Yrive:Rsity Af Galifarria, Irvif\~

Yrive:Rsity Af Galifarria, Irvif\~

..' ',.. WELLEK LIBRARY LECTURES YRive:rsity af GalifarRia, IrviF\~ '~n$)~ru MAY 16-18-19.1988 University Professor of English. Directo~ U.C.Humanities SPONSORED by Research Institute THE CRITICAL THEORY INSTITUTE lecture Series: IIA Reopening of Closure: Organicism Against Itself' Monday - '1:30 "The Figure in the Renaissance Poem as Bound and Unbounded" Wednesday - '1:30 "The Typological Imagination and Its Other: Prom Coleridge to the New Critics" , Thursday - '1:30 "Stricken by Metaphor: Some Thematic Consequences" For Information call UCI UNIVERSITY CLUB 17141 85G-5583 A BXBLXOGRAPHY ON MURRAY KRXEGER On the occasion of the 8th Wellek Library Lectures 1888 Previous Wellek Library Lectures Harold Bloom: The Breaking of the Vessels (1981) Perry Anderson: In the Tracks or Historical Materialism (1982) Frank Kermode: Forms of Attention (1983) Jacques Derrida: Memoires (1984) J. Hillis Miller: The Ethics of Reading (1985) Jean-Francois Lyotard: Peregrinations: Law~ Form. Event (1986) Louis Marin: Pascalian Propositions for Today (1987) A CHECKLIST OF WRITINGS BY AND ABOUT MURRAY KRIEGER: A Selected Bibliography Compiled by Eddie Yeghiayan Writings by Murray Krieger 1949 Review or Charles Tennyson's Alrred Tennyson. Christian Science Monitor (June 30. 1849):11. Review or David Dortort's The Post or Honor. Christian Science Monitor (May 13, 1848):20. Review or Jean Bloch-Michel's The Witness. Christian Science Monitor (October 6, 1949):15. Review of Ramon Jose Sender's The Sphere. Christian Science Monitor (l1ay 24, 1948): 18. Review or Walter Van Tilburg Clark's The Track or the Cat. Christian Science Monitor, (June 11, 1949):22. 1950 "Creative Criticism: A Broader View or Symbolism. " Sewanee Review (Winter 1950), 58(1):36-51. "The Unliterary Criticism or Determinism. 1I Review of' Alex Com.f'ort • s The Novel and. Our Ti~. Western Review (Summer 1950). 14(4):311-314. 1951 UMeasure ror Measure and Elizabethan Comedy. II PJ1LA (June 1851), 66(4):775-784. 1952 "Critics at Work." Review of' John Crowe Ransom. ed.• The -2­ Kenyon Critics.. Western Review (Summer 1952) ~ 16(4):325-328. "Toward a Contemporary Apology ¥or Poetry. .. Ph. D. Thesis. Ohio State University, 1952. See abstract in Dissertation Abstracts (June 1958), 18(6):2142-2144. 1953 "The Ambiguous Anti-Romanticism o¥ T. E. Hulme." EL.H (March 1953). 20(1):300-314. The Prob1_ of' Aesthet.ics: A Rinehart. 1953. 1955 "Benedetto Croce and the Recent Poetics o¥ Organicism." Co~atiV& Literature (Summer 1955), 7(3):252-258. 1956 "Dover Beach and the Tragic Sense o¥ Eternal Recurrence." University of' Kausas City Raview (AutUIDD 1956). 23 (1): 73-79. The New AP010gists £'or Poetry. Minneapolis~ MN: University o¥ Minnesota Press. 1956; London: OX£ord University Press. 1956. Contents: Pre¥ace:vii-x. Introductory:3-2B. Section I The Creative Process: Science. Poetry. and the Imagination: 30-110. 1 T. E. Hulme: Classicism and the Imagination: 31-45. 2 T. S. Eliot: ExPression and Impersonality: 46-56. 3 I. A. Richards: Neurological and Poetic Organization: 57-63. 4 The Requirements o¥ an Organic Theory or Poetic Creation: 64-76. 5 The Organic Theory: Support and Derection:77-BS. 6 The Uniqueness Or the Poetic Imagination: 90-110. Section II The Aesthetic ObJect: Science. Poetry. and Language: 111-163. 7 I. A. Richards: Some Tools ror an Organic Criticism: 113-122. 8 The Transrormation or Richards: A Contextual Theory or the Aesthetic ObJect:123-139. S The Contextual Theory: Further Qualirications -3­ and Counter-Qualirications:140-155. 10 A Note on the Objectivity or value: 156-163. Section III The Function or Poetry: Science, Poetry. and Cognition:165-201. 11 Some Older Theories about Poetry and Truth:167-181. 12 Some Conditions ror an Apology:182-201. 1957 "Critical Theory. History and Sensibility." Review of" Rene Wellek's The Historyof!' Criticis., 1750-1950. Vol. 1, The Later Eighteenth Century; Vol. 2, The Ro~tic _e. Western Review (Winter 1957), 21(2):153-159. Review of" Robert M. Browne's Theories of!' Convention in Conte..,orary Allerican Criticia.. I"LN (November 1957), 72(7):551-553. 1958 "Critical Dogma and the New Critical Historians." Review or William K. Wimsatt's and Cleanth Brooks' Literary Criticisa. Sewanee Review (..January-March 1958), 66 ( 1 ) : 161-177. "Tragedy and the Tragic Vision." Kenyon Review (Spring 1958), 20(2):281-299. 1959 "Conrad's Youth: A Naive Opening to Art and Lire." College English (March 1959). 20(6):275-280. "The Dark. Generations or Richard III." Criticis. (Winter 1959), 1(1):32-48. 1960 "Recent Criticism. 'Thematics.' and the Existential Dilemma." Centenial. Review of! Arts and ScieDCa (Winter 1960). 4(1):32-50. A condensed version of" the f"inal chapter or The Tragic Vision: Variations on a The.:. in Literary Interpretation (1960), The Tragic Vision: Variations on a The.:. in Literary Interpretation. New York.. NY: Holt. Rinehart and Winston. 1960. Contents: -4­ Preface: xix-xxiv. 1 Tragedy and the Tragic Vision:1-21. 2 Rebellion and the "State of Dialogue":22-49. 1 The Huguenot Anti-Ethic of Andre Gide:22-37. 2 The State of Monologue in D. H. Lawrence: 37-49. 3 Satanism. Sainthood. and the Revolution:50-85. 1 Andre Malraux: Rebellion and the Realization of Self:50-72. 2 Ignazio Silone: The Failure of the Secular Christ: 72-85. 4 Disease and Health: The Tragic and the Human Realms of Thomas Mann: 86-113. 1 The End of Faustus: Death and Trans­ figuration: 87-102. 2 The Magic nountain: The Failure of "Spirituel" Mediation: 102-113. 5 The World of Law as Pasteboard Mask: 114-153. 1 Franz Kafka: Nonentity and the Tragic: 114-144. 2 Albert Camus: Beyond Noentity and the ReJection of the Tragic:144-153. 6 Jospeh Conrad: Action, Inaction. and Extremity: 154-194. 1 The Varieties of Extremity: 164-179. Heart of DarkuBss:154-165. Lord .Ii.: 165-179. 2 Victory: Pseudo Tragedy and the Failure of Vision: 179-194. 7 The Perils of "Enthusiast" Virtue: 195-227. 1 Melville's "Enthusiast": The Perversion of Innocence:196-209. 2 Dostoevsky's Idiot: The Curse of Saintliness: 209-227. 8 Recent Criticism. "Thematics." and the Existentialist Dilemma: 228-268. 1 Recent Criticism: Formalism and Beyond:229-241. 2 "Thematics fI: A Manichaean Consequence: 241-257. 3 A Pseudo-Christian Consequence and the Retreat from Extremity:257-268. 1961 "Afterword." In Joseph Conrad's Lord .Ii•• pp. 309-317. New York. NY: New American Library. 1961. "Afterword." In Nathaniel Hawthorne's The I"Ial"ble FaUD; or~ The Ro.ance of nonte Deni. pp. 336-346. New York. NY: New American Library. 1961. "Contemporary Literary Criticism: Opening Remarks," and "General Discussion on Contemporary Literary Criticism." In Hazard Adams, Bernard Duffey, et al .• eds., Approaches to the -5­ Study of Twentieth-Century Literature, pp. 107-113, 114-122. Proceedings of the Conference on the Study of Twentieth-Century Literature, First Session, May 2-4, 1961, held at Michi.an State University. East Lansing, HI: Michisan State University Press, 1961. "The 'Frail China ..Jar' and the Rude Hand of Chaos." Centennial. Reviev of .Arts and. Science (Spring 1961>. 5(2): 176-194. Review of E. M. W. Tillyard's The Epic Strain in the English Novel. JE6P (April 1961), 60(2):311-314. Review of Robert Boies Sharpe's Irony in the Dra.a: An Essay on I..,ersonation. Shock and Catharsis. .IE8P (..Jul y 1961), 60(3):550-552. 1962 "After the New Criticism." )"II sBCh~tts Reviev (Autumn 1962). 4(1):183-205. "Contextualism Was Ambitious." ..Journal. of AlErlethetics aDd Art Criticis. (Fall 1962), 21(1):81-88. "Conrad's Youth: A Naive Opening to Art and Life. II In Lee Steinmetz. ed.• Analyzing Literary Works: A Guide ~or Collese Students, pp. 106-112. Evanston, IL: Row, Peterson, 1962. See "Conrad's Youth: A Naive Opening to Art and Life" (1959). "Dostoevsky's Idiot: The Curse of Saintliness." In Rene Wellek. ed., Dostoev&ky: A Collection oE Criti~ EeaaYB, pp. 39-52. Englewood Cliffs. N..J: Prentice-Hall, 1962. See The Trasic Vision: Variations on a ~ in Literary Interpretation (1960), Chapter 7, #2:209-227. Review of ..Joseph Warren Beach's Obsessive Iaag..; Syllbolis. in Poetry of the 19300s aDd 1940·s. .IE8P (April 1962), 61(2):448-461. Review of Richard Foster's The Rev ~ics: A Reappraisal oE the Nev Criticisa. Crit.icis. (Fall 1962). 4 (4): 368-372. 1963 "Every Critic His Own Platonist. II CEA Chap Book (Supplement to the CEA Critic (December 1963>. 26(3)]:25-28. -6­ The New Apolog1.sts f!or Poetry. Bloomington.. IN: Indiana University Press. 1963. A paperback reprint or the edition published by the University Or Minnesota Press in 1956. Includes a new prerace. "Tragedy and the Tragic Vision." In Laurence Anthony Michel and Richard Benson Sewall. eds.• Tragedy: nDdern ~ in Crit1.cis... Pp. 130-146. Englewood. NJ: Prentice-Hall .. 1963. See ·'Tragedy and the Tragic VisionII (1958).. and The Tr8ll1.c Vision: VariatioDB on a ~ 1.n L1.terary Interpretato1.on (1960). Chapter 1:1-21. 1864 "Critical Historicism: The Poetic Context and the Existential Context." In Leon Edel. ed.• Literary History and Literary Critic1.s.. pp. 280-282. Acta Or the 9th Congress or the International Federation ror Modern Languages & Literatures [FILLM), August 25-31. 1963.. held at New York University. New York. NY: New York Univeresity. 1964. "The Poet and His Work--and the Role Or Criticism. II College English (March 1964). 25(6):405-412. A Window to Criticis.: Shakespeare's •Sonnets , and nodern Poetics. Princeton. NJ: Princeton University Press; London: Oxrord University Press. 1964. Contents: Prerace: vii-ix. Part I The Mirror as Window in Recent Literary Theory: 1-70. 1 The Resort to "Miracle" in Recent Poetics: 3-27.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    76 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us