ORGAN M. P. Möller – 3-Manual Organ, 1951 The Robert Turner – 5-Manual Console, 1998 Robert Walker – Digital Sounds, 1998 Great Choir Swell Solo Organ Organ Organ Organ Gemshorn 16′ Erzähler 16′ Rohrbourdon 16′ Contra Gamba 16′ Bourdon 16′ Principal 8′ Geigen Diapason 8′ Flauto Mirabilis 8′ Montre 8′ Gedeckt 8′ Rohrflöte 8′ Gamba 8′ Principal 8′ Viola 8′ Viole de gambe 8′ Gamba Celeste 8′ Bourdon 8′ Viola Celeste 8′ Voix céleste 8′ Orchestral Flute 4′ Flûte harmonique 8′ Dulciana 8′ Muted Viols II 8′ Posaune 16′ Gemshorn 8′ Unda Maris 8′ Flute Celeste II 8′ Double English Octave 4′ Prestant 4′ Muted Flute Celeste Horn 16′ Flûte octaviante 4′ Koppelflöte 4′ II Orchestral Oboe 8′ Quinte 2 2/3′ Nazard 2 2/3′ Principal 4′ English Horn 8′ Superoctave 2′ Principal 2′ Flûte 4′ Corno di Bassetto 8′ Waldflöte 2′ Tièrce 1 3/5′ Blockflöte 2′ French Horn 8′ Tièrce 1 3/5′ Larigot 1 1/3′ Plein Jeu III- Tuba Mirabilis 8′ Mixture III-IV Sifflöte 1′ IVCymbel III-IV Jubilate Deo (Great) Scharf II-IV Zimbel III-IV Contre Bassoon 16′ Tuba Clarion 4′ Contra Trompete 16′ Cor Anglais 16′ Trompette 8′ Tremolo Trompete 8′ Clarinet 8′ Bassoon 8′ Chimes (Choir) Clarion 4′ Krummhorn 8′ Vox Humana 8′ Harp (Choir) Jubilate Deo 8′ Trompette Clairon 4′ Celesta (Choir) Chimes (Choir) harmonique 8′ Jubilate Deo (Great) Midi Midi Jubilate Deo (Great) Tremolo Solo Sub Great Sub Regal 4′ Midi Solo Unison Off Great Unison Off Chimes Swell Sub Solo Super Great Super Tremolo Swell Unison Off Harp Swell Super Celesta Harp Damper Zimbelstern Choir Sub Choir Unison Off Choir Super Antiphonal Pedal Console Mechanicals The remote style multi level combination Organ Organ system has 32 levels of memory, four ad- Montre 8′ Contre Bourdon 32′ jutable crescendi with a 60 step digital Cor de Nuit 8′ Contre Violone 32′ readout display. Keylock for locking each Flûte harmonique 8′ Contrebasse 16′ level of memory. Flute Celeste II 8′ Open Diapason 16′ Viole 8′ Violone 16′ Viole Celeste 8′ Cont. Gamba (Solo) The System has the following: Traverse Flute 4′ 16′ General Pistons: 1-14, duplicated by toe Unda Maris II 4′ Bourdon 16′ studs Octave 4′ Gemshorn (Great) Manual Pistons: 0-10 Superoctave 2′ 16′ Pedal Pistons: 0-8 duplicated by toe Waldflöte 2′ Rohrbordun (Swell) studs Mixture IVPetite 16′ Coupler Pistons: 0-3 Trompette 8′ Octave 8′ Reversible Pistons (Thumb and Toe): Vox Humana 8′ Bourdon 8′ Great, Swell, Choir, Solo and Antiphonal TremoloBourdon Violoncelle 8′ to Pedal, Zimbelstern, Sforzando doux (Pedal) 16′ Gemshorn (Great) Reversible Pistons (Thumb only): Bass Violine (Pedal) 8′ Swell, Choir, Solo and Antiphonal to 16′ Rohrflöte8′ Great. Swell, Solo and Antiphonal to Antiphonal Sub Choral Basse 4′ Choir. Harp Damper, All Swells to Swell Reversible Pistons (Toe Spoon only): Ant. Unison Off Bourdon 4′ Antiphonal Super Principal 2′ 32′ Bourdon, 32′ Violone, 32′ Bassoon, 32′ Mixture VOphicleide Ophicleide, 32′ Posaune. Divisional 32′ cancels, except Couplers, will be on stop Contra Posaune jamb divisi (Gt) 32′ Contre Basson (Sw) 32′ Bombarde 16′ Contra Trompete 16′ Basson (Swell) 8′ Trompette 8′ Trompete (Great) 8′ Jubilate Deo (Great) Clairon 4′ Basson (Swell) 4′ Schalmei 4′ Chimes (Choir) Midi Couplers Great to Pedal 8′ Great to Pedal 4′ Swell to Pedal 8′ Swell to Pedal 4′ Choir to Pedal 8′ Choir to Pedal 4′ Solo to Pedal 8′ Solo to Pedal 4′ Antiph. to Pedal 8′ Antiph. To Pedal 4′ Swell to Great 16′ Swell to Great 8′ Swell to Great 4′ Choir to Great 16′ Choir to Great 8′ Choir to Great 4′ Solo to Great 16′ Solo to Great 8′ Solo to Great 4′ Antiph. on Great Swell to Choir 16′ Swell to Choir 8′ Swell to Choir 4′ Solo to Choir 16′ Solo to Choir 8′ Solo to Choir 4′ Antiph. on Choir Solo to Swell 16′ Solo to Swell 8′ Solo to Swell 4′ Antiph. on Swell Antiph. on Solo Great/Choir Transfer All Swells to Swell Great on Solo Reeds Off .