Supporting Information Amézquita Et Al

Supporting Information Amézquita Et Al

Supporting Information Amézquita et al. 10.1073/pnas.1104773108 SI Methods new stimulus calls by varying them. For each species, average Acoustic Co-Occurrence. In brief, each sample of acoustic envi- calls were thus modified in call frequency and note duration at 1 ronment results from recording during 3 min with an omnidi- SD steps, and up to two to three steps beyond the point at which rectional microphone (ME62/K6; Sennheiser). All environmental most reactions of the tested animals were negative. To generate sounds were at a fortuitously chosen position and time of day. replicates of each stimulus call, we randomly altered the non- Because the researcher’s approach could disturb some calling investigated call features within 1 SD of its average values (see males, we began recording ∼5 min after setting up the equip- detailed procedure in refs. 4 and 5). Hereafter, we use the term ment. All recordings were performed on a Marantz PMD660 “constant” to mean varying less than 1 SD of the average value. digital recorder and at the same value of recorder gain. The Manipulating call frequency and note duration implies corre- proportion of time occupied by the call of each species during lated changes in other call features that might contribute to call each sampling period (3 min) was measured from sound oscil- recognition. To modify call frequency, we varied the low and high lograms and spectrograms. We tested whether species pairs frequency of every note and kept the frequency bandwidth segregated in space or time by testing for negative correlations in constant. To modify note duration, we shortened or lengthened calling activity. Conversely, species that tend to coincide in space calls, kept the frequency bandwidth and silent interval constant, and time should exhibit positive correlation in calling activity. but let the rate of frequency change covary. Concomitant changes in frequency modulation allowed us to gradually mimic the calls of Recording of Calls. We used a Sony WM D6C tape recorder or neighboring species in the signal space (Fig. 2). We reanalyzed on a Marantz PMD660 digital recorder and a microphone (AKG D- – Raven all stimuli after the synthesis procedure, and these were the 190-E or Shure BG4.1) positioned at a distance of 0.5 1.5 m in actual spectral and temporal values we used for the subsequent front of the frog. Recordings were resampled at 22 kHz, and statistical analyses. spectral parameters of the calls were analyzed by calculating power spectra (window: Blackman; discrete Fourier transform: fl fi Playback Experiments. Brie y, a loudspeaker connected to a WAV 2,048 samples; 3-dB lter bandwidth: 18.5 Hz) using the software audio player was used to broadcast the stimulus calls at sound- RavenPro 1.4 (1). The call temporal domain was described from pressure level values comparable to those measured at 1–2min oscillograms by measuring note duration, internote interval, and, front of spontaneously calling males [mean, range of sound- for multinote calls, the number of notes per call and the intercall pressure levels (in dB) for Allobates femoralis: 75, 65–89; Allo- interval (2). The call spectral domain was described from power bates sp. 1: 70, 61–80; Ameerega hahneli: 67, 53–83; Ameerega spectra by measuring note low, peak, and high frequency; low picta: 75, 66–83; Ameerega trivittata: 67, 53–83; n =7–16 males]. and high frequency were measured at 20 dB (reference 20 μPA) The loudspeaker broadcasted series of calls according to the below the peak intensity, the value at which the signal energy ’ could still be clearly distinguished from background noise. Data average pattern of spontaneous calling among each species from three calls per male were averaged to represent the males at the study site. The output variable was binary. If the fi smallest unit of statistical analysis. male under test crossed a prede ned perimeter around the loudspeaker, we stopped the experiment and declared a positive Stimuli Synthesis. We synthesized the stimulus calls with Soun- phonotactic response. Trials in which males failed to approach dEdit 2.0.3 (3). An average call was first synthesized for each the loudspeaker within the experimental time were counted as species according to the average temporal and spectral param- negative if the individual being tested exhibited a positive pho- eters at the study site. Then we selected the two call parameters notactic approach in a subsequent control trial performed with (one spectral and one temporal) that better discriminated be- the average call. All tests were conducted when the calling ac- tween the species’ calls (see Signal Space above) and synthesized tivity of the tested species was high. 1. Charif RA, Clark CW, Fristrup KM (2004) Raven 1.2 User’s Manual (Cornell Laboratory of 4. Amézquita A, et al. (2006) Masking interference and the evolution of the acoustic Ornithology, Ithaca, NY). communication system in the Amazonian dendrobatid frog Allobates femoralis. 2. Cocroft RB, Ryan MJ (1995) Patterns of advertisement call evolution in toads and Evolution 60:1874e1887. chorus frogs. Anim Behav 49:283e303. 5. Amézquita A, Castellanos L, Hödl W (2005) Auditory matching of male Epipedobates 3. Weary D, Weisman R (1993) SoundEdit v. 2.0.3. Anim Behav 45:417e418. femoralis (Anura: Dendrobatidae) under field conditions. Anim Behav 70:1377e1386. Amézquita et al. www.pnas.org/cgi/content/short/1104773108 1of1.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    1 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us