Revised: April 23, 2019 Augustana University Department of Music Handbook for Music Students 2018-2019 Back to Table of Contents 1 Table of Contents WELCOME AUGUSTANA MUSIC STUDENTS ........................................................... 4 2018-19 / DEPARTMENT OF MUSIC / FULL-TIME FACULTY .................................... 5 2018-19/ DEPARTMENT OF MUSIC / ADJUNCT FACULTY ....................................... 6 PERFORMING AND VISUAL ARTS OFFICE .............................................................. 8 2018-19 / AUGUSTANA DEPARTMENT OF MUSIC / INTRODUCTION ..................... 9 A BRIEF HISTORY OF THE AUGUSTANA MUSIC DEPARTMENT ............................ 9 ACCREDITATION ....................................................................................................... 9 MISSION STATEMENT ............................................................................................... 9 VISION STATEMENT ................................................................................................ 11 TO ALL MUSIC STUDENTS ...................................................................................... 11 DEGREE PROGRAMS .............................................................................................. 11 MUSIC MAJOR REQUIREMENTS ..................................................................................... 12 LIBERAL ARTS EMPHASIS .............................................................................................. 12 MUSIC EDUCATION MAJOR ............................................................................................ 13 STUDENT ORGANIZATIONS ................................................................................... 15 MUSIC ACTIVITY GRANTS, SCHOLARSHIPS ......................................................... 15 CLASS ATTENDANCE POLICIES ............................................................................. 17 GRADING POLICIES ................................................................................................. 17 GENERAL INFORMATION ........................................................................................ 17 APPLIED MUSIC POLICIES ...................................................................................... 17 A. REGISTRATION FOR APPLIED LESSONS FOR UNIVERSITY CREDIT .............. 17 B. LESSONS AND PRACTICE ................................................................................... 18 C. RECITAL REQUIREMENT FOR MUSIC MAJORS ................................................ 19 D. APPLIED MUSIC EXAMINATION .......................................................................... 19 E. UPPER DIVISION EXAMINATION ......................................................................... 20 F. CONCERTO ARIA GUIDELINES ...................................................................................... 24 PROCEDURES FOR ADMISSION TO UPPER DIVISION STUDY ............................................... 20 ENSEMBLE REQUIREMENTS FOR MUSIC MAJORS .......................................................... 22 ENSEMBLE REQUIREMENTS FOR PRO MUSICA SCHOLARSHIP RECIPIENTS .............. 22 LISTENING FACILITIES ......................................................................................................... 22 PRACTICE ROOMS ............................................................................................................... 23 LOCKERS ............................................................................................................................... 24 STATEMENT OF POLICY ON INSTRUMENT USE ................................................................ 24 USE OF OTHER MUSIC PROGRAM EQUIPMENT ............................................................... 25 PRINTED RECITAL PROGRAMS AND POSTERS ................................................................ 25 VOICE RECITAL PROGRAM STYLE GUIDE ......................................................................... 26 I. TITLES ............................................................................................................................ 26 SONGS ...................................................................................................................................... 26 EXAMPLES ......................................................................................................................... 27 Songs ................................................................................................................................... 27 II. COMPOSERS AND COMPOSER DATE(S) ......................................................................... 29 EXAMPLES ......................................................................................................................... 29 III. PERFORMERS ................................................................................................................... 29 Back to Table of Contents 2 IV. TRANSLATIONS .............................................................................................................. 29 V. PROGRAM NOTES ............................................................................................................ 29 V. PERFORMER BIO ............................................................................................................... 33 VI. GUEST PERFORMER BIO ................................................................................................. 33 EXAMPLE ........................................................................................................................... 33 VII. ACCOMPANIST BIO ....................................................................................................... 33 EXAMPLE ........................................................................................................................... 33 EXAMPLE ........................................................................................................................... 33 VIII. ACKNOWLEDGMENTS ................................................................................................ 34 VIII. PROGRAM NOTES/TRANSLATIONS .......................................................................... 29 EXAMPLES ......................................................................................................................... 31 IX. PUTTING IT ALL TOGETHER .......................................................................................... 33 The steps to completing your program and ancillary materials for your recital: ........................... 34 INSTRUMENTAL RECITAL PROGRAM STYLE GUIDE ........................................................ 35 COPYRIGHT LAWS ................................................................................................................ 41 USE OF THE COPY MACHINE .............................................................................................. 42 PUBLIC PERFORMANCE BY STUDENTS............................................................................. 42 POLICY ON MUSIC PROGRAM KEYS .................................................................................. 42 HAMRE RECITAL HALL ......................................................................................................... 42 STUDENT PRACTICE ............................................................................................................ 43 RECITALS .............................................................................................................................. 43 PROCEDURES FOR RESERVING HAMRE RECITAL HALL ................................................. 43 REGULATIONS TO BE FOLLOWED IN THE USE OF HAMRE RECITAL HALL .................... 44 SCHEDULING OF NON-UNIVERSITY MUSICAL EVENTS ................................................... 45 SUPERVISION OF FACILITIES AFTER BUILDING HOURS ................................................. 45 DEPARTMENT SEMINARS AND RECITAL ATTENDANCE REQUIREMENT ....................... 45 MUSIC COUNCIL ................................................................................................................... 46 TEACHING OF PREPARATORY STUDENTS ....................................................................... 46 PERFORMANCE AND PEDAGOGY CLASSES ..................................................................... 47 INSTRUMENTAL MUSIC MAJORS WITH KEYBOARD EMPHASIS ...................................... 47 VOCAL MUSIC MAJORS WITH KEYBOARD EMPHASIS ..................................................... 47 SPECIAL PROVISION FOR INTERDEPARTMENTAL MAJORS ........................................... 47 FINANCIAL ASSISTANCE FOR COMPETITIONS ................................................................. 47 MUSIC MAJOR PERSONNEL POLICY .................................................................................. 47 GRADUATING WITH HONORS IN MUSIC ............................................................................. 48 SPECIAL GRADUATION REQUIREMENTS FOR MUSIC MAJORS ...................................... 49 PIANO PROFICIENCY EXAM ................................................................................................ 51 FURTHER REQUIREMENTS FOR VOCAL EMPHASIS ........................................................ 53 FURTHER REQUIREMENTS FOR INSTRUMENTAL EMPHASIS ......................................... 53 PIANO PROFICIENCY REQUIREMENTS FOR PIANO EMPHASIS ...................................... 53 CAREERS IN THE ARTS .......................................................................................................