About Tom Dempsey W ith 30 years of nature travel photography experience in over 20 countries, Tom has mastered the use of lightweight camerasSierra forNational photography Geographic DKon thePublishing go. His imagesRough Guidesappear Moonin travel Travel Guidespublications by , , , , , and more. www.PhotoSeek.com He authors internet website and teaches photography workshops in his home city of Seattle. [email protected] comments and order images/books: Above: Tom traveling in New Zealand, a favorite destination. Photo by Carol Dempsey. (2007) “We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time.” Little Gidding — T. S. Eliot, Back cover: Natural tannins released from decomposing vegetation stain Tidal River brown, in Wilson’s Promontory National Park, Victoria, Australia. Captured with a compact camera. (2004) Canon PowerShot G5 210 | Light Travel Tom Dempsey Light Travel Photography on the Go PhotoSeek Publishing Seattle, Washington � Right: A Nepali woman turns a large prayer wheel at Pangboche Gompa, a Buddhist temple near Mount Everest in Sagarmatha National Park, a UNESCO World Heritage Site in Nepal. (2007) Previous pages: The mountains of Eiger, Mönch, and Jungfrau (Ogre, Monk, and Virgin) reflect in a pond at Kleine Scheidegg train station in Switzerland. Six images were stitched to make this panorama—learn how on pages 44-45. Jungfrau-Aletsch is inscribed on the World Heritage List by UNESCO. (2005) Cover photo: Trekkers pause at 13,000 feet/4000 meters elevation near the impressive mountain face of Fang (25,088 feet/7647 meters) in the Annapurna Sanctuary, Nepal. Photographed using a camera. (2007) Nikon D40X Digital SLR (DSLR) www.PhotoSeek.com Research travel, browse photographs, buy books, and shop for photo gear at PhotoSeek Publishing 354 NW 112th Street Seattle, WA 98177-4841 Copyright © 2009 by Tom Dempsey, All Rights Reserved © 2010 second printing All photographs are by Tom Dempsey except where otherwise marked. No part of this book may be reproduced in any form or by any electronic or mechanical means without permission in writing from Tom Dempsey, except for inclusion of brief quotations in review. Printed in USA at InstantPublisher.com, Tennessee ISBN: 978-0-578-03918-3 Contents Introduction . 9 Part I: How to Enliven Images . 24 Chapter 1. How to Compose Images .  .  .  .  .  .  .  .  .  .  . 26 Chapter 2. Focus, Expose, Edit, Create .  .  .  .  .  .  .  .  .  . 48 Chapter 3. Lightweight Cameras . . . . . . . .64 Part II: Where to Seek the Light . 72 Chapter 4. Exciting Destinations . . . . . . . .74 Chapter 5. Nature Worship . . . . . . . . . 162 Chapter 6. Natural Patterns .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 172 Glossary  . 184 Index . 194 5 |  Erosion of fossilized sand dunes created The Wave, on the Arizona side of Paria Canyon-Vermilion Cliffs Wilderness Area. To help protect this section of the Coyote Buttes, a hiking permit is required from the US Bureau of Land Management. (2003) Photographers catch sunrise on Mount Nimrod/Nemrut Dağı in the Republic of Turkey in 1999 before digital cameras bested the quality obtained from scanning 35mm color slide film. A decade later, the digital revolution empowers us with wonderfully lightweight cameras. Improved image stabilization and high-ISO quality free us from previous tripod constraints. But at dusk, night, and dawn we still require tripods to sharpen images recorded at shutter speeds too slow for hand holding a camera. Introduction Light Travel teaches and inspires on-the-go photography using minimal equipment. I illustratePart I: an Hactiveow to outdoor Enliven travelImages style for seeking evocative images: teaches how to compose, focus, expose, and optimize photographs. Which camera is best—compact or DSLR? Are your skills more Part II: importantWhere to Seek than the your Light camera choice? suggests exciting places to visit—a new state or another country. Revealing the beauty of our world can inspire environmental preservation and sustainable living. Glossary Index If a topic seems too advanced, skip onwards and revisit later. Read the for definitions of photographic terms. Check the to find all occurrences of a term or place name. 9 |  Mesa Arch glows at sunrise in Canyonlands National Park, Utah. (2006) Part I: How to Enliven Images • Chapter 1: How to Compose Images • Chapter 2: Focus, Expose, Edit, Create • Chapter 3: Lightweight Cameras 24 | Light Travel How can you create a charismatic photograph? explains how in mostly non-technical terms. teaches basic camera skills, then reveals optional computer techniques such as the following: Chapter 1 Chapter 2 Most people shoot JPEG files (with the default sRGB color space) which are compatible with all computers and retail printers. Dedicated professionals often prefer working with RAW files and Adobe RGB color space to preserve greater color depth and a broader range (gamut) of color data for improving prints. The above panorama was stitched from five RAW image files recorded on a compact digital camera using ISO 50, lens 7.8mm (31mm equivalent in terms of 35mm film),Canon aperture PowerShot f/8, and Pro1 shutter speed 1/160th second. Using Adobe Lightroom on a personal computer, for all five pictures as a batch, I adjusted the following: down -0.65 stops, white balance =5850 Kelvin, -5, 4, +3, +63, and -55. andExposure were brightened on the medium contrast by about 20%. WB TempThe five separateTint overlappingBlacks verticalBrightness photographsSaturation were stitched intoRed/Cyan a seamless Chromatic panorama Aberration in Adobe Photoshop CS3/CS4Lights softwareDarks using the menu.Tone CurveTo the right is the of brightness values shown in for the resulting TIFF file image (which was optimized and saved in 16-bit Adobe RGB color space). File>Automate>Photomerge histogram  Photoshop | 25 Chapter 1. How to Compose Images “Genuine poetry can communicate before it is understood.” — T. S. Eliot (1888 - 1965), critic, dramatist, and poet A ll photographers, from beginning to Photography is communication. What do you advanced, can benefit from compositional want to say in each picture? What’s the story? exercises. Work through the exercises Who is your audience? in thisA. Evoke chapter: Emotion Most of us take pictures for our own B. Fill the Frame enjoyment and that of an audience of family C. Create Contrast and friends. Evocative images by other photographers can inspire us to record vivid D. Fill with Flow touchstones for our own personal memory E. Apply the “Rule of Thirds” as well as for sharing with an audience. F. Play with Perspectives Ask or imagine how others may perceive the photograph. Other viewers later won’t have your benefit of experiencing the smells, ImmediatelyPlayback after photographingmode each tastes, sounds, tactile sensations, or sequence exercise, review image sequences in your LCD of experiences that you felt when capturing or EVF in . Zoom into (magnify) the picture. Viewers will only experience eachhighlight photo to warning check for screen sharp focus.histogram Check for what you present. Design your sensational overexposure or underexposure using both image to stand alone, to complement a the and displayed sequence, or to gain impact with a for each photograph. Most importantly, ask well-written caption. Patient waiting or many yourself, “will this image maximize audience shots may be required before recording a impact?” If not, shoot more as needed. When brief shining moment in a great photograph. reviewing each picture on the LCD, your Are you serious about improving your strongest instinctive reaction helps identify photography? Don’t leave home without your the best images. camera. Practice makes perfect. Cameras are great tools to record pictures of products Define it and labels while shopping, or to photograph trailhead maps and signs for safety on a hike. Good qualityChapter subcompact 3: Lightweight cameras Cameras can handily fit a pocket/purse and make respectable Glossary: Camera Terms Explained prints. See . Confused by camera lingo? See the . Have fun with composition as you advance 26 | Light Travel yourPart skills I: How and to expandEnliven Images your creative portfolio. A Steller Sea Lion plays with a firehose at the Alaska Sealife Center, Seward, Alaska. Photographed using a camera with flash turned off to prevent reflections on the aquarium glass. (2006) Canon PowerShot Pro1 People pictures and fill flash balance ambient light with flash People often look best with candid or relaxed automatic exposure modes. To expose slower and expressions of emotion. Be ready to capture the pleasingly Night Scene — heightphotojournalist of spontaneous laughter or excitement Shutter-preferred/S/Tvsuch as indoors or at dusk,Manual/M night, or dawn—use when people forget the presence of a camera. a tripodSlow and Synchro dial your modeRear to Curtain , A records events accurately P/Program Aperture-preferred/A/Av, or exposure mode. without posing, as in the above Steller Sea Lion Or use (or ) f lash in image. To engage the feelings of your audience or Permission or and legal issues mode. enhance the sense of scale, include local people at permission various distances from the camera. Sometimes you can tell a story better by posing Ask public before property online internet posting of people or subjects. When arranging people images with identifiable faces, and remove if later outdoors,