Spanish American Narrative R43147 | University of Nottingham

Spanish American Narrative R43147 | University of Nottingham

09/27/21 Spanish American Narrative R43147 | University of Nottingham Spanish American Narrative R43147 View Online Spanish American Narrative [1] Alazraki, Jaime 1988. Borges and the Kabbalah, and other essays on his fiction and poetry. Cambridge University Press. [2] Alazraki, Jaime 1976. Jorge Luis Borges. Taurus Ediciones. [3] Alejo Carpentier 1966. ‘De lo real maravillosamanete americano’. Tientos y diferencias. Ediciones Unión. [4] Alejo Carpentier 1995. The Baroque and the Marvelous Real. Magical realism : theory, history, community. Duke University Press. [5] Balderston, D. 1994. Introduction and Notes. Artificial respiration. Duke University Press. [6] Boldy, Steven 2009. A Companion to Jorge Luis Borges. Tamesis. 1/9 09/27/21 Spanish American Narrative R43147 | University of Nottingham [7] Colas, Santiago 1994. Postmodernity in Latin America: The Argentine paradigm. Duke University Press. [8] Donoso, José 1972. Historia personal del ‘boom’. Anagrama. [9] Doris Sommer 1995. Grammar Trouble: Cortázar’s critique of competence. Diacritics. 25, 1 (1995). [10] Eliot, T. S. 1979. The Dry Salvages (II), Four Quartets. Faber. [11] Entrevista a Juan Rulfo: 1973. http://conversacionesperiodisticas.blogspot.co.uk/2009/01/entrevista-juan-rulfo.html. [12] Fishburn, Evelyn and Hughes, Psiche 1990. A Dictionary of Borges. Duckworth. [13] Fornet, Jorge 2007. El escritor y la tradición: Ricardo Piglia y la literatura argentina. Fondo de Cultura Económica de Argentina. [14] Franco, Jean 1967. The Modern Culture of Latin America: society and the artist. Pall Mall Press. 2/9 09/27/21 Spanish American Narrative R43147 | University of Nottingham [15] Fuentes, Carlos 1969. La nueva novela hispanoamericana. Mortiz. [16] Gallagher, D. P. 1973. Modern Latin American Literature. Oxford University Press. [17] Gallagher, D. P. 1973. Modern Latin American Literature. Oxford University Press. [18] García Márquez, Gabriel and Mendoza, Plinio Apuleyo 1993. El olor de la guayaba: conversaciones con Plinio Apuleyo Mendoza. Editorial Sudamericana. [19] González Echevarría, Roberto 1990. Alejo Carpentier: the pilgrim at home. University of Texas Press. [20] González Echevarría, Roberto 1990. Myth and Archive: a theory of Latin American narrative. Cambridge University Press. [21] González Echevarría, Roberto and Pupo-Walker, Enrique 1996. The Cambridge History of Latin American Literature. Cambridge University Press. [22] Guibert, Rita et al. 1973. Seven Voices: seven Latin American writers talk to Rita Guibert. Knopf. 3/9 09/27/21 Spanish American Narrative R43147 | University of Nottingham [23] Hampson, Norman 1968. The Enlightenment. Penguin. [24] Harss, Luis and Dohmann, Barbara 1967. Into the Mainstream: conversations with Latin-American writers. Harper & Row. [25] Harss, Luis and Dohmann, Barbara 1968. Los nuestros. Sudamericana. [26] Henighan, S. 2000. Caribbean Masks: Frantz Fanon and Alejo Carpentier. Postcolonial perspectives on the cultures of Latin America and Lusophone Africa. Liverpool University Press. 169–190. [27] Henighan, S. 2000. Caribbean Masks: Frantz Fanon and Alejo Carpentier. Postcolonial perspectives on the cultures of Latin America and Lusophone Africa. Liverpool University Press. [28] Kant, Immanuel and Beck, Lewis White Foundations of the Metaphysics of Morals, and: What is Enlightenment?. Liberal Arts Press. [29] King, John 1987. Modern Latin American Fiction: a survey. Faber. [30] King, John 1987. Modern Latin American Fiction: a survey. Faber. 4/9 09/27/21 Spanish American Narrative R43147 | University of Nottingham [31] Labanyi, J. 1980. Nature and the Historical Process in Carpentier’s El siglo de las luces. Bulletin of Hispanic studies. LVII, (1980), 55–66. [32] Larsen, Neil and ebrary, Inc 1995. Reading North by South: On Latin American literature, culture, and politics. University of Minnesota Press. [33] Lucille Kerr, Julio Cortázar, Roberto González Echevarría, David I. Grossvogel and Jonathan Tittler 1974. Interview: Julio Cortázar. Diacritics. 4, 4 (1974). [34] Ludmer, Josefina 1985. Cien años de soledad: una interpretaccion. Bibliotecas Universitarias, Centro Editor de América Latina. [35] Ludmer, Josefina 1988. El género gauchesco: un tratado sobre la patria. Editorial Sudamericana. [36] Ludmer, Josefina 2002. The Gaucho Genre: a treatise on the motherland. Duke University Press. [37] Manuel Puig Cinema and the Novel. Modern Latin American Fiction: a survey. John King, ed. [38] 5/9 09/27/21 Spanish American Narrative R43147 | University of Nottingham Martin, G. 1987. On ‘Magical’ and Social Realism. Gabriel García Márquez: new readings. Cambridge University Press. 95–116. [39] Martin, Gerald 2008. Gabriel García Márquez: a life. Bloomsbury. [40] Martin, Gerald 1989. Journeys through the Labyrinth: Latin American fiction in the twentieth century. Verso. [41] McGuirk, Bernard and Cardwell, Richard Andrew 1987. Gabriel García Márquez: new readings. Cambridge University Press. [42] Molloy, Sylvia 1979. Las letras de Borges. Editorial Sudamericana. [43] Moran, Dominic 2000. Questions of the Liminal in the Fiction of Julio Cortázar. European Humanities Research Centre. [44] Piglia, Ricardo 1994. Artificial respiration. Duke University Press. [45] Rama, A. 1997. Processes of transculturation in Latin American narrative. Journal of Latin American Cultural Studies. 6, 2 (Nov. 1997), 155–171. DOI:https://doi.org/10.1080/13569329709361909. 6/9 09/27/21 Spanish American Narrative R43147 | University of Nottingham [46] Ricardo Piglia 1986. Critica y Ficcion. Planeta Argentina. [47] Rimmon-Kenan, Shlomith 1983. Narrative Fiction: contemporary poetics. Methuen. [48] Rowe, W. 1987. Gabriel Garcia Marquez. Modern Latin American fiction: a survey. (1987). [49] Rowe, William and Schelling, Vivian 1991. Memory and Modernity: popular culture in Latin America. Verso. [50] Rutherford, John 1971. Mexican Society during the Revolution: a literary approach. Clarendon Press. [51] Sarlo, Beatriz 1988. Una modernidad periférica: Buenos Aires 1920 y 1930. Ediciones Nueva Visión. [52] Sarlo, Beatriz and King, John 2006. Jorge Luis Borges: a writer on the edge. Verso. [53] Sharman, Adam and ebrary, Inc 2006. Tradition and Modernity in Spanish-American Literature: from Darío to Carpentier. Palgrave Macmillan. 7/9 09/27/21 Spanish American Narrative R43147 | University of Nottingham [54] Shaw, Donald Leslie 1992. Borges’ Narrative Strategy. Cairns. [55] Smith, Paul Julian 1989. The Body Hispanic: gender and sexuality in Spanish and Spanish American literature. Clarendon. [56] Sommers, Joseph 1968. After the Storm: landmarks of the modern Mexican novel. University of New Mexico Press. [57] Stephanie Merriam 1987. Bridging the Gap: Freud and Film in Guillermo Cabrera Infante’s Three Trapped Tigers and Manuel Puig's El beso de la mujer araña. Modern Latin American Fiction. John King, ed. Faber. [58] Sturrock, John 1977. Paper Tigers: the ideal fictions of Jorge Luis Borges. Clarendon Press. [59] Swanson, Philip 1995. The New Novel in Latin America: politics and popular culture after the boom. Manchester University Press. [60] Swanson, Philip 1995. The New Novel in Latin America: politics and popular culture after the boom. Manchester University Press. [61] Vargas Llosa, Mario 1971. García Márquez: historia de un deicidio. Barral. 8/9 09/27/21 Spanish American Narrative R43147 | University of Nottingham [62] Williamson, E. 1987. ‘Magical Realism and the Theme of Incest in One Hundred Years of Solitude’. Gabriel García Márquez: new readings. Cambridge University Press. 45–63. [63] Williamson, Edwin 2004. Borges: a life. Viking. [64] Zamora, Lois Parkinson 1989. Writing the Apocalypse: historical vision in contemporary U.S. and Latin American fiction. Cambridge University Press. [65] THE USE OF AMBIGUITY AND THE DEATH(S) OF BARTOLOMÉ SAN JUAN IN RULFO’S PEDRO PÁRAMO. 9/9.

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