Cambridge University Press 978-1-107-02339-0 — Rediscovering Stanislavsky Maria Shevtsova Index More Information Index Abramtsevo Circle, –, – Agitprop (agitational propaganda) groups, xi, Private Opera Theatre and, – Stanislavsky on, – Abramtsevo commune Aleksandrov, Nikolay, – collective goals of, Alekseyev, Georgy, cross-arts explorations in, x Alekseyev, Konstantin. See Stanislavsky, Mamontov and, – Konstantin Stanislavsky at, Alekseyev, Sergey, – acting. See also System of acting Alekseyev, Vladimir, – analogous, Alekseyev Circle, – as noble profession, All-Russian Theatre Association, Acting: The First Six Lessons (Boleslavsky), American Laboratory Theatre, active analysis, – Andreyev, Leonid, , , , restrictions on, Andreyev, Nikolay, actors. See also System of acting Andreyeva, Maria, – co-creativity with directors, , –, Antarova, Konkordiya, –, – discipline for, anthroposophists, – in First Studio, First Studio and, – inert, – yoga and, in MAT, – Antoine, André, , – method of physical action, –, –, Théâtre Libre, –, , The Armoured Train - (Ivanov), , obligations of, – art. See also System of acting; specific topics passive, – cross-arts explorations, in Abramtsevo stage creativity of, commune, x Stanislavsky as, –, , , –, , Stanislavsky on, – , Tolstoy, Lev, on, – in theatre of emotional experiencing, World of Art, x – Association of Friends of the Studio, An Actor’s Work on a Role (Stanislavsky), – audiences, for theatre An Actor’s Work on Himself, Part One ensemble theatre and, relationship with, (Stanislavsky), –, , , in US, Stanislavsky on, – English translation of, , – The Avenger (Pletnev), An Actor’s Work on Himself, Part Two (Stanislavsky), –, , , Babanin, Konstantin, English translation of, , – Bakhrushin, Aleksey, actor-singers, at Bolshoy Opera Studio, Bakhtin, Mikhaïl, – Adashev, A. I., Bakst, Leon, Adashev School, – Baliyev, Nikita, , – Adler, Stella, Balladina (Slowacki), ‘advocates of the people.’ See narodniki ballet masters, at Bolshoy Opera Studio, – affective memory, – Ballets Russes, x, © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02339-0 — Rediscovering Stanislavsky Maria Shevtsova Index More Information Index Barba, Eugenio, The Burning Letters (Gnedich), – The Barber of Seville (Rossini), –, Butusov, Yury, , – Barca, Calderon de la, Byron, George Gordon (Lord), –, – Barker, Harley Granville, Bartoshevich, Alexei, cabbage party. See kapustnik The Bat cabaret, – Cain (Byron), –, – Batalov, Nikolay, – throughaction in, – The Bathhouse (Mayakovsky), Carnicke, Sharon Marie, –, Beaumarchais, Pierre, – Castorf, Frank, Beaumont, Francis, – Chagall, Marc, Benedetti, Jean, , , Chaliapin, Fyodor, , translation of Stanislavsky’s works, , – Art Theatre and, x–xi, –, –, Benois, Aleksandr, , , Cheban, Aleksandr, Berger, Henning, – Chekhov, Anton, , –, , , – Bernhardt, Sarah, – Stanislavsky and Bessalko, Pavel, musicality and, – Biagini, Mario, production scores by Stanislavsky and, Bill-Belotserkovsky, V. N., – biomechanics, works directed by Stanislavsky and, Birman, Serafima, xi, , , , –, , – –, , Chekhov, Mikhaïl, xi, , , –, Blair, Rhonda, –, , , –, , , Blake, William, – Blok, Aleksandr, – artistic legacy of, – ‘Bloody Sunday,’ psychological gesture theory of, The Blue Bird (Maeterlinck), – Chepurov, Aleksandr, Blue Blouse theatre groups, xi, , – Cherevichki (Tchaikovsky), Blyum, Vladimir, The Cherry Orchard (Chekhov, Anton), –, Bogdanov, Aleksandr, – – Boleslavsky, Richard, –, –, Chesnokov, Pavel, Bolsheviks, – Children of the Sun (Gorky), , , , Bolshoy Opera Studio, , – – actor-singers at, Children’s Theatre, , architectural limitations of, Chronegk, Ludwig, – Association of Friends of the Studio and, Civil War, in Russia, , – ballet masters at, – Clark, Katerina, – First Studio and, Claudel, Paul, musical tradition in, – collective creation, through ensemble theatre, Opera-Dramatic Studio transition from, collective creativity, through ensemble theatre, teachers at, – Bolshoy Theatre, Communist Party after October Revolution, criticism of Meyerhold, – Borovsky, Victor, – MAT and, Bourdieu, Pierre, newspapers controlled by, on conductorless orchestra, conductorless orchestra, as metaphor, bourgeois culture, Constructivism, , –, –, , , Boyd, Michael, Copeau, Jacques, , – Brahm, Otto, Coquelin, Constant, Brecht, Bertolt, , , –, Cormon, Eugène, – The Bricklayer (Bessalko), Craig, Edward Gordon, –, , , , Brook, Peter, , , –, – – brutalism, creation. See collective creation Bruysov, Valery, – creativity. See collective creativity Bulgakov, Mikhaïl, –, –, – The Cricket on the Hearth (Dickens), –, Burdzhalov, Georgy, –. See also Fourth Studio Crommelynck, Fernand, , © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02339-0 — Rediscovering Stanislavsky Maria Shevtsova Index More Information Index D. E. (Podgayetsky), Dukhobors (‘spirit wrestlers’), – The Dawn (Verhaeren), Dullin, Charles, – The Days of the Turbins (Bulgakov), –, – Duma, establishment of, Dead Souls (Gogol), – Duncan, Isadora, xi, , –, –, , The Death of Ivan the Terrible (Tolstoy, Aleksey), , Duras, Marguerite, Decroux, Étienne, – Durasova, Maria, – The Deluge (Berger), – Duse, Eleonora, Demidov, Nikolay, xi, , –, , , , , Earth Rampant (Tretyakov, Sergey), d’Ennery, Adolphe, – Edwards, Christine, – Deutsches Theater, Efros, Anatoly, –, Deykun, Lidiya, xi, , – Efros, Nikolay, , Diaghilev, Sergey, – Eidinger, Lars, Ballets Russes, x, Eisenstein, Sergey, – Stanislavsky and, Eliade, Mircea, World of Art, x Elizabeth I (Empress), – Dickens, Charles, –, , emotional experiencing. See theatre of emotional directors, – experiencing co-creativity with actors, , –, An Enemy of the People (Ibsen), – definition of, – ensemble theatre development traditions for, – audience relationship with, at MAT, – collective creation through, Meyerhold as, – collective creativity through, Nemirovich-Danchenko as, – framework for, – with Stanislavsky, – MAT as, – result director, mission of, – role in artistic process, – permanence of ensemble as element of, root director, Nemirovich-Danchenko on, Stanislavsky as, –. See also Chekhov, organic processes of, Anton; Gorky, Maksim; Shakespeare, Pushkino and, William as repertory company, of A Mad Day or The Marriage of Figaro, Stanislavsky as influence on, – – star system as distinct from, with Nemirovich-Danchenko, – System of acting in, – realism for, – as ‘theatre-church,’ – of The Sunken Bell, – under USSR regime, – of Uriel Costa, – as Utopian community, – discipline, – ‘epic theatre,’ for actors, Erdman, Nikolay, , – in System of acting, – Erik XIV (Strindberg), , types of, ethics, – The Divine Image (Blake), disruptions of, The Divine Poem (Scriabin), in System of acting, –, The Doctor in Spite of Himself (Molière), etudes, in System of acting, –, , , , Doctor Stockman (Ibsen), – , , , , , , Dodin, Lev, x, , , , , , –, eurhythmics, , –, , , –, – Evreinov, Nikolay, – Don Pasquale (Donizetti), – Donizetti, Gaetano, – The Fairground Booth (Blok), Donnellan, Declan, – ‘fantastic realism,’ Dostoyevsky, Fyodor, , , of Vakhtangov, The Drama of Life (Hamsun), , Fedotov, Aleksandr, – A Dream of Passion (Strasberg), Fedotov, Glikeria, , Dréville, Valérie, The Festival of Peace (Hauptmann), – © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02339-0 — Rediscovering Stanislavsky Maria Shevtsova Index More Information Index The Fiery Angel (Bruysov), – The Government Inspector (Gogol), , – Figes, Orlando, Granovsky, Aleksandr, – First Five Year Plan, under Stalin, , The Green Circle (Gippius), – First Studio, xi, , – Griboyedov Drama Studio, – actor’s creativity in, Grotowski, Jerzy, , , – Adashev School and, – Group Theatre, anthroposophists and, – Gurevich, Lyubov, , – Bolshoy Opera Studio and, Gutskow, Karl, – greater than national importance of, gymnastic theatre, – MAAT and, – student training at, – Habima theatre, System of acting in, – habitus, , –, , –, timeline for, Hall, Peter, – as Utopian community, – Hamlet (Shakespeare), , – yoga and, – Hamsun, Knut, , Fitzpatrick, Sheila, Hanako, Flight (Bulgakov), , , Hapgood, Elizabeth Reynolds, – Fokin, Valery, Hauptmann, Gerhart, –, – Fomenko, Pyotr, Hejermans, Herman, – The Forest (Ostrovsky), Hellerau, , Forsythe, William, Hesychasm, Fourth Studio, , – Hisa, Ota, formation of, – ‘holy theatre,’ political mission of, Hosking, Geoffrey, theatrical objectives of, – human spirit, Stanislavsky on, –, , , , The Fruits of Enlightenment (Tolstoy, Lev), xi, , , –, , –, , , , , Fuller, Loïe, ‘I am.’ See ‘ya yesm’ Ibsen, Henrik, , , – Galendeyev, Valery, – immediate action, – Gandhi, Mahatma, Imperial Theatres. See also state theatres Gas Masks (Tretyakov, Sergey), Bolshoy Theatre, Gates, Helmar, censors in, – Gémier, Firmin, cultural influence of, – Gest, Morris, Maly Theatre, Geytts, Mikhaïl, – monopoly of, abolishment of, Giatsintova, Sofya, xi, , – star system in, Gippius, Zinaïda, – improvisation, – Gnedich, Pyotr, – individuality, as distinct from individualism, Gogol, Nikolai, , –, – – The Golden Cockerel (Rimsky-Korsakov), – inert actors, – Goldoni, Carlo, The Internationale (anthem), Golovin, Aleksandr, xiii, , –, , –, Israfilov, Israfil, Israfilov, Rifkat, Golubkina, Anna, , Ivanov, Vsevolod, , Gorchakov, Nikolay, , Gorky, Maksim James, William,