defi ning features of, 83 , 102 – 3 Bohemia”), 125 , 127 – 9 , 130 – 1 “ Th e Murders in the Rue Morgue” as “ Th e Sign of Four”, 126 , 127 foundation for, 83 – 4 A Study in Scarlet , 250 women writers, 110 Watsonian amanuensis, 170 detectives see also Pinkerton National Detective writing schedule, 326 Agency ; women detectives Coulthard, Glen, 251 detective/ criminal similarities, 205 – 6 , 212 Crane, Stephen, 139 – 40 physical and mental condition of, 231 – 2 crime fi ction Dick, Philip K., 93 – 4 , 229 and canonical literature, 1 – 2 Dietrich, Marlene, 201 – 2 art of, 1 , 36 , 84 dime novels eighteenth- century characteristics of, 28 and genre fi ction, 99 in relation to American literary history, 2 – 4 , 9 mass readership, 180 – 1 crime fi ction criticism Molly Maguire Case, 101 – 2 crime fi ction in relation to American literary Pinkerton Agency, 97 – 8 , 105 – 7 history, 2 – 3 , 9 portrayals of detectives, 100 crime fi ction within canonical literature, 1 Ragged Dick novels (Alger), 103 , 107 high culture/ low culture wars, 340 – 2 vigilantism in, 145 ideological criticism, 346 – 7 women detectives in, 124 – 5 noir story, 350 domestic detective fi ction see also Green, Anna overview of, 339 – 40 Katharine pas de deux concept, 3 Th e Dead Letter (Victor), 110 , 125 poststructuralist and postmodernism, 347 – 8 genre of, 125 psychoanalysis, 343 – 6 “In a Cellar” (Spoff ord), 116 – 18 revisionist criticism, 348 – 50 scholarly criticism of, 110 – 11 structuralist criticism, 342 – 3 the transnational in the domestic criminal anthropology, 140 – 2 sphere, 115 – 21 criminality women’s perspectives and, 123 – 4 anthropometry, 141 Douglass, Frederick, 73 , 80 , 263 – 4 in city mystery novels, 52 Downing, Todd female criminality as abomination, 197 Th e Case of the Unconquered Sisters , 254 identifi cation of and realism, 147 Murder on the Tropic , 254 – 6 public interest in the narrative of, 19 – 22 , 28 – 9 Murder on Tour , 254 and race, 30 – 2 overview of, 251 – 2 criminology, 146 – 7 settler colonial crime in, 251 – 2 cultural determinism, 146 Dreiser, Th eodore, 145 – 7 cyberpunk, 229 – 30 Duganne, Augustine anti- slavery sentiments, 63 Daly, Carroll John Th e Knights of the Seal , 60 , 64 “Knights of the Open Palm”, 181 – 2 treatment of crime, 56 liberal autonomy values, 182 Dunbar, Paul Laurence, 144 – 5 De Goede, Marieke, 303 , 305 De Quincey, Th omas, 84 E ffi nger, George Alec, 229 death see also execution sermons ; gallows genre Eliot, T. S. in early New England theology, 13 codifi cation of detective rules, 154 , 169 entertaining deaths in gallows genre, 22 – 4 devotion to detective fi ction, 154 , 176 and femme fatales , 197 on melodrama, 155 – 6 , 158 – 9 as fulfi llment/ spiritual rebirth, 16 – 17 Th e Waste Land , 154 – 5 DeLillo, Don, 230 – 1 “Wilkie Collins and Dickens”, 155 – 6 DeLoach, Nora, 272 – 3 Ellroy, James, 198 DeLombard, Jeannine, 32 Enlightenment, 21 , 35 , 36 Denning, Michael, 62 , 98 , 101 , 102 , 183 , 184 Equiano, Olaudah Derrida, Jacques, 347 – 8 charges of literary fraud, 70 – 1 detective genre Th e Interesting Narrative of the Life of Olaudah “20 Rules for Writing Detective Stories”, 89 Equiano , 69 , 70 , 74 © in this web service Cambridge University Press www.cambridge.org Cambridge University

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    11 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us