CURRICULUM VITAE Giuliana Minghelli 242 Summer Street Somerville, MA 02143 (617) 623-8214 [email protected] www.giulianaminghelli.com EDUCATION 1989-1993 JOHNS HOPKINS UNIVERSITY, Ph.D., Italian Studies Dissertation: In the Shadow of the Mammoth: The Figure of Woman in Italo Svevo's Narratives. Director: Eduardo Saccone 1985-1989 JOHNS HOPKINS UNIVERSITY, M.A., Italian Studies 1981-1985 UNIVERSITY OF PISA, Foreign Languages and Literatures Coursework completed towards Laurea in Lingue e Letterature Moderne, transferred to Johns Hopkins graduate program Study Abroad Programs 1988 Johns Hopkins Villa Spelman Program, Spring seminars in Renaissance Italian Studies 1983-1984 Humboldt Universität, Summer programs in German Studies WORK 2014- Associate Professor, MCGILL UNIVERSITY 2014 Visiting Scholar, HARVARD UNIVERSITY 2008-2013 Associate Professor, HARVARD UNIVERSITY 2003-2007 Lecturer, HARVARD UNIVERSITY 1999-2003 Teaching Assistant, HARVARD UNIVERSITY Fall 2002 Visiting Lecturer, HARVARD UNIVERSITY 1998. Visiting Scholar in Women's Studies, HARVARD UNIVERSITY Minghelli |CV | !2 1992-1996 Assistant Professor of Italian and Comparative Literature, UNIVERSITY OF COLORADO, Boulder 1991-1992 Visiting Assistant Professor, UNIVERSITY OF WISCONSIN, Madison 1985-1989 Teaching Fellow, JOHNS HOPKINS UNIVERSITY 1988 Instructor, PEABODY CONSERVATORY OF MUSIC TEACHING McGill University • Introduction to Film History (Spring 2017) • Classics of Italian Cinema (Fall 2014; Fall 2016) • Cinema and the Visual (Spring 2015) • Italian Pop Culture (Spring 2015) • The European Avant-Gardes: Art and Politics from War to War (Spring 2016) • Literary composition (Fall 2014; Fall 2016) Harvard University • Cultural Migrations Between Africa and Italy (Fall 2013; Fall 2010) • On the Road: Journeys in Italian Cinema (Fall 2013; Fall 2010; Spring 2007) • Italian Pop: Comics, Mass media, Folk Culture (Spring 2013; Fall 2011; Fall 2009) • Picturing Place: Landscape, Literature, and Cinema from the Eighteenth through the Twentieth Century (Spring 2013; Fall 2009) • Cinema for a Changing Earth: The Films of Michelangelo Antonioni (Fall 2012) • The Marvelous, Fantastic, Magic, and Uncanny in Italian Culture (Spring 2012) • The Modern Image: Intersections of Photography and Literature (Freshman Seminar, Fall 2012; Spring 2010; Fall 2007) • Modernismi Italiani: D’Annunzio, Svevo, Pirandello e oltre (Spring 2012; Fall 2008) • Italy in Motion: Cinema, History and National Identity (Fall 2011) • Intimate Architectures: Dwelling and Subjectivity in the Works of Italian Women Writers (Spring 2010; Spring 2007) • The Fantastic from Dante to Calvino and Beyond (Fall 2007) • Between Africa and Italy: Literature, Film and Cartoons (Spring 2006) • Literary Cityscapes: Italian Urban Life and Cultural Change, 1904-2004 (Fall 2006) • After History: Fable, Myth and Nature in Italian Post-War Literature (Fall 2006; Spring 2003) • Italian Theory and Literary Criticism (Fall 2005) • Svevo e i Triestini: Scrivere la città e esserne scritti (Spring 2005) • Italo Calvino and the Place of Literature (Spring 2005) • Italian Feminisms: Culture, theory and Narratives of Difference (Fall 2002) Minghelli |CV | !3 University of Colorado, Boulder • Undergraduate Courses o Italian Romanticism: From Vico to the Scapigliatura o Italian Feminisms: Theory, Culture and Narratives of Difference o Readings in Italian Literature I and II • Graduate Seminars o Introduction to Literary Theory o Writing Through the City: Literature and the Urban Experience o Rereading Freud o Cultural Utopias: The Poetics and Politics of Space University of Wisconsin, Madison • Italian Literature in Translation—Existentialism, Fascism and Resistance • Intermediate and Advanced Language PUBLICATIONS Books: Co-Editor and Contributor, Stillness in Motion: Italy, Photography and the Meanings of Modernity University of Toronto Press, 2014 Cinema Year Zero: Landscape and Memory in Post-Fascist Italian Film Routledge, 2013 Editor and Contributor, The Modern Image: Intersections of Photography, Cinema and Literature in Italian Culture, Special Issue of L’anello che non tiene, 2009 In the Shadow of the Mammoth: Italo Svevo and the Emergence of Modernism, University of Toronto Press, 2003 Essays: “Memory Under Fascism. Writing/Filming/Working-Through with Franco Fortini’s The Dogs of the Sinai and Danièlle Huillet and Jean-Marie Straub’s Fortini/Cani,” in Present Past: Time, Memory and the Negotiation of Historical Justice, ed. Ariella Lang, forthcoming with Routledge. “Neorealism,” in The Total Art: Italian Cinema from Silent Screen to Digital Image (ed. Joseph Luzzi, New York: Bloomsbury, 2018, forthcoming. “Home is a Hard Place to Film: Eleonora Danco Allegorical Documentary N-Capace,” Filmatique, http://www.filmatique.com/essays-1/2017/n-capace, published February 2018. Minghelli |CV | !4 “Italian Cinema, Memory and the Construction of the Nation” in Modern Italy 22.2, May 2017. “Icons of Remorse: Photography, Anthropology and the Erasure of History in 1950s Italy” in Modern Italy, Special Issue: Iconic Images in Modern Italy: Politics, Culture and Society, 21.4 (2016): 383-407. “Svevo, Blogging and the Future of Literature,” MLN, vol. 130, 1, 2015; “Svevo, il blog e il futuro della letteratura,” Aghios. Quaderni di studi sveviani, 7/8, 2015. “Photography and the Construction of National Identity,” with Sally Hill and Roberta Valtorta, Stillness in Motion: Italy, Photography and the Meanings of Modernity, University of Toronto Press 2014, 27-66 “Eternal Speed/Omnipresent Immobility: Futurism and Photography,” Stillness in Motion: Italy, Photography and the Meanings of Modernity, University of Toronto Press 2014, 97-130 “Effetto Notte: L’immagine di Cesare Zavattini tra neorealismo e surrealismo,” Locus Solus, 7, Memoria e immagine, 2009, 67-96 “L’occhio di Verga,” Special Issue, L’anello che non tiene, 2009, 59-81 “Haunted Frames: History and Landscape in Luchino Visconti’s Ossessione,” Italica, 85 (2008): 2-3, 173-196 “Neorealismo: Anacronismo/Avanguardia,” Ripensare il Neorealismo: Cinema, letteratura, mondo, Metauro, 2008, 197-221 “Storie, paesaggi e cantastorie: la visione documentaristica dal neorealismo al Postmodernismo,” Sinergie narrative: Cinema e letteratura nell’Italia contemporanea, Franco Cesati Editore, 2008, 41-71 “Lontano e quotidiano nella musica dei Modena City Ramblers,” Spaesamenti padani: Studi culturali sull’Emilia Romagna, Il lettore di Provincia, 123-4, Longo, 2005, 55-68 “What’s in a Word? Rosetta Loy’s Search for History in Childhood,” MLN 116, 1, 2001, 162-176 "Leading the Pedagogue by Hand: Women and Pedagogy in Italo Svevo," Gendered Contexts: New Perspectives in Italian Cultural Studies, ed. Benedetti, Hairston and Ross, Peter Lang, 1996 "Ricordando il quotidiano: Lessico famigliare o l'arte del cantastorie," Italica 72, no. 2, 1995, 155-173 "L'Africa in cortile: La colonia nelle storie levantine di Fausta Cialente," Quaderni Minghelli |CV | !5 d'Italianistica, 15, 1-2, 1994, 227-235 "In the Shadow of the Mammoth: Narratives of Symbiosis in La coscienza di Zeno," MLN 109, 1994, 49-72 "Il ritorno di Efigenia," Italian Culture, Selected Proceedings, AAIS, 1990, 265-278 "Reading the Trace of the Lightning: Sensual Allegory and the Photographic Image," Whomanwarp, Vol. 2, 1989, 4-15 Reference Entries: "Italo Svevo." The Literary Encyclopedia. March 30, 2010 http://www.litencyc.com/php/ speople.php?rec=true&UID=4291 Contributor, The Encyclopedia of Italian Literary Studies, Entries on Fausta Cialente, Gianna Manzini, Rossana Rossanda, Amalia Guglieminetti, and Guido Gozzano. Ed. Gaetana Marrone Puglia, Routledge, 2007 Contributor, Who's Who in Contemporary Women's Writing, ed. Jane Eldrige Miller, Princeton UP, 2001 Reviews: Enlightening Encounters: Photography in Italian Literature, ed. Giorgia Alù and Nancy Pedri, Journal of Modern Italian Studies, forthcoming. Encounters with the Real in Contemporary Italian Literature and Cinema, ed. Loredana Di Martino and Pasquale Verdicchio, Cambridge: Cambridge Scholars Publishing, Dec 2017, Vol. 36, 1:59-62. Italo Svevo and his Legacy for the Third Millennium, Volume I: Philology and Interpretation and Volume II: Contexts and Influences. Edited by Giuseppe Stellardi and Emanuela Tandello Cooper, Modern Language Review, Vol. 112, Part 2, April 2017. Italy and Photography, by Maria Antonella Pelizzari, Visual Resources: An International Journal of Documentation, Vol. XXVIII, 3, 2012 Orality and Literacy in Modern Italian Culture, ed. Michael Caesar and Marina Spunta, Annali d’ Italianistica, Vol. 27, 2009 Italian Modernism: Italian Culture between Decadentism and Avant-Garde, ed. by Luca Somigli and Mario Moroni, Journal of Modern Italian Studies, 11.1, March 2006 The Writings of Joseph Rocchietti, ed. by Carol Bonomo Albright and Elvira Di Fabio, Italian Americana Historical and Literary Journal Minghelli |CV | !6 Italo Svevo tra moderno e postmoderno, ed. by Mauro Buccheri and Elio Costa, Italica, 75.1, 1998, 129-131 The Lonely Mirror, ed. by Paola Bono, Tulsa Studies in Women's Literature, 14.1, 1995, 177-78 Refiguring Woman, ed. by Marilyn Migiel and Juliana Schiesari; and Contemporary Women Writers in Italy, ed. by Santo L. Arico, Tulsa Studies in Women's Literature 12.2, 1993, 131-33 Translation: Beautiful Fables, by Gregory Lucente (Baltimore: Johns Hopkins, 1985), into Italian for Milella Publishing, Lecce, 1995. CURATORIAL PROJECTS Curator with Giovanni Princigalli of the exhibit: Fuori Casa: Gli anni ’50 negli scatti privati degli